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Fig. 6.<br />
Chemnitz, Haus der<br />
Archäologie: the table<br />
of Saxony (photo by<br />
Atelier Brückner).<br />
der the cathedral to which medieval Xanten owes its origin. Four<br />
selected Frankish graves illustrate the Germanic culture, Roman<br />
traditions and continued links to the Mediterranean.<br />
Haus der Archäologie, Chemnitz, Germany<br />
The “Haus der Archäologie”, the latest project to be presented, will<br />
be located in the “Kaufhaus Schocken” in Chemnitz, designed by<br />
the famous architect Erich Mendelsohn in the 1920’s. In 2013 it will<br />
be opened as state museum for archaeology and history in Saxony.<br />
At the moment, everything is under construction, but I will show<br />
you the principle concept for this museum:<br />
The content for the museum is quite similar to the museum of<br />
Herne, but the way of presentation is different.<br />
A section through the museum shows the ground floor, the three<br />
floors with permanent exhibition and the fourth floor for temporary<br />
exhibitions. On the first floor the visitor walks through 280,000<br />
years of Saxony, in the second through 7,000 years and in the third<br />
through 1.000 years. Two highlights of the museum are starting on<br />
the ground floor: “The table of Saxony” (fig. 6) and a 15 meters<br />
high section through the earth. The last one mentioned is the biggest<br />
original object of the museum, and it stands for the concentration<br />
of time and the unbelievable power of nature. The devise of human<br />
being inside the section, are the starting point for the work of<br />
archaeologists.<br />
Like the section, the “saxentable” stands also as a symbol for time.<br />
This highlight combines different layers. On the ground floor the<br />
visitor finds an interactive table with fascinating content of Saxony<br />
and the exhibition. Everybody in the foyer can interact with the<br />
table, without ticket; we call this free museum. The second layer<br />
is a topographic map; these moveable elements connect the floors<br />
and they are a symbol for the time axis. When these elements are<br />
in motion, content is projected on them, suitable to the content of<br />
the floor. The map elements are moving through time. This movement<br />
through time, which the visitor learns at the beginning of the<br />
exhibition, will be taken as basic principle for all the media in the<br />
exhibition.<br />
During an excavation archaeologists are discovering hints from the<br />
ground earth. Cut-outs in an untapped landscape or in the heart<br />
of a city are drawing interest in archaeology. A grid structures the<br />
landscape, and preserves the character. The removal, scrolling and<br />
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