AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...
AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...
AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...
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<strong>AIC</strong><br />
environment and the planning of its<br />
lighting.<br />
Function of the City Squares: A<br />
Brief Historical Analysis<br />
Italy's squares, especially those located<br />
in historical city centres, are<br />
particularly difficult to light, as the<br />
squares themelseves and the<br />
surrounding buildings often have<br />
considerable historical and<br />
architectural value. Planning the<br />
lighting for these "works of art"<br />
requires that both lighting technicians<br />
and architects collaborate, by first<br />
establishing a goal, and then coming<br />
up with the appropriate solutions to<br />
achieve it.<br />
It would also seem useful to carry out a<br />
brief historical analysis of the criteria<br />
that have governed urban development<br />
through the ages, in order to<br />
appreciate and understand our urban<br />
"heritage" and incorporate modem<br />
lighting systems into it without its<br />
being spoiled.<br />
On the other hand, it is also necessary<br />
to look to the future and verify if it<br />
might be possible to incorporate<br />
lighting requirements at the planning<br />
stage of new urban deevelopments. Do<br />
current planning methods, in fact,<br />
allow us to ask ourselves questions like:<br />
should the lighting be secondary to the<br />
environment, or should the<br />
environment be planned, keeping the<br />
possibilities and limits of modem<br />
lighting in mind?<br />
Planning the lighting for Squares<br />
• Main Considerations<br />
'The adventures of Baron Muchausen" di Giuseppe Rotunno<br />
When lighting the squares, one has to<br />
consider the pedestrian element,<br />
meaning to say the areas where the<br />
pedestrians are obliged to walk, their<br />
stopping places, meeting places, their<br />
viewing of the buildings and<br />
monuments, publicity signs and<br />
gardens; one also has to consider the<br />
traffic element, which means creating<br />
perfect visibility to ensure the drivers' —<br />
and everyone else's — safety and also<br />
regulating the fast traffic flow; then,<br />
one has to find a way of coordinating<br />
both the pedestrian and automobile<br />
"traffic".<br />
A good example is St. John's Square in<br />
Rome, with its wealth of monuments<br />
which, unfortunately cannot be viewed<br />
in peace as the traffic constantly races<br />
across the square.<br />
Street lighting is obviously the answer<br />
here, but how different it would be if,<br />
for instance, one could divert the traffic<br />
and turn the square into a pedestrian<br />
area.<br />
- creative function of the light<br />
- use of colour to isolate various<br />
elements<br />
- design of new lamps and bases where<br />
the existing lighting is insufficient<br />
- installation of automatic and remote<br />
control systems<br />
- rendering the above as simple to<br />
operate as possible.<br />
Planning For the Different<br />
Environments<br />
The Historical Centre<br />
In the paragraph following the<br />
introduction, 1 mentioned the need to<br />
analyse the criteria which have<br />
governed the creation of the various<br />
"meeting places", like agoras, forums<br />
and squares, in the cities in the past,<br />
and how important the different<br />
buildings (both public and private),<br />
churches and monuments were.<br />
One has to improve the functioning of<br />
the squares and light their buildings<br />
and monuments to advantage, while<br />
also reconciling this with the actual<br />
positioning of the lamps, in order to<br />
notonly achieve the best results, but<br />
also to make sure the lamps themselves<br />
blend in with the environment.<br />
The lamp base has often had to<br />
perform a decorative function,<br />
particularly when the lamp itself was<br />
niot powerful enough and had either to<br />
be placed near whatever it was<br />
illuminating, orina prominent<br />
position. Today, one can either choose<br />
to eliminate the base when it is too<br />
intrusive, and install lighting sources<br />
which are more powerful and can<br />
therefore be positioned at a distance; or<br />
one can continue to utilize the original<br />
lamp, fitting it with more powerful<br />
bulbs.<br />
In any case, the lighting technician has<br />
to consider ail of the following: new<br />
lighting technician has to consider all<br />
of the following: new lightingh<br />
techniques; the use of colour and how<br />
it is perceived by thew human eye; 0<br />
possible camouflaging of sources, so<br />
thatt they also blend into the<br />
background during the day; the choice<br />
of new designs for the bases.<br />
lighting New Urban Areas<br />
Nowadays, we are so used to living<br />
with artifical light, that we don't<br />
always consciously realize how<br />
essential it is, in its permitting human<br />
activity right around the clock,<br />
especially in urban areas.<br />
At one time, a city's activity was<br />
virtually confined to the daytime, the<br />
night-time activity being reduced to a<br />
minimum. Undoubtedly, this was one<br />
of the factors that influenced urban<br />
planning at the time, which favoured<br />
concentrating the various inhabited<br />
areas into vast agglomerations,<br />
allotting very little space to road<br />
networks.<br />
If it is possible today to create urban<br />
developments with extensive road<br />
networks, it is obviouslo mainly due to<br />
the possibilities of modem lighting.<br />
One cam, therefore, say that urban<br />
development and lighting are very<br />
closely linked; however, it would seem<br />
that the relationship between the<br />
actual planning of the developments<br />
and the lighting is still somewhat<br />
casual.