Maria Callas · Discography of Concerts and Recitals - Frank Hamilton
Maria Callas · Discography of Concerts and Recitals - Frank Hamilton
Maria Callas · Discography of Concerts and Recitals - Frank Hamilton
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11/13-16/61: Recording sessions, EMI: London, Kingsway Hall: Philharmonia Orchestra <strong>and</strong> Chorus, maestro direttore<br />
11/13/61:<br />
Antonio Tonini; producer Walter Legge; engineer Douglas Larter<br />
Recording, EMI<br />
11/13/61 4/13/62<br />
La cenerentola Nacqui all’affanno. . . Non più mesta<br />
11/13,14/61<br />
Guglielmo Tell S’allontanano alfine... Selva opaca<br />
11/14/61: Recording, EMI<br />
11/14,15/61<br />
11/13,14/61<br />
11/15/61: Recording, EMI<br />
11/14,15/61<br />
11/16/61: Recording, EMI<br />
Semiramide Bel raggio lusinghier. . .<br />
Dolce pensiero<br />
Guglielmo Tell S’allontanano alfine. . .<br />
Selva opaca (reprise)<br />
EMI CDC 7 49428 2 <strong>Maria</strong> <strong>Callas</strong> <strong>·</strong> The Unknown Recordings 1987<br />
EMI 7243 5 66468 2 7 The EMI Rarities 1997<br />
EMI 0946 3 68033 2 6 (3 68045 2) The Studio <strong>Recitals</strong> <strong>·</strong> Rarities 2006<br />
Semiramide Bel raggio lusinghier. . .<br />
Dolce pensiero (reprise)<br />
EMI CDC 7 49428 2<br />
EMI 7243 5 66468 2 7<br />
EMI 0946 3 68033 2 6 (3 68045 2)<br />
Lucrezia Borgia Tranquillo ei posa. . .<br />
Com’è bello<br />
EMI CDC 7 54437 2 <strong>Maria</strong> <strong>Callas</strong> Rarities 1953-1964 1992<br />
EMI 7243 5 66468 2 7 (nm/edited, according to Legge’s instructions)<br />
EMI 0946 3 68033 2 6 (3 68045 2) [1997 re-edited Legge version]<br />
Il pirata Sorgete; è in me dover. . .<br />
Lo sognai ferito, esangue. . .<br />
Cielo! è dessa!. . .<br />
Sventurata, anch’io deliro<br />
Imogene <strong>Maria</strong> <strong>Callas</strong><br />
Itulbo Alex<strong>and</strong>er Young<br />
Adele Monica Sinclair<br />
EMI CDC 7 47283 2 Mad Scenes & Bel Canto Arias 1985<br />
EMI 7243 5 66468 2 7<br />
EMI 0946 3 68033 2 6 (3 68045 2)<br />
Réal la Rochelle has found no evidence that the Anna Bolena: ‘‘Come, innocente giovane’’ was recorded; stating<br />
that ‘‘it realistically looks like a project <strong>and</strong> not a recording left in the archives.’’<br />
43
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