AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...
AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...
AIC, 1988 - AIC Associazione Italiana Autori della Fotografia ...
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<strong>AIC</strong><br />
producers have (especially in Italy) of<br />
preparing films in a hurry; and an<br />
inadeguate or inconent initial concept<br />
doesn't help the various departments in<br />
their exchange of knowledge,<br />
communication and further researching<br />
of the film; the truth of the matter is<br />
that we collaborators often have an<br />
atavisitic tendency to try and grow too<br />
much individually within the film.<br />
And yet, how much research, which<br />
could be of benefit to everyone, is<br />
carried out by a "limb" of the<br />
hypothetical "body"; how much<br />
inspiration we could draw from<br />
another's KNOWLEDGE; how much<br />
information could circulate more freely,<br />
to streamline and make our work more<br />
complete; how much time we could<br />
spend together, exchanging experiences<br />
and w'eu>s, confessing emotions and<br />
transforming the Vernal monologue,<br />
the word that singularly defines us:<br />
Script, Set, Costumes, Photography,<br />
Editing, Music etc., into a dialogue<br />
which would better unite the single<br />
creative elements and result in the<br />
formation of a more complete "body",<br />
a more complete FILM. On the other<br />
hand, the Legislator hasn't helped to<br />
promote greater collaboration between<br />
the various departments, by his<br />
exercising a certain degree of<br />
discrimination and only recognizing<br />
some of the people who contribute to<br />
the CONCEPTION, REALIZATION<br />
and COMPLETION of a<br />
cinematographic work.<br />
If the cinematographic COPYRIGHT<br />
LAW were to be amended to extend its<br />
recognition to all the Co-authors who<br />
have a right to the paternity of their<br />
individual "work" within the joint<br />
work that is the FILM, it would result<br />
in their being recognized in a more just<br />
and responsible way and having equal<br />
rights, which would, undoubtedly,<br />
inspire greater collaborations between<br />
us. The Annual, part from representing<br />
us in all our light and shade, is also<br />
something which we owe to our work,<br />
something which allows us to express<br />
our opinions and get to know each<br />
other better. Getting to know each<br />
other better, means being more free to<br />
express ourselves through all the<br />
different creative elements that go to<br />
make up a group: in a specific SPACE,<br />
in a specific period of TIME, in a<br />
specific WAY, in that complete whole<br />
known as the IMAGE. A SPACE, like<br />
that of the photogram, which provides<br />
us with an area where we can express<br />
what we feel, what we think and what<br />
we hope for. A period of TIME, like<br />
that necessary for an exposure, which<br />
invites us to recount our experiences:<br />
past, present and why not, that which<br />
we hope to experience in the future!<br />
A WAY, like that in which a<br />
particular image is etched into the<br />
emulsion by our creativity, which will<br />
inspire us to say what we want to<br />
change and how we would like change<br />
it. There is, therefore, a WHITE page<br />
in this Annual just waiting to be<br />
coloured with our THOUGHTS,<br />
FEELING and IDEAS. Good Luck.