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Geocentro Magazine - numero 6 - novembre/dicembre 2009

Geocentro Magazine - numero 6 - novembre/dicembre 2009

Geocentro Magazine - numero 6 - novembre/dicembre 2009

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66<br />

ANNO I | n. 6 | NOVEMBRE - DICEMBRE <strong>2009</strong><br />

territorio dei tanti agrimensori e periti del suo tempo, anche<br />

se il suo avvicinamento alla rappresentazione cartografica<br />

non deriva certo da intenti di tipo professionale.<br />

Leonardo non è un cartografo in senso stretto, ma si occupa<br />

di cartografia per specifiche necessità di studio e per esigenze<br />

di analisi, finalizzate alla progettazione territoriale o alla<br />

pianificazione di attività belliche.<br />

Per entrare più direttamente nel merito delle sue opere<br />

cartografiche bisogna preliminarmente spostare l’attenzione<br />

dal mondo delle mappe a quello della rappresentazione in<br />

generale, cioè del disegno e della pittura, che per Leonardo non<br />

sono semplicemente un linguaggio per ripetere visivamente<br />

cose già note, ma, come ha osservato Giulio Carlo Argan,<br />

“sono la chiave con cui si penetra nel mondo dei fenomeni”.<br />

È infatti dai precetti derivanti dal Libro di pittura che si<br />

recuperano i fondamenti innovativi della sua produzione<br />

cartografica.<br />

La formula adotta da Leonardo nel rilevamento e nella<br />

rappresentazione cartografica è sintetizzata nel precetto che<br />

egli stesso ferma nei suoi appunti del Manoscritto L dell’Istituto<br />

di Francia, dove egli annota: “scorta sulle sommità e in su’ lati<br />

dei colli le figure di terreni e le sue divisioni e nelle cose volte<br />

a te, fale in propria forma” (Ms. L dell’Istituto di Francia, f. 21<br />

are solved through the use of the fi rst principle of similitude<br />

between right-angled triangles and through the so called “rule<br />

of three”. However, the most relevant contribution of this work<br />

consist in a new method of topographical surveying that is<br />

meant to solve the question of the mutual position on the urban<br />

scale through a triangulation work. Such a work had already<br />

been anticipated by Giovanni Fontana in his Tractatus de<br />

trigono balistario abbreviatus […] in 1440. Th is essay was<br />

recovered and completed by diff erent Renaissance scholars, and<br />

was furthermore ameliorated for other fi ve centuries, until<br />

nowadays.<br />

For this triangulation, they used a goniometer divided in 48<br />

parts, still without an alidade and a compass pointing to the<br />

magnetic North, and still with the help of a plumb line.<br />

Alberti fully describes his method, explaining how to<br />

manufacture the adequate instrument and, step by step,<br />

how operate in order to obtain a correct survey. Moreover, he<br />

explains all the rules to follow in the observation of the angular<br />

directions among the diff erent sites and in their registrations.<br />

Nevertheless, there are no instructions about the representation<br />

of the dimensions and the orientation of the various polygons<br />

surveyed.<br />

Th e second essay, Descriptio urbis Romae, is a much more<br />

original step forward. It shows how an urban plan could be<br />

sketched on a map, according to polar coordinates collected<br />

and organised within standard tables.<br />

Th e instrument that enables the technicians to draw such<br />

tables is a protractor, called Orizon. It is provided with a<br />

graduated radius that is hinged in the middle of the instrument<br />

itself, exactly as it happens in the modern, graduated circular<br />

protractor having a pivoted arm, used for measuring or<br />

marking off angles.<br />

When it has represented on a sheet of paper the plan of a town<br />

measured through the triangulation method explained in the<br />

Ludi, a surveyor establish in this representation the basis of a<br />

cartographic system of reference: starting from a central point,<br />

he can measure with the Orizon the polar coordinates of every<br />

single place on the graphic. We are talking about distances and<br />

angles from a starting point that can give way to the setting<br />

down of a table with the name and the position of every<br />

represented topographical detail, a sort of encrypted map. Such<br />

a table, obtained through a graphical representation and not<br />

by a practical survey on the fi eld, represents a revolutionary<br />

step forward: the cartographer willing to obtain another map,<br />

identical to the original one, could certainly be able to make a<br />

copy perfectly matching the fi rst sample.<br />

Considered from this point of view, the whole method suggested<br />

by the Descriptio could appear like a mere academic exercise:<br />

the advantages of taking polar coordinates as a reference are<br />

obvious at fi rst sight, as such a process allows the creation of<br />

a faithful reproduction from an original map. However, this<br />

method is by far more productive than a simple technique<br />

for a geometrical copy of a topographical map (a copy that<br />

http://it.wikipedia.org/wiki/File:Leonardo_self.jpg

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