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Scarica gli atti - Gruppo del Colore

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Fig. 5 - Mappatura dei ritocchi sull'incarnato <strong>del</strong> Bambino. Le macchie più chiare sono in<br />

corrispondenza di una banda di assorbimento fra 600 e 700 nm (grafico in alto a destra,<br />

relativo alla posizione <strong>del</strong> cursore in display sul braccio destro) rispetto al resto <strong>del</strong>l’incarnato<br />

(grafico in basso a destra)<br />

Bibliografia<br />

1. N.F. Barnes, “A Spectrofotometric Study of Artists Pigments”, Technical<br />

Studies in the Fields of the Fine Arts, 7, 1938, pp. 120-138.<br />

2. L. Bullock, “Reflectance Spectrophotometry for Measurements of Colour<br />

Change”, National Gallery Technical Bulletin, 2, 1978, pp. 49-55.<br />

3. M. Bacci, F. Baldini, R. Carlà, R. Linari, “A Color Analysis of the Brancacci<br />

Chapel Frescoes”, Applied Spectroscopy, 45, 1991, pp. 26-31.<br />

4. A. Burmester, “The Study of Drawings in the Near Infrared”, Proceedings of<br />

the 12 th International Symposium on the Conservation and Restoration of<br />

Cultural Property, Analysis and Examination of an Art Object by Imaging<br />

Technique, Tokyo National Research Institute of Cultural Properties, 1991, pp.<br />

61-82.<br />

5. S. Baronti, A. Casini, F. Lotti and S. Porcinai, “Multispectral Imaging System<br />

for the mapping of Pigments in Works of Art by Use of Principal-Component<br />

Analysis”, Applied Optics, Vol 37, No. 8, 10 March 1998, pp. 1299-1308.<br />

87

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