Shota Rustaveli Institute of Georgian Literature

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Tavis Sefaseba. isini Segnebulad irTuleben cxovrebas, radgan uamrav moTxovnas uyeneben sakuTar Tavs, raTa RvTisa da xalxis winaSe moixadon vali. amgvaria marginalobis fenomenis ramdenime aspeqtis moxazvisa da gaanalizebis cda. damowmebani: acmoni 2007: acmoni g. sionizmi da sxva marginaluri mimdinareobebi, www.serendipity.li. 2007. gaseti 1993: gaseti x. `masebis amboxi~. Tbilisi: gamomcemloba `xomli~, 1993. kankava 1981: kankava g. `marginaluri adamiani~. J. `qarTuli ena da literatura skolaSi~. Tbilisi: 1981. fsalmunTa ganmarteba 1996: fsalmunTa ganmarteba, wigni I, Tbilisi: gamomcemloba `marTlmadidebeli qristianis biblioTeka~, 1996. WavWavaZe 1985: WavWavaZe i. òTaraanT qvrivi~. Tbilisi: gamomcemloba `nakaduli~,1985. 66
demetre II Tavdadebuli giorgi alibegaSvili mefe demetre II bagrationi gansakuTrebuli RvawliTaa mosili saqarTvelos istoriaSi. cnobilia, rom sakuTari sicocxlis fasad samSoblo ixsna mtris Semosevisa da aoxrebisagan, amitom “Tavdadebulad” wodebuli Sevida Cveni eris istoriaSi. demetre II-is saxe win wamowia ilia WavWavaZem, romelmac gmir mefesa da mis saqcielze sagangebod Seqmna poema. rogorc ilias mkvlevrebi miuTiTeben, mweralze bavSvobaSive didi STabeWdileba mouxdenia mefe demetres tragikul istorias. poeti Tavis avtobiografiaSi didi siyvaruliT ixseniebs pirvel maswavlebels, soflis mTavars, romelsac saSinao skola hqonda gaxsnili da adgilobriv bavSvebs aswavlida. igi Turme didi gatacebiT uyveboda mowafeebs saqarTvelos istoriul warsulze. “bevri am ambavTagani CamrCa gulSi da erTi maT Soris, dimitri Tavdadebuli, Temad gamoviyene mravali wlis Semdego”, - aRniSnavs ilia (WavWavaZe 1957:308). yuradRebas aRar gavamaxvilebT am poemis Seqmnis istoriaze, mxolod im faqts gavixsenebT, rom “mefe demetre Tavdadebuli” iliam miuZRvna Tavis uaxloes megobars petre nakaSiZes, romelsac pirad saubrebSi gauRrmavebia poetis interesi demetre mefis pirovnebisadmi da STaugonebia poemis daweris idea. amas mowmobs avtografis pirvel gverdze ilias minaweri: “Zmao petre! Sengan STagonebuls Senve giZRvni!”. sayuradReboa, rom petre nakaSiZesve miuZRvna iliam poema “qarTvlis deda”. cnobilia, rom gardasul istoriaTa da gmirTa ambebi gansakuTrebiT gaaqtualurda romantikosTa SemoqmedebaSi, rasac sxvadasxva mizezi hqonda. magram erTi ram ki unda SeiniSnos: saqarTvelos warsuli romantikosTa mier xSirad isea aRwerili da gaidealebuli, TiTqos Cvens qveyanas ar hyolia arc moRalateni, arc sulmokle laCrebi da arc Cveulebrivi adamianuri codvebiT damZimebuli adamianebi. TiTqos esaa erTi gabmuli sagmiro epopea yovelgvari xinjis gareSe. aseTia grigol orbelianis “sadRegrZelo”, sadac istoriul gmirTa saxeebi mxolod dadebiTi kuTxiTaa warmodgenili, rac Seexeba nikoloz baraTaSvilis poemas “bedi qarTlisa”, masSi mxolod gakvriTaa naxsenebi moRalateTa roli krwanisis tragediaSi, radgan ZiriTadi aqcenti “erTxel suls” daCneul sagmiro saqmeebsa da qarTlis bedzea gadatanili. ilias poema mihyveba saqarTvelos warsulis romantikul xedvas da, Tanadroulad, ZiriTad istoriul faqtebs iTvaliswinebs. unda iTqvas, rom ilia gverds uvlis mefe demetres adamianur naklovanebebs da mis saxes idealizeburad, romantikulad aRwers, rasac, Tavis mxriv, ra Tqma unda, gamarTleba aqvs. mefe demetres naklovanebebi ki “qarTlis cxovrebaSi” JamTaaRmwerels (XIV s.) aqvs warmodgenili. “JamTaaRmwerloba WeSmaritis metyueleba ars da ara Tualaxma visTvisme”, - werda igi da iqve ganagrZobda, rom JamTaaRmwerlis movaleobaa, warmoaCinos rogorc keTilismoqmedni, ise borotismoqmedni. marTalia, ar aris sakadrisi, mefeTa Sesaxeb cudi ram Tqva, magram iZulebuli var, zogierTi “gansakTromeli moTxroba” movaTavsoo. saqarTvelos istoriis Znelbedobis Jams literaturul Tu istoriul TxzulebebSi gansakuTrebuli simZafriT daismoda xolme kiTxva: ra mizeziT moxda Cvens qveyanaSi mtris agrerigi momZlavreba? umetes SemTxvevaSi amas esqatologiuri motivi eZebneboda. gavixsenoT Tundac ioane sabanisZe da daviT guarmiSvili, romlebic maRalmxatvruli ostatobiT gadmoscemdnen am problemas, daurideblad, ulmobeli, piruTvneli mxilebiT da, amave dros, didi gulistkiviliT. ioane sabanisZe arabTa momZlavrebas ase xsnis: “mravalni scdebodnen da mravalTa acdunebdneno”. axla ki damdgara esqatologiuri Jami, rac aRsasrulis gardauvalobas qadagebda. esqatologia kosmiur pesimizms amkvidrebda, oRond aRsasrulis gardauvalobis SegnebiT tragikul gancdas anelebda. Tumca ioane sabanisZis (da ara marto mis) sasargeblod unda iTqvas, rom qarTvel avtorebs arasodes aviwydebodaT xsnis gzis Zieba. “wm. abos wamebaSic” yvelaferi istoriuli xsnis imediTaa gamsWvaluli da aqeTken mimarTuli. amitom esqatologiuri motivebis moxmobas fsiqologiuri funqcia eniWeba. igi eris gafrTxilebasa da gamofxizlebas iTvaliswinebs. yovel dros Tavisi esqatologia aqvs. TavisTavad Zalze sayuradRebo iyo msoflio aRsasrulis axsna adamianTa moraluri dacemiT. morali kosmiur Zalad cxaddeboda. konkretuli funqciebis miRma igulisxmeba adamianTa sayovelTao moraluri pozicia (siraZe 1987:59). ioane sabanisZis msgavsad, demetre Tavdadebulis cxovrebis JamTaaRmwereli esqatologiis gasaazreblad iyenebs “drois” cnebas — “Jams”. “Jami” araa movlenaTa mxolod Tanmxlebi faqtori. igi movlenaTa raobis ganmsazRvrelia. “Jami” aRvsilia yovlismomaswavebeli Zalis SinaarsiT. amgvari “Jami” zogadad igivea, rac antikuri bediswera — “moira”, Tumca igi “xronossac” ukavSirdeba (siraZe 1987:60). 67
Page 1 and 2:
SoTa rusTavelis qarTuli literaturis
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saerTaSoriso samecniero konferencia
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Sinaarsi RUDOLF KREUTNET Friedrich
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miTmTxzvelobis xanaSi..............
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in middle-east literatures the same
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ilia da misi mkiTxveli irma ratiani
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qarTuli realizmis lideris, ilia Wav
Page 15 and 16: nana gonjilaSvili `bazaleTis tbis~
Page 17 and 18: samoTxesa mas, da babilosa mas mois
Page 19 and 20: qveynad ararsebuli, saocnebo `siyva
Page 21 and 22: guamisa Tquenisasa da savanÀ ganum
Page 23 and 24: poemis momxiblveli idumaleba _ ilia
Page 25 and 26: metic, imis mtkicebac ki ar aris ad
Page 27 and 28: mixeil qurdiani ilia WavWavaZis ‘
Page 29 and 30: tradiciuli gansaxovneba ilia WavWav
Page 31 and 32: wilxvdomili~ qveyana Tamaris madliT
Page 33 and 34: `kvali ganaTlebulis~ motivi ilia Wa
Page 35 and 36: erT-erTi umniSvnelovanesi momentia~
Page 37 and 38: èvropeizmis~ rogorc kulturul _ ist
Page 39 and 40: ganxilvis safuZvelze. ilias aRniSnu
Page 41 and 42: ilia WavWavaZe da ianiS arani dalil
Page 43 and 44: ilias SemoqmedebasTan. revoluciis d
Page 45 and 46: me-20 saukune: folklori da sabWoTa
Page 47 and 48: kotetiSvili 1961: kotetiSvili, vaxt
Page 49 and 50: kiTxvebiT aSinaarsebs, rogorc es xa
Page 51 and 52: erovnuli cnobierebis asamaRleblad.
Page 53 and 54: energiuli moRvaweobiT amtkicebda Ta
Page 55 and 56: guberniis saTavadaznauro krebaze da
Page 57 and 58: `drouloba~, rogorc zneobrivi katego
Page 59 and 60: inga milorava mxatvruli sivrcis gam
Page 61 and 62: marginalobis fenomeni ilias òTaraa
Page 63 and 64: gahbedavdnen~, qvrivi Tav_beds awye
Page 65: magram dedis daJinebul Txovnas, ufr
Page 69 and 70: es viTareba ilias poemaSi araa aRwe
Page 71 and 72: igavuri metyvelebis bibliuri princi
Page 73 and 74: aRmoscenda, da rameTu ara iyo siRrm
Page 75 and 76: vaJa TvalavaZe ilia WavWavaZe sazRv
Page 77 and 78: i. WavWavaZem publicistur werilebSi
Page 79 and 80: ilia WavWavaZe da qarTuli musikis s
Page 81 and 82: aSime hgvandes: saqarTvelo ufro azi
Page 83 and 84: sul male ìveriis~ saaxalwlo damate
Page 85 and 86: ilia WavWavaZis “osmalos saqarTve
Page 87 and 88: agrationebis meTaveobiT. erTianobis
Page 89 and 90: ilias mier umTavresad sekularuli po
Page 91 and 92: dabolos: ra akavSirebs erovnuli erT
Page 93 and 94: mRvdel-monazoni ioane (kalandia), g
Page 95 and 96: dasturdeba imiT, rom saqarTveloSi a
Page 97 and 98: 3. moixados movaleoba saxelmwifosa
Page 99 and 100: daujdomeli sagalobeli wmidisa ilia
Page 101 and 102: visac waukiTxavs locva, fsalmuni, d
Page 103 and 104: vlanZRavT es raindoba ar ariso da T
Page 105 and 106: emuxvari 1928: emuxvari v. ,,5 ivli
Page 107 and 108: 1. Zveli saeklesio mwerloba; 2. oqr
Page 109 and 110: kriteriumebi sruliad axleburia, rac
Page 111 and 112: abaSiZe 1962: abaSiZe giorgi. kita
Page 113 and 114: ase rom, qarTvel simbolistebi, rome
Page 115 and 116: saxeli aRbeWdili iqneba am gulis fi
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avoidance. Thus, the 2nd example -W
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Gender PC is characterized by the a
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patterns of the perceived winner, i
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wignebis garda, saero nawerebic. am
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gazeTma sagangebo statia uZRvna vla
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pirovnebisa da sazogadoebis urTierT
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olos tragedia Sedegia beris garesam
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ogorc Sedegi adamianTa da sazogadoe
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“Homo somatis” iliaseuli gaazre
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gabriel ratiSvilis `mciredi moTxrob
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TaviseburebebiT, amas garda, mTargm
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gaazrebuli. misi azriT, roca `TviTo
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mowoneba da aRiareba xvda wilad ili
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Tu ise did siamovnebas aniWebs: ”
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ilias azriT somxebs isic exmarebaT
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`bednieri eri~: struqtura da sazris
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warsulis kanonebiT cxovreba ar SeiZ
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(`Tamar wynari, Sesawynari~) mibaZv
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Tamar barbaqaZe ilias dramatuli poe
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waruvlen weli Zilis Jamisa~. (T. XX
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ilias bediswera levan bregaZe ocdao
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landSafts, orive simboloebis erTi d
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polemikas warmoadgenda~ (haine 1962
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epoqis mowinave, upirvelesad inglis
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“raki germanelisaTvis codna, swav
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am warmatebis mizezi isev qarTvelTa
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aseTi lakonuri da brZnuli gaazreba
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“Vor den Thüren“ Ich habe gekl
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ilia: “siyvarulisa karebsa Tumc S
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“erTi saxliRa damrCenia axla sawy
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ilia da misi germaneli megobrebi ka
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aqvea kaklis xec, romlis totebidan,
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Shota Rustaveli Institute of Georgian Literature

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