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of Daming Palace utilized all of those artefacts, instead of copying
its original surroundings, to make visitors memorize that specific era.
Just as Schärer (2008) stated “in the process of musealization, the
original spirit and the integrative social context of things disappear;
remaining are the “physical wrappings”... the object is saved through
its ”death” (a departure from its first context), what we treated to the
“Daming Palace” is to give the real objects a rebirth, contextual it in
a modern efficient way, and interpret those original identity.
BiBliograPhy
J. Ashurst, Conservation of Ruins, in Butterworth-Heinemann Series, Oxford
2007.
D. Crimp, On the Museums Ruins, MIT, London 1993.
J. Clifford, “Travelling Cultures”, in Cultural Studies, Routledge, New York
1992.
A. Ghersi, F. Mazzino, Landscape & Ruins: Planning and Design for the Regeneration
of Derelict Places, Alinea, Florence 1997.
M. Halbwachs, On Collective Memory, The University of Chicago Press,
Chicago 1992.
P. J. Ucko, Theory in Archaeology: A World Perspective, Southampton University,
December 1992.
F. Lenzi, A. Zifferero, Archeologia del museo: i caratteri originali del museo e la sua
documentazione storica fra conservazione e comunicazione, Compositori, Bologna
2004.
S. Macdonald, A Companion to Museum Studies, Blackwell, London 2006.
S. Macdonald, F. Gordon, Theorizing Museums, Blackwell, Oxford 1996.
B. Messias Carbonell, Museum Study: An Anthology of Contexts; Blackwell,
Oxford 2004.
K. Walsh, The Representation of the Past: Museums and Heritage in the Post-Modern
World, Routledge, New York 1992.
B. Zhou, Daming Palace, People’s Press, Beijing 2009.
xU xianya
Bachelor of Architecture at Nanjing University of Technology (2003-2008); University
Degree in Architecture at Politecnico di Milano (2008-2010), Candidate of PhD
Politecnico di Milano (2011-now).
Work experience: Architectural Design Assistant in KFStone Canada, Shanghai,
China (2006); Architectural Design Assistant in Wuxi Architectural
Design&Research Institute Liability Co. Ltd, Wuxi, China (2007); Exhibition and
Graphic Designer in Stefano Boeri Architetti, Milan, Italy (2009-2010).
Research experience: participate in the conference “Architectural Heritage of China
within Global Vision” with the paper The Conversation of Historic Kilns Remaining in
Canal Bank of Wuxi, in Shanghai, China, 2006.
Right now, she’s dedicated to the research concerning the architectural heritage museology
and the feasibility of the worldwide art exhibition fair mode in Asia.
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