Scarica gli atti - Gruppo del Colore
Scarica gli atti - Gruppo del Colore
Scarica gli atti - Gruppo del Colore
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Fig. 5 – Upper left, upper right, lower left: examples of scenes that can raise issues when<br />
attempting automatic mosaicking. Scarcity of distinctive details (upper left), large zones of<br />
almost-uniform color (sky, upper right), and wrong perspective (lower left) can all pose<br />
problems to automatic image understanding. Lower left: research is often directed towards<br />
panorama-like (horizontal) mosaicking, and consequent available software implementation<br />
may perform poorly in bi-dimensional mosaicking.<br />
6. Applications and future work<br />
Based on the encouraging results obtained so far, further research is being carried<br />
out by the authors to expand the capabilities of the acquisition system introduced.<br />
In particular, one of the main goals is that of integrating color data with shape data.<br />
On one hand, shape data are sometimes needed even to obtain images of the<br />
artifacts involved. For instance, in the case of a book it may be impossible to open<br />
pages wide because of the risk of damaging the binding; pages will then be partly<br />
bent when they are acquired, resulting in a geometric distortion of the page<br />
content. Some technique will therefore have to be applied to measure or estimate<br />
the bending and correct the acquired images to discount its effect. Similar<br />
(although often greater) difficulties must be overcome when acquiring frescoes and<br />
paintings which were made on markedly non planar walls, such as churches vaults;<br />
if a ‘linear representation’ is wanted, which is, a representation in which the<br />
paintings are viewed as if the walls were ‘unfolded’ onto a plane, then the effect of<br />
the wall surface curvature must be corrected.<br />
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