03.06.2013 Views

AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...

AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...

AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>AIC</strong><br />

producers have (especially in Italy) of<br />

preparing films in a hurry; and an<br />

inadeguate or inconent initial concept<br />

doesn't help the various departments in<br />

their exchange of knowledge,<br />

communication and further researching<br />

of the film; the truth of the matter is<br />

that we collaborators often have an<br />

atavisitic tendency to try and grow too<br />

much individually within the film.<br />

And yet, how much research, which<br />

could be of benefit to everyone, is<br />

carried out by a "limb" of the<br />

hypothetical "body"; how much<br />

inspiration we could draw from<br />

another's KNOWLEDGE; how much<br />

information could circulate more freely,<br />

to streamline and make our work more<br />

complete; how much time we could<br />

spend together, exchanging experiences<br />

and w'eu>s, confessing emotions and<br />

transforming the Vernal monologue,<br />

the word that singularly defines us:<br />

Script, Set, Costumes, Photography,<br />

Editing, Music etc., into a dialogue<br />

which would better unite the single<br />

creative elements and result in the<br />

formation of a more complete "body",<br />

a more complete FILM. On the other<br />

hand, the Legislator hasn't helped to<br />

promote greater collaboration between<br />

the various departments, by his<br />

exercising a certain degree of<br />

discrimination and only recognizing<br />

some of the people who contribute to<br />

the CONCEPTION, REALIZATION<br />

and COMPLETION of a<br />

cinematographic work.<br />

If the cinematographic COPYRIGHT<br />

LAW were to be amended to extend its<br />

recognition to all the Co-authors who<br />

have a right to the paternity of their<br />

individual "work" within the joint<br />

work that is the FILM, it would result<br />

in their being recognized in a more just<br />

and responsible way and having equal<br />

rights, which would, undoubtedly,<br />

inspire greater collaborations between<br />

us. The Annual, part from representing<br />

us in all our light and shade, is also<br />

something which we owe to our work,<br />

something which allows us to express<br />

our opinions and get to know each<br />

other better. Getting to know each<br />

other better, means being more free to<br />

express ourselves through all the<br />

different creative elements that go to<br />

make up a group: in a specific SPACE,<br />

in a specific period of TIME, in a<br />

specific WAY, in that complete whole<br />

known as the IMAGE. A SPACE, like<br />

that of the photogram, which provides<br />

us with an area where we can express<br />

what we feel, what we think and what<br />

we hope for. A period of TIME, like<br />

that necessary for an exposure, which<br />

invites us to recount our experiences:<br />

past, present and why not, that which<br />

we hope to experience in the future!<br />

A WAY, like that in which a<br />

particular image is etched into the<br />

emulsion by our creativity, which will<br />

inspire us to say what we want to<br />

change and how we would like change<br />

it. There is, therefore, a WHITE page<br />

in this Annual just waiting to be<br />

coloured with our THOUGHTS,<br />

FEELING and IDEAS. Good Luck.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!