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Professor Steczynski’s

Apocalypse

APOCALYPSE: Meditations on the Visions of John

http://www.bc.edu/bc_org/avp/cas/relarts/apocalypse/index.html

reviewed by Joel Biroco

When I came across this website in a search on the Great Whore of Babylon, I was

astounded by Professor John Steczynski’s gorgeous drawings covering the entirety of

the Apocalypse, 42 in all, and his imaginative rendition of Babylon’s Beast and the

Great Red Dragon and sought permission to reproduce two of them at high resolution

in KAOS (see pages 2 and 108). The intricacy of the style of fine-line hatching and also

the intensity of the colour, particularly the red of the dragon in otherwise monochrome

images, comes out more than it does in the low resolution scans on the website. Prof

Steczynski, of Boston College, has for the past twenty years made pen and ink drawings

and painted liturgical hangings. He states that his work comes out of the modernist

rejection of explicit religious imagery that has occurred since the 1950s, that has, as he

puts it, “begun to give way to a post-modernist absorption of ethnic traditions strongly

imbued with religious themes”. His choice to focus on the Apocalypse of St John during

his sabbatical leave in 1997–1998 was inspired by the forthcoming millennium, given

that many people associate “millennium” with the Apocalypse. He expands on this:

There was a more pressing impetus, however. The extreme right might try to find ways

to manipulate the appeal that the Apocalypse already has for Christians of a more

fundamentalist orientation to promote its own political agendas for the millennium. I

wanted my Apocalypse to remain true to John’s vision, manifesting its full intensity. At

the same time I wanted to embody a broader, more humanitarian understanding than

others might, avoiding vindictive divisions into black/white, good/evil, us/them. I wished

to affirm a God of love.

184

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