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ut by focusing on four main points of explanatory information. At
these points along the route have been placed four cubic volumes,
whose function is to host the explanatory signs, part of the excavated
objects and panels of the play in its various stages. Big boxes, that
if not interrogated are off to constitute the elements not annoyingly
noticeable and fading due to their treatment mirrored glass that make
it lost behind the perception of different reflections (fig. 6). Using
a small panel switch, the box responds to the questions of visitors,
enlightening and revealing inside objects stored (fig. 7). In this way
they become visible, recounting history through displays and embedded
computer boards.
The general scheme is organized for vertical strips, one at the main
entrance to host the hall and common services (central strip), an
other one placed on left angles along the main street, where are located
classrooms and research rooms. And so on, looking for the
right solution as required by public administration. The space of the
ruins is a flexible volume, in accordance with the excavations and
the still active researches.
Result: balance and proportion in a museum where the old meets
an evolving new.
andrea ronzino
Graduated at Politecnico di Torino, in Architectural Science with a thesis on Archaeological
Musealization, Un-cover Un-tie Un-veil. Currently studying in the master
program Architettura-Costruzione, with a thesis on Architectural Composition after
a year (2011) at the Escuela Tecnica Superior de Arquitectura de la Universidad
Politecnica de Valencia in 2011.
He’s now working on a study of urban planning, consequently the selection and
winning of a design contest with StudioAlessio, and the redesign of public space in
Canelli, piazza Cavour, a project that will be completed and realized in 2013.
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