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Download ebook FREE - Allemandi

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Fig. 1.<br />

Herne, Museum for<br />

Archaeology: installation<br />

skull fragments (photo<br />

by Stefan Brentführer).<br />

The walkway serves as a time line leading us to the many major and<br />

minor stories of past which can be discovered left and right of the<br />

walkway. The most important information and finds are directly<br />

beside the walkway. At some places models and reconstructions<br />

assist the visitor to interpret the traces of the past. Multimedia terminals,<br />

listening stations, and flipbooks offer detailed information<br />

on selected subjects.<br />

Brightly lit tents line the way through the excavation site. They<br />

imitate the protective shelters found at excavation sites. Just one or<br />

two archaeological objects are in the centre of each of these excavation<br />

tents. Here, the visitors are invited to deal with one topic with<br />

all their senses. Each of the six excavation tents lining the walkway<br />

deals with one theme, which is characteristic of a time period, such<br />

as the propaganda of the Romans or life in medieval cities.<br />

Four excavation tents can be reached only from the central, open<br />

space in the middle of the exhibition. They are small, exhibition<br />

units closed in themselves and features four basic aspects of human<br />

existence through all ages and beyond all borders climate, time,<br />

writing, sexuality. One as well deals with the theme death. Inside<br />

the cube the visitor is confronted with the question, why people<br />

began to cremate their dead 3,300 years ago.<br />

In the thematic cube “Evolution” two skull fragments are shown at<br />

first glance are unspectacular to say at least (fig. 1).<br />

Once they are embedded in a space-generating subject composed of<br />

outsized X-ray pictures of the skulls of a member of homo sapiens an<br />

25

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