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Isaiah 34:14 picks up the story). Gilgamesh and his men then fell the tree so Inanna can

make her bed and chair. In gratitude she makes the pukku (drum?) from the base of the

tree and the mikku (drumstick?) from the crown, and gives them to Gilgamesh. Hence

in the twelfth tablet of the epic we find Gilgamesh lamenting the loss of these objects,

the identification of which is still not certain, to the underworld. The coupling of Lilith

with the serpent in the Huluppu Tree in Inanna’s garden of course is similar to the

Garden of Eden story.

In later lore Lilith becomes a succubus and child-slayer. The Alphabet of Ben Sira

(circa AD 800) introduces the most famous element of the story, that Lilith was the first

wife of Adam who refused to lie under him for sex and abandoned him, fleeing the

Garden of Eden. This text is believed to be an early parody of Hebrew literature. Lilith

appears as the female of Samael in the Zohar (circa AD 1200), where she is described as

an abominable harlot who stands on street corners to attract men. Forlong’s A Cyclopedia

of Religions (London, 1906) makes an interesting observation: “Lilith became the consort

of Samael and together they are ‘the Beast’…”

Robert Graves and Raphael Patai note in Hebrew Myths that Asmodeus and other

demons were born of sexual union between Adam and Lilith and another like her

named Naamah, Tubal Cain’s sister, and that “Solomon suspected the Queen of Sheba

of being Lilith, because she had hairy legs”. Graves and Patai also identify the two

unnamed harlots who come before Solomon to have the ownership of a child decided

in 1 Kings 3:16 as Lilith and Naamah, presumably because a child of one of the women

has died in the night, which links with the motif of Lilith as a child-slayer and nightmonster.

The evidence for this association appears slim to me. As for there being a

relationship between Babalon and Lilith, I have found no early textual support for this

idea and so at present it remains an occult association to be further explored.

JB

Babalon the Whore: of the light?

Ok could someone please tell me what this fascination with Babalon the Whore is?

The A∴A∴, the oto, and other groups often claim to be servants of the light. I would

like to know how certain magicians who are on the right hand path, in service to the

Tetragrammaton, to purity, to light, to passiveness, to control etc can use icons such as

The Beast 666, Baphomet, and of course Babalon. In Liber ABA Crowley says that this

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