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Stampa OMAS 25-84 - Penna Magazine

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78<br />

The Scotland tipo<br />

Duofold.<br />

Duofold-style The<br />

Scotland pens.<br />

invece assai più ricco ed interessante. I<br />

modelli in stile Duofold, di cui si conoscono<br />

due misure, presentano tutti caratteristiche<br />

analoghe: la clip ha terminazione<br />

a pallina e presenta l'incisione "The<br />

Scotland" associata all'indicazione "18 Kr";<br />

sui serbatoi é presente la dicitura "The<br />

Scotland Pen Self Filling"<br />

ed i pennini sono in oro<br />

14 carati con l'incisione<br />

"The Scotland Pen -<br />

Made in England", a<br />

completamento dell'immagine<br />

"straniera" delle<br />

penne. I pennini successivi<br />

al 1935, montati<br />

sulle stilografiche marcate<br />

"Scotland Italiana",<br />

recano invece l'incisione<br />

"Made in Italy".<br />

safetj” (note the misspelling) and a<br />

“Scotland zigrinata Watermans tipo 40”<br />

(knurled Watermans type 40 Scotland),<br />

which was apparently nothing more than<br />

a safety pen.<br />

In addition there was a large pen marked<br />

“Scotland Italiana – TABO MOD. 1926,”<br />

which is apparently the link between the<br />

last The Scotland models and the first<br />

Tabo pens. The features of this pen, which<br />

is all but identical to the Tabo 1926 (see<br />

Tabo – Vol. II), suggest that it was made<br />

by Montegrappa.<br />

The range of celluloid pens with The<br />

Scotland brand is much richer and more<br />

interesting. The Duofold-style pens, of<br />

which two sizes are known, all have similar<br />

characteristics: the clip terminates with<br />

a ball and is engraved “The Scotland”<br />

and “18 Kr.” The barrel has the wording<br />

“The Scotland Pen Self Filling” and the<br />

nibs are 14-karat gold, engraved – to<br />

complete the illusion of the pens’ foreign<br />

origins – “The Scotland Pen – Made in<br />

England.” After 1935 the nibs fitted to<br />

Per quanto riguarda i materiali, la gamma<br />

comprende colorazioni in tinta unita nei<br />

classici colori dei primi modelli Duofold e<br />

colorazioni variegate, con venature e marmorizzazioni,<br />

tipici degli anni 1930.<br />

Il coinvolgimento di Simoni nella produzione<br />

The Scotland risulta più che evidente<br />

in molti dei modelli in celluloide, alcuni<br />

dei quali, soprattutto quelli con sagoma<br />

ogivale, richiamano in maniera manifesta<br />

il design della Omas Extra Ogivale e della<br />

Dollar Pen.<br />

Di interpretazione più difficile, risulta il<br />

contributo di Simoni nella produzione<br />

delle rientranti laminate, le cui origini<br />

produttive, potrebbero essere anche<br />

diverse da Omas.<br />

Nonostante la quantità di informazioni<br />

raccolte e la disponibilità abbastanza<br />

ampia di modelli risalenti a varie epoche<br />

produttive, non é ancora possibile determinare<br />

con certezza la storia evolutiva di<br />

queste penne e, soprattutto, definire con<br />

certezza i particolari e gli aspetti della collaborazione<br />

tra l'azienda di Stiassi e<br />

Tantini con<br />

Omas.<br />

pens marked “Scotland<br />

Italiana” were engraved (in<br />

English) “Made in Italy.”<br />

As far as the celluloid is<br />

concerned, the range<br />

includes pens in the same<br />

single colors as the early<br />

Duofolds as well as multicolored<br />

pens with veining<br />

and marbling typical of the<br />

thirties.<br />

Simoni’s involvement in the<br />

production of The Scotland<br />

pens is more than obvious<br />

in many celluloid models,<br />

some of which, particularly<br />

those with tapering ends,<br />

clearly recall the design of<br />

the Omas Extra Ogivale<br />

and the Dollar Pen.<br />

It’s more difficult to spot<br />

Simoni’s involvement in the<br />

production of the overlaid<br />

safety pens, however, whose<br />

manufacturer might well<br />

not have been Omas.<br />

Despite the amount of<br />

information gathered and<br />

the availability of a quite<br />

large number of models<br />

from different manufacturing<br />

periods, it is still not<br />

possible to clearly map out<br />

the evolution of these pens<br />

or, in particular, describe<br />

the exact nature of the relationship<br />

that existed<br />

between Stiassi’s and<br />

Tantini’s company and<br />

Omas.<br />

The Scotland ogivali e<br />

modello The Scotland<br />

Prisma.<br />

The Scotland with<br />

pointed ends and a<br />

The Scotland Prisma<br />

model.<br />

79

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