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ITALIANA - AIC Associazione Italiana Autori della Fotografia ...

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<strong>AIC</strong><br />

Avventura per<br />

professione<br />

Quanto sto per scrivere è<br />

soprattutto dedicato ai giovani<br />

che, amanti dell'avventura,<br />

intendono intraprendere la<br />

professione del cineoperatore.<br />

Ci sono molti modi di affrontare<br />

il proprio lavoro, c'è chi lo fà in<br />

maniera pacata e ragionata,<br />

scegliendo un lavoro d'ufficio o<br />

altro pur sempre sedentario, e<br />

chi invece, per scelta o per caso,<br />

si trova ad affrontarlo in<br />

maniera per così dire più o<br />

meno movimentata. C'è infine<br />

chi lo fà vivendo una continua<br />

avventura.<br />

10 ritengo di appartenere a<br />

quest'ultima categoria di<br />

persone.<br />

Tutto cominciò circa venticinque<br />

anni fa, quando un giovane e<br />

affermato regista, che aveva già<br />

girato diversi film di successo,<br />

mi prese come assistente<br />

operatore (il direttore <strong>della</strong><br />

fotografia era il caro amico Aldo<br />

Nascimben) per filmare una<br />

serie di documentari sull'Africa<br />

per conto <strong>della</strong> RAI.<br />

11 lavoro si preannunciava assai<br />

duro e pericoloso, come lui<br />

stesso ci tenne a precisare prima<br />

<strong>della</strong> partenza, e come in effetti<br />

si dimostrò essere durante i tre<br />

mesi di lavorazione girando in<br />

lungo e in largo tutta l'Africa.<br />

Come dicevo, la mia avventura<br />

cominciò venticinque anni fa e<br />

What I'm about to write is dedicated, above all, to young people who love<br />

adventure, and intend to become Directors of Photography.<br />

There are many ways of approaching one's work. Some people go about it<br />

in a calm, reasoned manner, opting for an office job, or something<br />

similar, while others, by choice or by chance, find themselves doing<br />

something fairly active. Then, there are people who choose to live a<br />

continual adventure.<br />

I believe that I belong to this last category.<br />

It all started about 25 years ago, when a young director who had already<br />

made a name for himself with several successful films, hired me as<br />

assistant cameraman (our dear friend Aldo Nascimben was the Director<br />

of Photography) on a series of documentaries he was going to shoot in<br />

Africa for the RAI.<br />

The assignment promised to be both tough and dangerous, which he<br />

himself pointed out to us before we set off. And the three months of<br />

shooting, which took us the entire length and breadth of Africa, proved to<br />

be just that.<br />

As I said, this adventure of mine began 25 years ago, and is still<br />

continuing, because since that that first job as assistant cameraman and<br />

on all the others that followed as Director of Photography, I have always<br />

worked with that same Director.<br />

His name is Folco Quilici Everyone who knows him, and has followed his<br />

extraordinary career, is fully aware of the kind of journeys he<br />

undertakes, and in which parts of the globe.<br />

On that first job in Africa, I found myself standing a few feet away from<br />

prides of lions, herds of elephants and other ferocious animals, which was<br />

a totally new experience for me! I also entered into contact with some of<br />

the extremely primitive tribes, and began to understand the customs and<br />

RICCARDO<br />

GRASSETTI

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