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T. Gillian, T. Caulton, Communication Strategies in Interactive Space at Exploring<br />
Science in Museums, 1996.<br />
A. Mintz, Media and Museum: A Museum Perspective in the Virtual and the Real in<br />
Thomas, The Virtual and the Real. Media in the Museum, American Association<br />
of Museums, Washington 1998.<br />
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http://www.getty.edu/art/exhibitions/apollo_pompeii<br />
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of Museums, Washington 1998.<br />
A. Hünnekens, Expanded Museum. Kulturelle Erinnerung und virtuelle Realitäten,<br />
transcript, Bielefeld 2002.<br />
Y. E. Kalay, T. Kvan (eds.), New Heritage. New Media and Cultural Heritage,<br />
Routledge, Abingdon-New York 2007.<br />
R. Parry, Recoding the Museum. Digital Heritage and the Technologies of Change,<br />
Routledge, Abingdon-New York 2007.<br />
L. Tallon, K. Walker (eds.), Digital Technologies and the Museum Experience.<br />
Handheld Guides and Other Media, AltaMira Press, Lanham 2008.<br />
F. Cameron, S. Kenderdine, Theorizing Digital Cultural Heritage, MIT Press,<br />
Cambridge 2010.<br />
zinaida svestelnik<br />
Diploma certificate of designer at Amur State University, Blagovechshensk, Russia<br />
(1994-1999).<br />
Diploma certificate of translator at Amur State University, Blagovechshensk, Russia<br />
(1999-2004).<br />
PhD diploma of arts Postgraduate research - Cultural traditions in Modern Chinese<br />
Design at Far Eastern State Technical University, Vladivostok, Russia (November<br />
2011).<br />
Work experience: lecturer at Amur State University, Blagovechshensk, Russia, Department<br />
of Design (September 1999 - August 2004); senior lecturer at Amur State<br />
University, Blagovechshensk, Russia, Department of Design (September 2004 - September<br />
2010).<br />
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