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Unità di ricerca<br />

di Roma<br />

Abstract<br />

The first study phase has condensed itself into the elaboration of a<br />

Master plan, which outlines six renovation areas, each one devised<br />

as single thematic units.<br />

The outlined areas are linked to the following topics:<br />

The subject of a margin as a functional and morphological revision<br />

of the outside borders of the archeological area and as a redesign of<br />

the perimetral promenade.<br />

The facilities are placed along the area once occupied by the second<br />

row of the Tabernae. Aligned on this axis are the most of the main<br />

services like the ticket booth and the bookshop.<br />

The entrance area and the multimedia rooms, which are aligned on<br />

the western side of the Baths, work in the fruition and in getting to<br />

know the area, while restoring one of the original 4 entrances, which<br />

to this day is characterized by the presence of some ruins and the<br />

remains of the first floor mosaic.<br />

The axis of the Frigidarium as a dynamic route that connects the<br />

opposite poles of the site, embodied by the emptiness of the two<br />

gymnasiums, and measures the length of the longitudinal axis of<br />

the Baths. Perpendicular to this, therefore cutting it in half, is the<br />

imaginary line that links the Natatio, the ornamental fountain, to the<br />

Tepidarium and the Calidarium, and this sequence of locations works<br />

as a potential water axis.<br />

The cultural axis, placed long the western exedra, connects the two<br />

original access points of this area of the Baths: the one comprised of<br />

the monumental staircase, which once linked the smaller of the two<br />

heights of the Aventine hill to the one placed in close proximity<br />

with the Tabernae, on the opposite side. This axis, notable for the<br />

monumentality of its ruins, is imagined as the designated place to<br />

hold temporary events like exhibitions, shows, and installations of<br />

both artistic and multimedia nature.<br />

Lastly, the itinerary comprehends the entrance to the underground<br />

areas. This area not only reveals the subterranean motor of the Baths<br />

but is also thought of as an exhibition space for the more important<br />

marmoreal pieces.<br />

Closer examination of the plans for these areas has been passed on<br />

to the various planning groups, each one directed by an overseer<br />

and helped by consultants specialized in the specificity of the single<br />

renovation themes.<br />

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