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Fig. 3.<br />

View of the interior<br />

patio and of a part of the<br />

service area.<br />

Fig. 4.<br />

View of museum’s<br />

walkway and two of the<br />

structural tripods.<br />

site, furthermore they respond effectively to the requirements of load<br />

distribution. Large white stools that, proportionate to the inclusion<br />

volume, punctuate the construction spaces and lighten the perception<br />

of concluded space. Pillars, beams and supports that create the<br />

infrastructure for a pitched roof that try to confers the idea of lightness<br />

and suspension element as, indeed, the whole project. The need of<br />

maximum lightness possible for the coverage was reached regarding<br />

the above coating solution, for the use of aluminium sheet left<br />

rough and oxidized, in order to return the typical aerial image of<br />

temporary archaeological excavation’s tents. The general image of<br />

the typical and temporary excavations following the shape of finding’s<br />

ground, it is structured to protecting the ruins around them. As<br />

a variation and like an element of contrast, a large open and circular<br />

patio perforates the roof surface in order to generate the reception<br />

area and the organized visits space. The only element coming out of<br />

orthogonal and linear logic of the whole composition, logic adopted<br />

to make the space more coherent and legibly as possible without efforts<br />

once inside the structure, is precisely the patio, made by a simple<br />

circular puncturing in the mesh of the cover that identifies, spatially<br />

and expressively, a cylindrical volume. A volume reference to the<br />

perception of space, a centre to which to entrust the guidance along<br />

the way to visit, and that inundates of light from above. From the<br />

plant composition is possible to identify two broad functional areas:<br />

the administrative is organized around the patio and the exhibi-<br />

100

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