Shota Rustaveli Institute of Georgian Literature

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and the ditto old-Arabian epic „Amrilkais“ (1841/1843) were published in Rückert’s lifetime, but they did not find a ready market. And almost all the rest of Rückert’s translations produced during this second period – the „Quran“ included – e. g. „Djami’s Love Songs (1831/1844-1848)“, „Saadi’s Divan“ (1845/ published 1893), „Saadi’s political Poems“ (1845/ published 1894), „Saadi’s Bostan“ (1851/ published 1882), the Indian epic „Sakuntala“ (1855/ published 1867) or Hafis Quatrains (1846-1862/1877) remained a long time unpublished. 5. Conclusion It seems, that Rückert could play his self chosen role as a mediator between different cultures as long as he gave priority to his poetical capacities, because this talent seems to have been the link between offered foreign literature and accustomed lyric food. As long as the known poet Rückert shone through the literary texture of exotic oriental poems, foreign form and content did not become too strange for readership. In his second phase as „poetical scholar“ Rückert translated in fact more adequate to the oriental originals, but by following this path of academic life and work he began to „alienate“ his auditory increasingly. But these changes, corresponded with his own increasing doubts in the chosen role as mediator, as we can read in his poems of the 1830ies, where he is very well aware of the difficulties of intercultural exchange between Orient and Occident. Nevertheless Rückert should continue in his oriental studies obliviously until the end of his life. Literature: Bobzin 2000: Bobzin Hartmut [editor]: Der Koran in der Übersetzung von Friedrich Rückert […], Mit erklärenden Anmerkungen von Wolfdietrich Fischer. Würzburg:Ergon 3 2000. Erdmann 1988: Erdmann Jürgen [editor]: 200 Jahre Friedrich Rückert 1788-1866 Dichter und Gelehrter. Coburg: Landesbibliothek, 1988. Kötting Dagmar: „Dahinter schlief vom Orient mein Strahl“. „Der Scheintod“ eine erste poetische Beschäftigung Friedrich Rückerts mit dem Orient. Rückert-Studien VII. Würzburg: Ergon, 1993. Prang 1963: Prang Helmut: Friedrich Rückert. Geist und Form der Sprache. Schweinfurt: Stadt, 1963 Rückert 1837: Rückert Friedrich: Gesammelte Gedichte. Erlangen: Heyder, 1837. Rückert 1844: Rückert Friedrich: Liebesfrühling. Frankfurt/Main: Sauerländer, 1844. Schimmel 1987: Schimmel Annemarie: Friedrich Rückert. Lebensbild und Einführung in sein Werk. Freiburg/Brsg: Herder, 1987. Wendt 1830: Wendt, Amadeus [editor]: Musenalmanach für das Jahr 1831. Zweiter Jahrgang, Mit Tiecks Bildniß. Leipzig: Weidmann, [1830]. Wiener 1994: Wiener Claudia: Friedrich Rückerts „De idea philologiae“ als dichtungstheoretische Schrift und Lebensprogramm. Schweinfurt: Stadtarchiv, 1994. 10
ilia da misi mkiTxveli irma ratiani mxatvruli teqsti xangrZlivobis sam tips iTvaliswinebs: Seqmnis process, romelic mimdinareobs realuri dro-sivrculi parametrebis farglebSi da teqstis mekavSired avtors moiazrebs, mxatvrul kontinuums, rac gulisxmobs konkretuli teqstisaTvis niSandoblivi individualuri mxatvruli qronotopuli modelis formirebas, da aRqmis process, romelic, agreTve, xorcieldeba realuri dro-sivrcis konteqstSi, mxolod teqstis mekavSired amjerad gvevlineba mkiTxveli. Sesabamisad, literaturuli nawarmoebi sami temporaluri - modelis farglebSi funqcionirebs _ avtoriseuli, mxatvruli da mkiTxveliseuli modelebisa, sadac avtoriseuli da mkiTxveliseuli temporaluri modelebi esadageba literaturuli teqstis garegan formas da mxatvruli temporaluri modelis gaazrebisa da aRqmis sxvadasxva poziciebad gvevlineba. am poziciaTa struqturuli urTierTmimarTebis daregulirebis mizniT, specialur literaturaSi SemuSavebulia fizikuri da mxatvruli metrikis cnebebi. fizikuri metrika, TumcaRa, TavisTavad, aRniSnavs Txrobisa da aRqmis xangrZlivobebs, magram mudmivad ganixilavs maT moTxrobilis xangrZlivobasTan, anu `mxatvrul metrikasTan~ mimarTebaSi: avtori mogviTxrobs konkretul ambavs garkveuli drois ganmavlobaSi da, aseve garkveuli drois ganmavlobaSi, mis monaTxrobs aRiqvams mkiTxveli, anu nawarmoebSi fiqsirebuli mxatvrul-siuJeturi movlena warmoadgens rogorc avtoris, ise mkiTxvelis intenciis sagans, magram gansxvavebuli perspeqtividan. ibadeba kiTxva: ramdenad SesaZlebelia avtorisa da mkiTxvelis kontaqtis dadgena teqstis konkretul monakveTTan mimarTebaSi da am kontaqtis ra Teoriuli da kompoziciuri formebi arsebobs? miuxedavad imisa, rom Txrobis xangrZlivoba avtoris prerogativaa, xolo aRqmisa _ mkiTxvelis, urTierToba maT Soris imTaviTve gansazRvrulia: aRqmis drois xangrZlivoba pirdapir damokidebulebaSia Txrobis drois xangrZlivobasTan. aRqmis drois xangrZlivoba, tipologiuri TvalsazrisiT, or pozicias ganasxvavebs: kiTxvis xangrZlivobasa da wakiTxulis cnobierebaSi fiqsaciis xangrZlivobas. aqedan, Tu kiTxvis xangrZlivoba subieqtisagan damoukidebeli, gareSe mizezebiT ganisazRvreba _ SesaZlebelia kiTxvis Seneleba an aCqareba, wakiTxulisaken mibruneba, Sesveneba kiTxvis procesSi da sxva, _ wakiTxulis cnobierebaSi fiqsacia, piriqiT, sruliad erTgvarovani xangrZlivobiT xasiaTdeba: igi Seesabameba Txrobis xangrZlivobas da wakiTxuli masala urRvev mTlianobaSi aRiqmeba. aRqmis mTlianoba ganpirobebulia ara marto wakiTxulis calkeuli detalebis Tanmimdevruli, mwyobri ganlagebiT, aramed maTi organuli gamTlianebiT. sxvagvarad rom vTqvaT, es aris mudmivi Serwymis procesi, rodesac avtori teqstis farglebSi iwvevs mkiTxvelis warmosaxvas, xolo mkiTxveli, aseve teqstis farglebSi, pasuxobs avtoris gamowvevas. Sesabamisad, mkiTxvelisa da avtoris kontaqti individualuri Teoriuli modelis saxes iZens konkretuli literaturuli epoqis, stilis, problematikisa da meTodologiis farglebSi: literaturis ganviTarebis nebismieri etapis, rogorc tipologiurad da struqturulad mowesrigebuli movlenis, konteqstSi avtorisa da mkiTxvelis urTierTmimarTeba konkretuli literaturuli sistemisaTvis niSandoblivi stilistur da meTodologiur kanonebs emorCileba. gamonakliss am TvalsazrisiT arc me-19 saukunis realisturi literatura warmoadgens. realizmis literaturuli skola xazgasmuli yuradRebiT moekida avtorisa da mkiTxvelis urTierTmimarTebis sakiTxs. marTalia, mogvianebiT, me-20 saukunis literaturulma kritikam araerTxel gadasinja àvtoris~ problema literaturaSi da, rbilad rom vTqvaT, minimalurad Seafasa misi roli teqstSi (t. elioti, r. barti, J. Jeneti da sxv.), me-19 saukunis literaturuli tradicia ver Tavsdeba am inovaciuri gaazrebis farglebSi: realisturi literaturis wiaRSi avtori da avtoriseuli qronotopi gvevlineba Txrobis kompoziciuri da dro-sivrculi orientaciis RerZad. cxadia, aqtualuria mkiTxvelisa da mkiTxveliseuli qronotopis _ individualuri recefciis procesis _ funqciac, magram, umeteswilad, is regulirebulia avtoris mier: avtori mimarTavs mkiTxvels, uxsnis, ganumartavs, ekiTxeba, pasuxobs, umtkicebs, anu, sakmaod mwired utovebs, izeris termini rom moviSvelioT, `bundovan adgilebs~ Tu `teqstualur gaurkvevlobebs~, romlebic unda Seavsos an TavsatexebiviT amoxsnas mkiTxvelma. cnobilia, rom kiTxvis aqti mudmivad gaxsnili perspeqtivaa, romelic, erTi mxriv, iTvaliswinebs konteqstualur modifikaciebs, xolo, meore mxriv, xels uwyobs mkiTxvelis maqsimaluri fleqsiurobisa da transformaciis unaris realizebas. anu sxvadasxva istoriuli da sociokulturuli konteqstis mkiTxveli sxvadasxvagvarad erTveba teqstSi da aRqmis procesi individualuri aqtis saxes iZens. me-19 saukunis realisturi literatura, romelic ostaturad iyenebs teqsts social-erovnuli, eTikuri da filosofiuri xasiaTis problemebis gaxmianebis tribunad, TiTqos xelovnurad arRvevs recefciis am logikas. realisti mwerali cdilobs mkiTxvelis `dayoliebas~, misi 11
Page 1 and 2: SoTa rusTavelis qarTuli literaturis
Page 3 and 4: saerTaSoriso samecniero konferencia
Page 5 and 6: Sinaarsi RUDOLF KREUTNET Friedrich
Page 7 and 8: miTmTxzvelobis xanaSi..............
Page 9: in middle-east literatures the same
Page 13 and 14: qarTuli realizmis lideris, ilia Wav
Page 15 and 16: nana gonjilaSvili `bazaleTis tbis~
Page 17 and 18: samoTxesa mas, da babilosa mas mois
Page 19 and 20: qveynad ararsebuli, saocnebo `siyva
Page 21 and 22: guamisa Tquenisasa da savanÀ ganum
Page 23 and 24: poemis momxiblveli idumaleba _ ilia
Page 25 and 26: metic, imis mtkicebac ki ar aris ad
Page 27 and 28: mixeil qurdiani ilia WavWavaZis ‘
Page 29 and 30: tradiciuli gansaxovneba ilia WavWav
Page 31 and 32: wilxvdomili~ qveyana Tamaris madliT
Page 33 and 34: `kvali ganaTlebulis~ motivi ilia Wa
Page 35 and 36: erT-erTi umniSvnelovanesi momentia~
Page 37 and 38: èvropeizmis~ rogorc kulturul _ ist
Page 39 and 40: ganxilvis safuZvelze. ilias aRniSnu
Page 41 and 42: ilia WavWavaZe da ianiS arani dalil
Page 43 and 44: ilias SemoqmedebasTan. revoluciis d
Page 45 and 46: me-20 saukune: folklori da sabWoTa
Page 47 and 48: kotetiSvili 1961: kotetiSvili, vaxt
Page 49 and 50: kiTxvebiT aSinaarsebs, rogorc es xa
Page 51 and 52: erovnuli cnobierebis asamaRleblad.
Page 53 and 54: energiuli moRvaweobiT amtkicebda Ta
Page 55 and 56: guberniis saTavadaznauro krebaze da
Page 57 and 58: `drouloba~, rogorc zneobrivi katego
Page 59 and 60: inga milorava mxatvruli sivrcis gam
Page 61 and 62:
marginalobis fenomeni ilias òTaraa
Page 63 and 64:
gahbedavdnen~, qvrivi Tav_beds awye
Page 65 and 66:
magram dedis daJinebul Txovnas, ufr
Page 67 and 68:
demetre II Tavdadebuli giorgi alibe
Page 69 and 70:
es viTareba ilias poemaSi araa aRwe
Page 71 and 72:
igavuri metyvelebis bibliuri princi
Page 73 and 74:
aRmoscenda, da rameTu ara iyo siRrm
Page 75 and 76:
vaJa TvalavaZe ilia WavWavaZe sazRv
Page 77 and 78:
i. WavWavaZem publicistur werilebSi
Page 79 and 80:
ilia WavWavaZe da qarTuli musikis s
Page 81 and 82:
aSime hgvandes: saqarTvelo ufro azi
Page 83 and 84:
sul male ìveriis~ saaxalwlo damate
Page 85 and 86:
ilia WavWavaZis “osmalos saqarTve
Page 87 and 88:
agrationebis meTaveobiT. erTianobis
Page 89 and 90:
ilias mier umTavresad sekularuli po
Page 91 and 92:
dabolos: ra akavSirebs erovnuli erT
Page 93 and 94:
mRvdel-monazoni ioane (kalandia), g
Page 95 and 96:
dasturdeba imiT, rom saqarTveloSi a
Page 97 and 98:
3. moixados movaleoba saxelmwifosa
Page 99 and 100:
daujdomeli sagalobeli wmidisa ilia
Page 101 and 102:
visac waukiTxavs locva, fsalmuni, d
Page 103 and 104:
vlanZRavT es raindoba ar ariso da T
Page 105 and 106:
emuxvari 1928: emuxvari v. ,,5 ivli
Page 107 and 108:
1. Zveli saeklesio mwerloba; 2. oqr
Page 109 and 110:
kriteriumebi sruliad axleburia, rac
Page 111 and 112:
abaSiZe 1962: abaSiZe giorgi. kita
Page 113 and 114:
ase rom, qarTvel simbolistebi, rome
Page 115 and 116:
saxeli aRbeWdili iqneba am gulis fi
Page 117 and 118:
avoidance. Thus, the 2nd example -W
Page 119 and 120:
Gender PC is characterized by the a
Page 121 and 122:
patterns of the perceived winner, i
Page 123 and 124:
wignebis garda, saero nawerebic. am
Page 125 and 126:
gazeTma sagangebo statia uZRvna vla
Page 127 and 128:
pirovnebisa da sazogadoebis urTierT
Page 129 and 130:
olos tragedia Sedegia beris garesam
Page 131 and 132:
ogorc Sedegi adamianTa da sazogadoe
Page 133 and 134:
“Homo somatis” iliaseuli gaazre
Page 135 and 136:
gabriel ratiSvilis `mciredi moTxrob
Page 137 and 138:
TaviseburebebiT, amas garda, mTargm
Page 139 and 140:
gaazrebuli. misi azriT, roca `TviTo
Page 141 and 142:
mowoneba da aRiareba xvda wilad ili
Page 143 and 144:
Tu ise did siamovnebas aniWebs: ”
Page 145 and 146:
ilias azriT somxebs isic exmarebaT
Page 147 and 148:
`bednieri eri~: struqtura da sazris
Page 149 and 150:
warsulis kanonebiT cxovreba ar SeiZ
Page 151 and 152:
(`Tamar wynari, Sesawynari~) mibaZv
Page 153 and 154:
Tamar barbaqaZe ilias dramatuli poe
Page 155 and 156:
waruvlen weli Zilis Jamisa~. (T. XX
Page 157 and 158:
ilias bediswera levan bregaZe ocdao
Page 159 and 160:
landSafts, orive simboloebis erTi d
Page 161 and 162:
polemikas warmoadgenda~ (haine 1962
Page 163 and 164:
epoqis mowinave, upirvelesad inglis
Page 165 and 166:
“raki germanelisaTvis codna, swav
Page 167 and 168:
am warmatebis mizezi isev qarTvelTa
Page 169 and 170:
aseTi lakonuri da brZnuli gaazreba
Page 171 and 172:
“Vor den Thüren“ Ich habe gekl
Page 173 and 174:
ilia: “siyvarulisa karebsa Tumc S
Page 175 and 176:
“erTi saxliRa damrCenia axla sawy
Page 177 and 178:
ilia da misi germaneli megobrebi ka
Page 179 and 180:
aqvea kaklis xec, romlis totebidan,
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Shota Rustaveli Institute of Georgian Literature

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