ITALIANA - AIC Associazione Italiana Autori della Fotografia ...
ITALIANA - AIC Associazione Italiana Autori della Fotografia ...
ITALIANA - AIC Associazione Italiana Autori della Fotografia ...
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<strong>AIC</strong><br />
La dichiarazione<br />
di Delfi<br />
Sino a non molti anni fa, in<br />
Europa, lo spazio dell'immagine<br />
in movimento era occupato<br />
quasi esclusivamente<br />
dall'Industria Cinematografica,<br />
variamente integrato dalle<br />
Televisioni del Servizio Pubblico<br />
che, al di là dei loro difetti,<br />
conservavano comunque il senso<br />
delle loro responsabilità nei<br />
riguardi del pubblico.<br />
La comparsa delle televisioni<br />
private, la proliferazione delle<br />
reti cablate, dei satelliti, la<br />
diffusione selvaggia delle<br />
video-cassette, hanno<br />
trasformato in maniera<br />
irreversibile questo panorama,<br />
per cui, il conseguente colpo<br />
mortale inferto alla fruizione<br />
dello spettacolo nelle sale<br />
cinematografiche, ha<br />
successivamente trasformato ciò<br />
che resta dell'Industria<br />
Cinematografica in una sorta di<br />
appendice <strong>della</strong> Televisione.<br />
Ma gli audiovisivi sono in una<br />
crisi qualitativa sempre più grave<br />
e, alle soglie del Libero Mercato<br />
del 1992, il futuro dell'Europa<br />
preoccupa profondamente,<br />
poiché il campo degli audiovisivi,<br />
a causa <strong>della</strong> sua espansione<br />
planetaria e per la sua tendenza<br />
all'egemonia, è una realtà<br />
determinante nella cultura.<br />
In un documento C.E.E. si legge<br />
che lo sviluppo <strong>della</strong><br />
Comunicazione Audiovisiva<br />
In Europe, up until a few years ago, the space occupied by the moving<br />
image was almost exclusively the property of the Cinema Industry,<br />
shared to varying degrees with the State Television networks which, in<br />
spite of their defects, always showed a sense of responsibility towards the<br />
public.<br />
The arrival of private television, the proliferation of cable networks and<br />
T.V. satellites, and the rampant growth in the video cassette market, has<br />
irreversibly changed the above picture, and consequently, put an end to<br />
films being enjoyed in the cinema, transforming what was left of the<br />
Cinema Industry into an appendage of Television.<br />
However, as we stand cm the threshold of the Free Market of1992, the<br />
Audiovisual Industry is experiencing a qualitative crisis which is<br />
steadily worsening and, because it is this same industry, with its<br />
planetary expansion and tendency to hegemony, that has a determining<br />
influence on our culture, we have every reason to be extremely concerned<br />
about Europe's future.<br />
A document published by the E.E.C, states that the field of Audiovisual<br />
Communications has expanded to the extent that it will be necessary to<br />
program 125,000 hours of new fiction annually, for the neoct fifteen years.<br />
This figure was contested in part, and consequently reduced to 100,000<br />
hours, but even so, European Cinema and Television together, currently<br />
only produce one twentieth of this amount<br />
Unless production policies are radically changed in Europe, that which<br />
is announced in the E.E.C. document's concluding paragraphs will most<br />
certainly came about "Clearly, the fiction that the European Producers<br />
are unable to supply, will be obtained from the television industries of<br />
other continents ".<br />
In this way, that other world, so far away yet so depressingly present, "Scugnizzi<br />
CLAUDIO<br />
CIRILLO