Download ebook FREE - Allemandi

More documents

Recommendations

Info

Porxos Carrer Merceria The appearance of individual buildings from the Mediaeval Period suggested the proposal for different pavin to help us to define those historical profiles that we wanted to stand out. In the case of these med iaeval Porches, a pavement of marble strips was opted for set in a pattern that reminds you of an interior wooden floor (fig. 7). The solid stair of the same stone helps us to read and differenciate between the historical times in which each piece was inserted. Conclusions Finally I would like to point out that the work I have presented should be a reflection on a way of focusing on the performance of a project in the city. A way that avoids emblematic or media actions to go deep into a system that predominates over all the parts. A path that includes and does not exclude, that allows the easy incorporation of different professionals and where always history, our own urban history, plays the key reference role when taking the best decisions upon which to act. A corner can be better understood or emphasised with a pavement that brings together the general theory; an outstanding building can incorporate a individual finish that makes it more evident, a simple pavement suggests to us a global reading of the area and everything remains incorporated into the daily life of the Part Alta of Tarragona. Thank you. Jordi casadevall dalMaU Architect, degree in Barcelona ETSAB 1976. He has been Chief Architect for Monuments in the Government of Catalonia (1982- 1986). Actually he is a Professor at the School of Engineering and Architecture La Salle School (ETSALS) in Barcelona. His office has been specialized in works and projects in Monuments and Historical Buildings. His work for Publics Buildings, such as Libraries, Schools, Health Residences, has won several Awards. 38
Multiple Interpretations, Technological Applications and Public Interaction in Archaeological Museums in Europe nikolas PaPadiMitrioU, Museum of Cycladic Art The quest for efficient technological applications in museums has been intense over the past 15 years. Archaeological museums, in particular, have laid emphasis on techniques of virtual reconstruction, meant to “breathe life” into fragmentary artefacts and architectural ruins; other applications attempt to demonstrate the contextual links between artefacts and sites, in order to clarify the functional utility of both. Such approaches serve a positivist attitude towards the past and have made archaeological knowledge more accessible and comprehensible to the public. Whether they have fully responded to the needs of a modern audience, however, is a question which has to remain open. The ultimate goal of current museological research is interactivity. Quite often, however, “interactivity” in literature is meant in its strict technical sense, referring to various types of multimedia which communicate more effectively the messages of a given exhibition structure. Only rarely is this associated with a re-appraisal of curatorial practices and a reconsideration of conceptual attitudes towards the exhibits. 1 Yet, an interactivity which relies only on technical resources can offer little more than fresh packaging to old ideas. Innovative approaches are also necessary if we want to make a difference from the past. Information technology provides a new and attractive “language” of communication; but as with every type of communication, the message matters more than the medium. If we wish to find out how we will improve the experience of visitors in archaeological museums, we need first to understand what modern audiences expect from such type of institutions. This is not an easy exercise. Social and economic conditions have changed dramatically in Europe since archaeological museums were first established back in the late eighteenth and nineteenth centuries and, also, since a new wave of interest in museums and the interpretation of the past arose in the last decades of the twentieth century. 2 39
Page 1: THE ARCHAEOLOGICAL MUSEALIZATION ed
Page 4 and 5: Published by Umberto Allemandi & C.
Page 6 and 7: 71 The Museographic Presentation of
Page 8 and 9: Unità di ricerca di torino 240 La
Page 10 and 11: I primi risultati della ricerca son
Page 12 and 13: Foreword The PRIN Research Project
Page 14 and 15: - Unità di Genova Il museo diffuso
Page 17 and 18: Oltre il Parco Archeologico: le esp
Page 19 and 20: Fig. 2. Carta del Salento con la di
Page 21 and 22: Fig. 4. San Vito dei Normanni, Muse
Page 23 and 24: Three Different Ways to Exhibit Arc
Page 25 and 26: Fig. 1. Herne, Museum for Archaeolo
Page 27 and 28: Fig. 3. Xanten, RömerMuseum: narra
Page 29 and 30: Fig. 6. Chemnitz, Haus der Archäol
Page 31 and 32: Fig. 1. “Part Alta” of Tarragon
Page 33 and 34: Fig. 2. The three topographic platf
Page 35 and 36: Fig. 5. Plaça del Forum. Each type
Page 37: Fig. 7. Porxos Carrer Merceria. Pla
Page 41 and 42: of even thousands of years were con
Page 43 and 44: a new trend prevailed, according to
Page 45 and 46: Fig. 3. Levels of meaning in an app
Page 47 and 48: ) kids as cUrators: Virtual galleri
Page 49 and 50: BiBliograPhy G. Abend, “The Meani
Page 51 and 52: Archaeological Museography: Present
Page 53 and 54: of the reunion between our faith an
Page 55 and 56: well. They had recuperated and rest
Page 57 and 58: Fig. 2. MAHE, plan project. the wal
Page 59 and 60: Fig. 6. MAHE, interior of Museo Arq
Page 61: Paper
Page 64 and 65: There are several historical buildi
Page 66 and 67: Sant Sebastià, where they were com
Page 68 and 69: Fig. 3. View of the musealization.
Page 70 and 71: of Heritage of the Etruscan Culture
Page 72 and 73: Fig. 2. Plan of the forum with its
Page 74 and 75: around the main temple and finally
Page 76 and 77: Fig. 4. Reconstructed ceiling of th
Page 78 and 79: Fig. 9. The Curia (photo by A. Goul
Page 80 and 81: templates other essential elements
Page 82 and 83: JoaqUiM MontUriol sanés Bachelor o
Page 84 and 85: Fig. 2. The Great Hall of the Museu
Page 86 and 87: Fig. 4. Reconstruction of the exter
Page 88 and 89:
ing in opus spicatum, “cocciopest
Page 90 and 91:
Fig. 1. Anastylosis of a section of
Page 92 and 93:
of the second century BC heights, s
Page 94 and 95:
Fig. 2. The musealization of the ar
Page 96 and 97:
Fig. 6. The ancient entrance stairw
Page 99 and 100:
Fig. 1. Main plan of the exposition
Page 101 and 102:
Fig. 5. View of the internal path a
Page 103 and 104:
From Static Conservation to Dynamic
Page 105 and 106:
of showing particular application o
Page 107 and 108:
Fig. 1. Archeological observatory o
Page 109 and 110:
archaeological collection of object
Page 111 and 112:
Coverage of Chromatius Hall, Aquile
Page 113 and 114:
Fig. 2. Aquileia, coverage on the C
Page 115 and 116:
Fig. 1. The virtual recovery view o
Page 117 and 118:
Fig. 3. The virtual view of Hanyuan
Page 119 and 120:
Fig. 5. Part of the foundation of t
Page 121 and 122:
Unità di ricerca di Genova
Page 123 and 124:
Page 125 and 126:
Page 127 and 128:
Unità di ricerca di Milano
Page 129 and 130:
Page 131 and 132:
Page 133 and 134:
Unità di ricerca di Palermo
Page 135 and 136:
Page 137 and 138:
Page 139 and 140:
Unità di ricerca di Roma
Page 141 and 142:
Page 143 and 144:
Page 145 and 146:
Page 147 and 148:
Unità di ricerca di Torino
Page 149 and 150:
Page 151 and 152:
Page 153 and 154:
Unità di ricerca di Genova Paesagg
Page 155 and 156:
Dal rudere all’icona alessandro v
Page 157 and 158:
della Città del Vaticano e non del
Page 159 and 160:
Le polverose teche sature di piccol
Page 161 and 162:
servizi accompagnato da prezzi non
Page 163 and 164:
Fig. 2. Liguria. Strategie per il m
Page 165 and 166:
together with non competitive price
Page 167 and 168:
alessandro valenti Si laurea a Roma
Page 169 and 170:
di un passato inteso come dato conc
Page 171 and 172:
Fig. 3. Veduta di Dresda dopo il bo
Page 173 and 174:
apporto tra la cultura museale e la
Page 175 and 176:
Abstract The themes developed in th
Page 177 and 178:
cheologici del Lazio, Politecnico d
Page 179 and 180:
Fig. 1. Immagine storica del restau
Page 181 and 182:
Fig. 3. L’intervento protettivo e
Page 183 and 184:
Nella macro-area Contexts rientrano
Page 185 and 186:
Abstract The intervention on ruins
Page 187 and 188:
carola gentilini Carola Gentilini (
Page 189 and 190:
espect for cultural diversity and h
Page 191 and 192:
Fig. 3. Mappa dell’Atlantikwall (
Page 193 and 194:
utilizzati per portare alla luce al
Page 195 and 196:
BiBliografia Dividing lines, connec
Page 197 and 198:
Michela Bassanelli Architetto, dott
Page 199 and 200:
Fig. 1. Schema degli interventi pos
Page 201 and 202:
al suo interno il tormentone, così
Page 203 and 204:
Fig. 3. Schema del rapporto fra le
Page 205 and 206:
1 Appartenenti al già dipartimento
Page 207 and 208:
Unità di ricerca di Roma Allestire
Page 209 and 210:
dell’astronomia. Le muse erano fi
Page 211 and 212:
Fig. 2. Masterplan Spazi ipogei. de
Page 213 and 214:
Fig. 3. Vista del margine da via An
Page 215 and 216:
ventinus Minor, sono dislocate tre
Page 217 and 218:
La struttura dei padiglioni è in s
Page 219 and 220:
Fig. 5. Vista dell’accesso alle T
Page 221 and 222:
Fig. 6. Vista dei percorsi del Frig
Page 223 and 224:
nenti dell’articolato impianto at
Page 225 and 226:
Fig. 7. Vista dell’Asse della cul
Page 227 and 228:
e altimetricamente secondo un princ
Page 229 and 230:
Fig. 8. Vista dello spazio ipogeo (
Page 231 and 232:
Fig. 9. Veduta del Calidarium. Un v
Page 233 and 234:
all’immagine reale e poetica, anc
Page 235 and 236:
13 G. Jenewein, Die Architekturdeko
Page 237 and 238:
lUcio altarelli Professore ordinari
Page 239 and 240:
tura e pubblicazioni. Nel 2007 part
Page 241 and 242:
- Studium snc, ricerche archeologic
Page 243 and 244:
Research in Piedmont provides in a
Page 245 and 246:
a un panorama variegato di interven
Page 247 and 248:
ischia di andare incontro a una pro
Page 249 and 250:
si veda il Museo del Paesaggio di P
Page 251 and 252:
sinergie però possono e debbono es
Page 253 and 254:
valeria MinUcciani Ricercatore pres
Page 255 and 256:
Madama o il Museo Egizio, ma anche
Page 257 and 258:
La musealizzazione di siti archeolo
Page 259 and 260:
Fig. 2a. Torino, il settore occiden
Page 261 and 262:
Fig. 4a. Torino, piazza San Giovann
Page 263 and 264:
Un secondo stadio dell’intervento
Page 265 and 266:
La musealizzazione di siti archeolo
Page 267 and 268:
dell’impero fu dotata di una capi
Page 269 and 270:
Fig. 2. Riproposizione in versione
Page 271 and 272:
piano interrato del Castello, colle
Page 273 and 274:
sotto della sede dell’Istituto ba
Page 275 and 276:
Fig. 4. Area 3: vista dell’allest
Page 277 and 278:
Abstract The “case studies” of
Page 279 and 280:
Editors Marco vaUdetti Full Profess
Page 282:
Il convegno internazionale svoltosi
show all

Download ebook FREE - Allemandi

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?