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AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...

AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...

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<strong>AIC</strong><br />

environment and the planning of its<br />

lighting.<br />

Function of the City Squares: A<br />

Brief Historical Analysis<br />

Italy's squares, especially those located<br />

in historical city centres, are<br />

particularly difficult to light, as the<br />

squares themelseves and the<br />

surrounding buildings often have<br />

considerable historical and<br />

architectural value. Planning the<br />

lighting for these "works of art"<br />

requires that both lighting technicians<br />

and architects collaborate, by first<br />

establishing a goal, and then coming<br />

up with the appropriate solutions to<br />

achieve it.<br />

It would also seem useful to carry out a<br />

brief historical analysis of the criteria<br />

that have governed urban development<br />

through the ages, in order to<br />

appreciate and understand our urban<br />

"heritage" and incorporate modem<br />

lighting systems into it without its<br />

being spoiled.<br />

On the other hand, it is also necessary<br />

to look to the future and verify if it<br />

might be possible to incorporate<br />

lighting requirements at the planning<br />

stage of new urban deevelopments. Do<br />

current planning methods, in fact,<br />

allow us to ask ourselves questions like:<br />

should the lighting be secondary to the<br />

environment, or should the<br />

environment be planned, keeping the<br />

possibilities and limits of modem<br />

lighting in mind?<br />

Planning the lighting for Squares<br />

• Main Considerations<br />

'The adventures of Baron Muchausen" di Giuseppe Rotunno<br />

When lighting the squares, one has to<br />

consider the pedestrian element,<br />

meaning to say the areas where the<br />

pedestrians are obliged to walk, their<br />

stopping places, meeting places, their<br />

viewing of the buildings and<br />

monuments, publicity signs and<br />

gardens; one also has to consider the<br />

traffic element, which means creating<br />

perfect visibility to ensure the drivers' —<br />

and everyone else's — safety and also<br />

regulating the fast traffic flow; then,<br />

one has to find a way of coordinating<br />

both the pedestrian and automobile<br />

"traffic".<br />

A good example is St. John's Square in<br />

Rome, with its wealth of monuments<br />

which, unfortunately cannot be viewed<br />

in peace as the traffic constantly races<br />

across the square.<br />

Street lighting is obviously the answer<br />

here, but how different it would be if,<br />

for instance, one could divert the traffic<br />

and turn the square into a pedestrian<br />

area.<br />

- creative function of the light<br />

- use of colour to isolate various<br />

elements<br />

- design of new lamps and bases where<br />

the existing lighting is insufficient<br />

- installation of automatic and remote<br />

control systems<br />

- rendering the above as simple to<br />

operate as possible.<br />

Planning For the Different<br />

Environments<br />

The Historical Centre<br />

In the paragraph following the<br />

introduction, 1 mentioned the need to<br />

analyse the criteria which have<br />

governed the creation of the various<br />

"meeting places", like agoras, forums<br />

and squares, in the cities in the past,<br />

and how important the different<br />

buildings (both public and private),<br />

churches and monuments were.<br />

One has to improve the functioning of<br />

the squares and light their buildings<br />

and monuments to advantage, while<br />

also reconciling this with the actual<br />

positioning of the lamps, in order to<br />

notonly achieve the best results, but<br />

also to make sure the lamps themselves<br />

blend in with the environment.<br />

The lamp base has often had to<br />

perform a decorative function,<br />

particularly when the lamp itself was<br />

niot powerful enough and had either to<br />

be placed near whatever it was<br />

illuminating, orina prominent<br />

position. Today, one can either choose<br />

to eliminate the base when it is too<br />

intrusive, and install lighting sources<br />

which are more powerful and can<br />

therefore be positioned at a distance; or<br />

one can continue to utilize the original<br />

lamp, fitting it with more powerful<br />

bulbs.<br />

In any case, the lighting technician has<br />

to consider ail of the following: new<br />

lighting technician has to consider all<br />

of the following: new lightingh<br />

techniques; the use of colour and how<br />

it is perceived by thew human eye; 0<br />

possible camouflaging of sources, so<br />

thatt they also blend into the<br />

background during the day; the choice<br />

of new designs for the bases.<br />

lighting New Urban Areas<br />

Nowadays, we are so used to living<br />

with artifical light, that we don't<br />

always consciously realize how<br />

essential it is, in its permitting human<br />

activity right around the clock,<br />

especially in urban areas.<br />

At one time, a city's activity was<br />

virtually confined to the daytime, the<br />

night-time activity being reduced to a<br />

minimum. Undoubtedly, this was one<br />

of the factors that influenced urban<br />

planning at the time, which favoured<br />

concentrating the various inhabited<br />

areas into vast agglomerations,<br />

allotting very little space to road<br />

networks.<br />

If it is possible today to create urban<br />

developments with extensive road<br />

networks, it is obviouslo mainly due to<br />

the possibilities of modem lighting.<br />

One cam, therefore, say that urban<br />

development and lighting are very<br />

closely linked; however, it would seem<br />

that the relationship between the<br />

actual planning of the developments<br />

and the lighting is still somewhat<br />

casual.

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