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Unità di ricerca<br />

di Milano<br />

Abstract<br />

The traces of war present in the urban foundation of cities as in landscapes,<br />

represent a patrimony which is difficult to manage and have<br />

a relationship with because they are linked to unpleasant memories,<br />

often traumatic ones. On one hand, people would like to eliminate<br />

all these traumatic presences and memories, while on the other hand,<br />

at the same time there is the fear of losing part of one’s history and<br />

identity which is made up of these scars (Carr, 2010). There must<br />

be a third possibility, a “third space”, as H. K. Bhabha would call<br />

it, or rather a space in which to develop a different design process<br />

regarding the tangible and intangible patrimony generated by the<br />

conflicts that together can have a musealization and a therapeutic<br />

effect. The findings become not only liberation from the loss of the<br />

memory but are also used to bring to light other stories and rediscover<br />

other memories suffocated up until now. The interventions on the<br />

territory in fact have a conciliatory will in the sites and events and<br />

aim to realize the objective that the “New Museography” has: to act<br />

as the instrument of reconciliation and re-appropriation of places<br />

and people.<br />

196

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