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Fig. 2.<br />

Multimedia kiosk.<br />

Apollo from Pompeii,<br />

Villa Getty, Los<br />

Angeles, US.<br />

given by the “Sonorous pathway” - a set of natural, traditional and<br />

historical sound will accompany the visitor during the walk (http://<br />

www.paniloriga.comunesantadi.it/site/index.html).<br />

But there is the other way to look at the Information Communication<br />

Technology - technically - as the means of easy access to detailed<br />

information about the object, and physically and conceptually ICT<br />

is disconnected with object. In this case the interactive capabilities<br />

of the ICT are used as an interactive kiosk which allows visitors to<br />

explore the artefact more closely. Visitors going to these exhibitions<br />

want to appreciate not only the aesthetic terms but also to value the<br />

object from the historical perspective. Multimedia kiosks make easy<br />

the process of browsing more information about artefacts.<br />

Villa Getty, and specifically one its halls where the sculpture of<br />

“Apollo from Pompeii” is exhibited, is one of such examples. The<br />

exhibition presents scientific and technical analysis to show the<br />

newly conserved Apollo (http://www.getty.edu/art/exhibitions/<br />

apollo_pompeii/). There is multimedia kiosk where visitors can<br />

independently examine the displayed object, learn about the process<br />

of its restoration (fig. 2). This exhibition is the illustration of interactive<br />

collaboration between computer technologies and museum<br />

exposition.<br />

The other sample of interaction between the archaeological exhibition<br />

and Information Communication Technology is the Chinese<br />

exhibition pavilion Expo 2010 in Shanghai. On the first floor of<br />

the pavilion in the hall “The River of the Wisdom” together with<br />

the enlarged and animated version of the scroll of “Riverside Scene<br />

at the Qingming Festival” (twelfth century, by Zhang Zeduan) the<br />

108

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