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Fig. 6.<br />

Chemnitz, Haus der<br />

Archäologie: the table<br />

of Saxony (photo by<br />

Atelier Brückner).<br />

der the cathedral to which medieval Xanten owes its origin. Four<br />

selected Frankish graves illustrate the Germanic culture, Roman<br />

traditions and continued links to the Mediterranean.<br />

Haus der Archäologie, Chemnitz, Germany<br />

The “Haus der Archäologie”, the latest project to be presented, will<br />

be located in the “Kaufhaus Schocken” in Chemnitz, designed by<br />

the famous architect Erich Mendelsohn in the 1920’s. In 2013 it will<br />

be opened as state museum for archaeology and history in Saxony.<br />

At the moment, everything is under construction, but I will show<br />

you the principle concept for this museum:<br />

The content for the museum is quite similar to the museum of<br />

Herne, but the way of presentation is different.<br />

A section through the museum shows the ground floor, the three<br />

floors with permanent exhibition and the fourth floor for temporary<br />

exhibitions. On the first floor the visitor walks through 280,000<br />

years of Saxony, in the second through 7,000 years and in the third<br />

through 1.000 years. Two highlights of the museum are starting on<br />

the ground floor: “The table of Saxony” (fig. 6) and a 15 meters<br />

high section through the earth. The last one mentioned is the biggest<br />

original object of the museum, and it stands for the concentration<br />

of time and the unbelievable power of nature. The devise of human<br />

being inside the section, are the starting point for the work of<br />

archaeologists.<br />

Like the section, the “saxentable” stands also as a symbol for time.<br />

This highlight combines different layers. On the ground floor the<br />

visitor finds an interactive table with fascinating content of Saxony<br />

and the exhibition. Everybody in the foyer can interact with the<br />

table, without ticket; we call this free museum. The second layer<br />

is a topographic map; these moveable elements connect the floors<br />

and they are a symbol for the time axis. When these elements are<br />

in motion, content is projected on them, suitable to the content of<br />

the floor. The map elements are moving through time. This movement<br />

through time, which the visitor learns at the beginning of the<br />

exhibition, will be taken as basic principle for all the media in the<br />

exhibition.<br />

During an excavation archaeologists are discovering hints from the<br />

ground earth. Cut-outs in an untapped landscape or in the heart<br />

of a city are drawing interest in archaeology. A grid structures the<br />

landscape, and preserves the character. The removal, scrolling and<br />

29

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