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As for why 333, merely being half of 666 makes it attractive enough I would have

thought. But interesting its equivalence with “dispersion” goes unremarked upon in

Sepher Sephiroth. I think you may have a point about the Choronzon spelling potentially

being bequeathed to Crowley by Allan Bennett on the latter’s departure to Ceylon in

1899, I hadn’t considered that. Of course we don’t know whether “Choronzon” was

included in Bennett’s original material or was a later addition.

Interesting that in the “Note by Scribe” (p 171, Weiser 98) Neuburg says: “The

account of the further dealings of Choronzon with the Scribe will be found in the

Record of Omnia Vincam.” A note says this is not believed to be extant. One wonders

whether Victor Neuburg Jnr might have it, if he’s still alive. Did I tell you I met him in

the 80s?

JOEL

“it shall become full of beetles…”

Hi Satyr—Re-reading The Vision and the Voice I couldn’t help but think that it is to an

extent tainted by the “revelations” of Liber AL. Not entirely fresh but force-fitted into

his established worldview. The Book of the Law, when examined, is hardly anything

more than a cut-up of phrases and personages from the catalogue entry for Exhibit 666

at the Boulak Museum, Cairo, 1904, combined with a will to world occult domination

with a pseudo-Apocalyptic flavour coupled with a recent reading of Rabelais still fresh

in the mind, but even then it is hardly a “breakthrough in gray room”.

Liber AL has little binding or profound vision holding it together, all it is is a first try

by someone who really pulled it off five years later, but by that time the die was cast.

Hard to avoid the leakage of one’s own stuff into genuinely channelled material, that I

certainly realise, every ardent ufo believer channels aliens to voice the message. Though

the visions of Liber 418 are to me very genuine despite this, the authenticity of a vision

I feel is nonetheless marked by how much of one’s own stuff one manages to keep out.

Which is probably reflective of depth of trance. Now Crowley of course thought his

Liber AL and Ra-Hoor-Khuit and Stèle of Revealing and all that was a universal truth,

so to have it swilling around in the background of his Algerian visions probably didn’t

seem like an imposition, rather a confirmation of the authenticity of the newly skryed

material. But to me, who doesn’t see it that way, who sees Liber AL as a transitory

inspiration blown out of all proportion to its actual worth and built up into something

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