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190<br />
Bibliografia<br />
FRAISSE, SIMONE, Le Mythe d’Antigone, Paris: A. Colin, 1974.<br />
FORSYTH, ALISON, “No Longer Lost for Words. Antigone’s Afterlife”, in<br />
Colloquy. Text theory critique 11, 2006, pp. 127-147. Articolo re<strong>per</strong>ibile alla<br />
pagina internet<br />
www.arts.monash.edu.au/others/colloquy/issue11/forsyth.pdf<br />
FUEGI, JOHN, Brecht and Company: Sex, Politics, and the Making of the<br />
Modern Drama, New York: Grove Press, 1994. Trad. ted. Brecht & Co.:<br />
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GIL, ISABEL CAPELOA, “Antigone and Cassandra: Gender and<br />
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HEGEL, GEORG WILHELM FRIEDRICH, Vorlesungen über die Ästhetik, in<br />
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Zambrano, Roma: Lavoro, 1999.<br />
JOSEPH, GERHARD, “The Antigone as Cultural Touchstone: Matthew<br />
Arnold, Hegel, George Eliot, Virginia Woolf, and Margaret Drabble”, in<br />
PMLA 16.1, 1981, pp. 22-35.<br />
JANE MARCUS, Virginia Woolf and the Languages of Patriarchy,<br />
Bloomington-Indianapolis: Indiana University Press, 1987.<br />
--- “Corpus/corps/corpse: writing the body in/at war”, in HELEN M.<br />
COOPER, ADRIENNE MUNICH, AND SUSAN MERILL SQUIER (eds.), op. cit.,<br />
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KIENAST, WELF, Kriegsfibelmodell: Autorschaft und kollektiver<br />
Schopfungsprozess in Brechts Kriegsfibel, Gottingen: Vandenhoeck &
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