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Maria Callas · Discography of Concerts and Recitals - Frank Hamilton

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1949<br />

; 7/09/49: Concert (Velada de Gala en Celebración del 133er Aniversario de la Jura de la Independencia): Buenos Aires,<br />

Teatro Colón, ore: 2100: comentador radial Adolfo Sauze<br />

Himno Nacional Argentino<br />

¡Oid mortales! el grito sagrado<br />

Cantado por el coro de alumnos del Conservatorio Municipal ‘‘Manuel de Falla’’<br />

maestro director Héctor Panizza<br />

DIVINA DVN-12 Unknown Teatro Colón Recordings 1999<br />

DIVINA DVN-12 Unknown Teatro Colón Recordings 2000<br />

MELODRAM GM-2.0040 2001; ARCHIPEL ARPCD 0068-2 2002<br />

Norma Sinfonia. . .<br />

Norma viene. . .<br />

Sediziose voci. . . Casta diva. . .<br />

Ah ! bello a me ritorna<br />

Norma <strong>Maria</strong> <strong>Callas</strong><br />

Oroveso Nicola Rossi Lemeni<br />

maestro director Tullio Serafin<br />

DIVINA DVN-12 1999 / 2000<br />

[Material on the following compact discs was stolen from DIVINA]<br />

MELODRAM GM-2.0040 2001; ARCHIPEL ARPCD 0068-2 2002<br />

FONO ENTERPRISE 1012 2001; FONO ENTERPRISE 1044 2002<br />

FONO ENTERPRISE 1066 2002; FONO ENTERPRISE 1072 2002<br />

Faust (sung in Italian):<br />

Come vorrei saper del giovin. . .<br />

C’era un re, un re di Thulé. . .<br />

È strano, poter il viso suo veder<br />

Marguerite Helena Arizmendi<br />

maestro director Héctor Panizza<br />

PISCITELLI P-007 Homenaje a Helena Arizmendi 1997<br />

DIVINA DVN-12 1999 / 2000<br />

Tur<strong>and</strong>ot Atto III<br />

La principessa Tur<strong>and</strong>ot <strong>Maria</strong> <strong>Callas</strong><br />

L’imperatore Altoum Virgilio Tavini<br />

Timur Nicola Rossi Lemeni<br />

Il principe ignoto (Calaf) Mario del Monaco<br />

Liù Helena Arizmendi<br />

Ping Renato Césari<br />

Pang Roberto Maggiolo<br />

Pong Carlos Giusti<br />

Un m<strong>and</strong>arino Tullio Gagliardo<br />

maestro del coro Rafael Terragnolo<br />

maestro director Tullio Serafin<br />

[unrecorded]<br />

The programme <strong>of</strong> this concert was provided by Pablo D. Berruti, Buenos Aires, who indicates that since the<br />

creation <strong>of</strong> Radio Municipal in 1927, all performances <strong>of</strong> the Teatro Colón have been broadcast. In addition,<br />

since 1930 at least one performance <strong>of</strong> each opera per season has been recorded. The acetates <strong>of</strong> performances<br />

before 1960 have been misplaced, but are believed to still exist.

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