Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
ADbrain Inspiration<br />
<strong>Sense</strong><strong>of</strong><br />
SERIES#SENI REKA LOGAM HALUS<br />
<strong>2017</strong><br />
#SENI REKA TEKSTIL<br />
#SENI HALUS
T<br />
i
Katalog ini diterbitkan sempena pameran ‘SENSE OF SERIES <strong>2017</strong>: PAMERAN DIPLOMA’ yang berlangsung di Fakulti Seni Lukis & Seni Reka,<br />
Universiti Teknologi MARA Cawangan Kelantan, Bukit Ilmu 18500, Machang Kelantan dari 16 April <strong>2017</strong> hingga 20 April <strong>2017</strong>.<br />
Diterbitkan oleh:<br />
KAPALLOREK ART SPACE, No.519, PSRN SIBC22,<br />
32610 Seri Iskandar, Perak, Malaysia<br />
Phone: +6012 456 4966/ +6017 536 5314<br />
Email: Kapallorek@gmail.com<br />
Web: www.kapallorek.com | FB/IG #kapallorek<br />
ISBN 978-967-14479-2-5<br />
Penaung<br />
YM Dr. Tuan Haji Rosli Tuan Hassan<br />
(Rektor UiTM Cawangan Kelantan)<br />
Penasihat Bersama<br />
Ybrs. Pr<strong>of</strong>.Madya Dr. Zulkifli Mohamed<br />
(Timbalan Rektor Akademik UiTM Cawangan Kelantan)<br />
Hamdan Hj Lias<br />
(Ketua Pusat Pengajian Fakulti Seni Lukis & Seni Reka)<br />
Pr<strong>of</strong>. Madya Dr. Marzuki Hj. Ibrahim<br />
(Pengarah VAC)<br />
Pengarah Projek / Kurator:<br />
Mohd Faizul Norizan<br />
Setiausaha<br />
Nor Fatiyah Roslan<br />
Rohaizan Mohd Nasir<br />
Bendahari<br />
Aneeza Mohd Adnan<br />
Penulis<br />
Mohammed Iqbal Badaruddin<br />
Mohd Faizal Ramli<br />
Junaidi Awang<br />
Adib Mohd Hasan<br />
Mohd Shahrul Hisham Ahmad Tarmizi<br />
Mohd Faiz Jalaludin<br />
AJK Pameran<br />
AD112<br />
Mohd Bakeri Ab Rahman<br />
Junaidi Awang<br />
Yus<strong>of</strong> Daud @ Ismail<br />
AD113<br />
Mohd Zamani Daud<br />
Emilia Abdull Manan<br />
Rozita Shamsuddin<br />
AD118<br />
Sarman Mohamad<br />
Suhaidi Razi<br />
Mohd Faizal Ramli<br />
AJK Protokol & Sambutan<br />
Raja Norazila Mohd Yus<strong>of</strong><br />
Mohd Masdi Abdul Manan<br />
Siti Safura Zahari<br />
Romli Mahmud<br />
AJK Promosi & Jemputan<br />
Nani Hartina Ahmad<br />
Nurin Elani Makrai<br />
AJK Cenderahati<br />
Noorhafiza Ghazali<br />
Mazni Omar<br />
AJK Rekaan Grafik & Dokumentasi<br />
Shahrul Hisham Ahmad Tarmizi<br />
Adib Mohd Hasan<br />
Mohd Faiz Jalaludin<br />
Mazlan Mustapha<br />
AJK AD Brain Bistro<br />
Anis Ediana Mohd Fauzi<br />
Muhammad Syafiq Muda<br />
Nor Fatiyah Roslan<br />
AJK Tugas –Tugas Khas<br />
Md Hafizullah Saad<br />
Mohd Hakim Mohd Sharif<br />
AJK Teknikal<br />
Mumtas Ismail<br />
Mohd Khairi Halim<br />
Hamidi Awang En.Mohd<br />
Izwadi Mohamed @ Ismail<br />
Abdullah Alif Mat Jusoh<br />
ii
KATA-KATA ALUAN REKTOR UiTMCK<br />
iii
KATA-KATA ALUAN TIMBALAN REKTOR HEA UiTMCK<br />
iv
KATA-KATA ALUAN KETUA PUSAT PENGAJIAN UiTMCK<br />
v
NOTA KURATOR: PAMERAN ‘SENSE OF SERIES’<br />
vi
2
Gambarajah 1: Imej Mr Bean yang telah diphotoshopkan. Hasil dapatan dari http://www.boredpanda.com/mr-bean-rowan-atkinson-photo<br />
shop/?utm_source=facebook&utm_medium=link&utm_campaign=BPFacebook<br />
Imej dalam Subjek<br />
Saya melihat kebanyakan karya yang dihasilkan oleh para pelajar dari ketiga-tiga program menjadi terlalu umum yang mana imej atau<br />
subjek tersebut memang sudah dikenali oleh masyarakat kita. Imej seperti kapal nelayan, hidupan laut, siput, imej tumbuh-tumbuhan yang<br />
telah di’awan laratkan’, motif Pucuk Rebung sudah sebati dengan para pelajar jurusan Diploma Seni Lukis & Seni Reka. Hanya gaya<br />
(style), bentuk (form) dan isi yang membezakan imej tersebut dengan imej yang pernah digunakan oleh pelajar sebelum ini. Tugas berat<br />
sentiasa diberikan dengan penuh komitmen oleh para pensyarah yang mengajar pelajar tahun akhir semester 05 agar penyampaian<br />
karya itu sentiasa segar dan berkembang dari masa ke semasa. Kesan daripada proses ini seterusnya bukan sahaja membentuk peribadi<br />
seseorang pelajar yang berfikiran kreatif dan kritis, tetapi membawa pengaruh dan model kepada pelajar baharu pada masa akan datang.<br />
Proses ini terus berlanjutan sehingga generasi seterusnya mengambil-alih, mengurus dan mengawal situasi tertentu mengikut arus<br />
sezaman.<br />
Maka tidak hairan jika kita melihat perubahan gaya pelajar menghasilkan karya bertemakan elemen tradisional sambil mendengar lagu<br />
Marian Hill bertajuk ‘Diggy Down’. Mahupun mendendangkan lagu ‘That’s What I Like’ oleh Bruno Mars sambil mencanting batik. Saya<br />
melihat hal ini sebagai satu arus kemodenan dari segi komunikasi dan teknologi. Jika pelajar dahulu digalakkan untuk membuat kajian<br />
dan mengambil gambar pada subjek tertentu, kini teknologi semasa telah memudahkan para pelajar untuk membuat kajian secara atas<br />
talian. Maka tidak pelik apabila ramai berasa gusar malah kecewa kerana tidak dapat melayari internet atas sebab masalah teknikal<br />
(mungkin juga kerana kehabisan kuota).<br />
3
4
Gambarajah 2: War Is Over (If You Want It) oleh John Lennon dan Yoko Ono (1969), Papan iklan New York.<br />
Retrieved from https://cbswzlx2.files.wordpress.com/2014/12/3346199.jpg?w=640&h=360&crop=1<br />
Rujukan<br />
i. Khatijah S. (1999), Semurni, Fakulti Seni Lukis & Seni Reka, UiTM S.Alam.<br />
ii. Koentjaraninggrat (1990), Sejarah Teori Antropologi II, Universitas Indonesia Press, Jakarta.<br />
iii. Margherita Dessanay (2013), It’s A Stick-Up, Laurence King Publishing LTD,UK.<br />
iv. M.Ali A. Rahman (2000), Modern Malaysian Art: Manifestation <strong>of</strong> Malay Form & Content, UPENA, S,alam.<br />
v. M. Ali A.Rahman (2004), Falsafah Seni & Estetik: Kajian Perbandingan Islam, Timur & Barat, Jab.Penajian Budaya Visual, FSSR,<br />
UiTM S.alam.<br />
vi. M.Iqbal Badaruddin (2013), Buku Pameran Jelujur Rasa,<br />
vii. Nicky Al-Masy (<strong>2017</strong>), Tiles <strong>of</strong> Tales – Travel 3 Sixty Isu 116, Mach <strong>2017</strong>, A.Asia, KL.<br />
5
6
7
8
#01<br />
#SENI REKA<br />
LOGAM HALUS<br />
AD113<br />
9
10<br />
Gambarajah 1: Barang kemas yang diinspirasikan daripada perahu kolek.
KARYA PELAJAR AD113<br />
11
12<br />
Fildza Reza Razali | Set Barang Kemas Inspirasi- ‘Black Bat’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong>
Mohamad Al Lukman Mohd Asri | Set Barang Kemas- ‘Passiflora Alata’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong><br />
13
14<br />
Mohamad Rashidi Mat Safni | Set Barang Kemas- ‘Orchidaceae’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong>
Mohammad Abdul Hafiz Abd.Khar | Set Barang Kemas- ‘Delonix Regia’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong><br />
15
16<br />
Mohammad Afiq Abdul Manaf | Set Barang Kemas- ‘Moraea Bicolor’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong>
Mohammad Amin Abdullah | Set Barang Kemas- ‘Tiger Lily’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong><br />
17
18<br />
Muhamad Aqil Azmi | Set Barang Kemas- ‘Miltassia Orchid’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong>
Muhammad Edham Jamhuri Bahazir | Set Barang Kemas- ‘Columbine’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong><br />
19
20<br />
Muhammad Lukman Muhamad | Set Barang Kemas- ‘Erantis’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong>
Norazira Mohd Roni | Set Barang Kemas- ‘Iris Versicolor’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong><br />
21
22<br />
Nur Najihah Azmi | Set Barang Kemas- ‘African Daisy’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong>
Nurul Akmar Mustafa | Set Barang Kemas- ‘Stargazer Lily’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong><br />
23
24<br />
Nurul Naafizah Ibrahim | Set Barang Kemas- ‘Crocus Sativus’ | 13.97cm x 13.97cm |<br />
Tembaga merah saduran emas | <strong>2017</strong>
#02<br />
#SENI REKA<br />
TEKSTIL<br />
AD112<br />
25
Malaysia Batik Designer: From My Perception<br />
by: Junaidi Awang (AD112)<br />
Malaysia’s batik flow has developed from traditional to modern high-end style. We have our own palette <strong>of</strong> colors that is classic to the global<br />
taste. Our design and motifs go with the various techniques that diversity in trends and fashion.<br />
For batik to shine in the international scene, Malaysia owns local designers have to first embrace change in the way we perceive batik.<br />
I believe batik has a lot <strong>of</strong> potential and may even one day be one <strong>of</strong> the main exports <strong>of</strong> Malaysia in the same way that textile and fashion<br />
are to countries like Italy, Paris, London and also commonwealth countries.<br />
For me, batik will always have our country’s acceptance in Malaysia and in other countries also. But we have to embrace change in the<br />
way we perceive it. In order for the world to utilize Malaysian batik, it must first be relevant to current fashion trends. I think we must get<br />
away from just perceiving it as a traditional material or craft. The designs, the color palette must match the latest season. And it should not<br />
just be confined to fish, nature and flower motifs, while those are very unique; they may not be what the worlds want.<br />
The future <strong>of</strong> batik is going to be exciting. There are so many opportunities for all artists if local batik makers first learn to improvise on the<br />
production <strong>of</strong> batik. People around the world are now championing the environment. If I can produce batik using ec<strong>of</strong>riendly methods, I will<br />
definitely garner the world’s attention. We believes that the quality <strong>of</strong> work by batik makers in Malaysia has seen significant improvement<br />
and also it is a time <strong>of</strong> taking it to the international level by looking at the branding and marketing aspects.<br />
As shares, I advise that designers should first discover their identity and harness it locally before venturing abroad. Opportunities abound<br />
when they are good at something. They need discover their own mode first and then when presenting their work internationally, they will<br />
know how important the identity can be because people identify you through your designs no matter how varied they are. As an example,<br />
I love abstract design, especially exploring element <strong>of</strong> lines, color and texture with my own style. Overwhelmed by the ravishing elements<br />
<strong>of</strong> lines, color and texture, I was inspired to interpret the emotional expressions <strong>of</strong> spontaneous artwork with the overlapping technique to<br />
create a contemporary modern look design. It is purely derived from my appreciation towards graphic production and the art <strong>of</strong> modern<br />
painting. I like to experiment with different technique <strong>of</strong> water and batik color (remazol). Remazol and water is a unique resource and can<br />
create unexpected visual effects on different fabric surface such as cotton, silk and denim. That is why I always believe that exploration and<br />
experimentation keeps my ideas fresh and I commit myself in changing my batik design every year.<br />
As a designer, we need to spend a lot <strong>of</strong> time in research so that you can create your own identity. Many batik producers or designers don’t<br />
understand the importance <strong>of</strong> research and they get stuck for ideas. That’s when they up copying other designer’s work. For me,<br />
understanding the design principle is a priority if we want to create something new and dare to be different. Inspiration can come from<br />
anywhere and everywhere – your culture, song, color, nature, celebrations, figures, experience and so on. Everything is in your hands. You<br />
are the one to decide which elements will inspire your design.<br />
26
Picture 1<br />
Picture 2<br />
27
28<br />
KARYA PELAJAR AD112
Farah Fakhira Zulbahri | Batik Merafak Sembah | 250cm x 109cm | Batik | <strong>2017</strong><br />
29
30<br />
Fariza Norehan Nor Azman | Inspirasi Songket dan Batik Warisan Melayu | 250cm x 66cm | Batik | <strong>2017</strong>
Fatin Noraini Zainal A’bidin | Inspirasi Paris Pop Art | 400cm x 103cm | Cetakan | <strong>2017</strong><br />
31
32<br />
Mohd Irfan Mohd Zamri | Warisan Melayu Nouvo Art Songket dan Batik Blok | 250cm x 66cm | Tenunan | <strong>2017</strong>
Noor Safira Nazelah Mohamad Hanafi | Inspirasi Songket dan Batik Warisan Melayu | 250cm x 66cm | Batik | <strong>2017</strong><br />
33
34
35
36<br />
Nur Bahiyah Ismail | Kain Sarong vs Batik Indonesia | 400cm x 103cm | Cetakan | <strong>2017</strong>
Nur Syahirah Seri Rakna | Batik Motif Moden dan Geometrik | 250cm x 66cm | Batik | <strong>2017</strong><br />
37
38
39
40
Siti Sazura Nawang | Inspirasi Struktur Karpet Istanbul | 400cm x 104cm | Cetakan | <strong>2017</strong><br />
41
42
Aman Fikri Adnan | Inspirasi Songket dan Batik Warisan Melayu | 250cm x 114cm | Batik | <strong>2017</strong><br />
43
44<br />
Farah Nurulasyiqin Md Fauzan | Inspirasi Songket dan Batik Warisan Melayu | 250cm x 109cm | Batik | <strong>2017</strong>
Liana Muhamed Ismadi | Inspirasi Alam Flora / Semula Jadi | 400cm x 103cm | Cetakan | <strong>2017</strong><br />
45
46<br />
Muhammad Fauzan Kamaruzzaman | Inspirasi Songket dan Batik Warisan Melayu |<br />
250cm x 109cm | Batik | <strong>2017</strong>
Muhammad Hafizuddin Ahmad Zulhaidi | Inspirasi Songket dan Batik Warisan Melayu |<br />
250cm x 109cm | Batik | <strong>2017</strong><br />
47
48<br />
Nor Najwa Nabila Ahmad Rahim | Inspirasi Songket dan Batik Warisan Melayu |<br />
300cm x 71cm | Tenunan | <strong>2017</strong>
Nor Suhailah Samsudin | Inspirasi Songket dan Batik Warisan Melayu | 250cm x 109cm | Batik | <strong>2017</strong><br />
49
50<br />
Norhaniza Baharom | Inspirasi Songket dan Batik Warisan Melayu | 250cm x 109cm | Batik | <strong>2017</strong>
Nur Fatihah Jasmi | The Nature <strong>of</strong> Mangrove | 250cm x 109cm | Batik | <strong>2017</strong><br />
51
52<br />
Nurnabila Natasya Abdullah | Khazanah Alam | 400cm x 103cm | Cetakan | <strong>2017</strong>
Nurul Natasha Dzuhan Fitri | Inspirasi Songket dan Batik Warisan Melayu | 250cm x 66cm | Batik | <strong>2017</strong><br />
53
54
55
56<br />
Nur Fatini Abd Wahab | Khazanah Alam | 250cm x 109cm | Batik | <strong>2017</strong>
#03<br />
#SENI HALUS<br />
AD118<br />
57
58
59
60<br />
KARYA PELAJAR AD118
Abdul Muhaimin | Still Life with Chinese Blue and White Porcelain, Head Skull and Batik. |<br />
152cm x 122cm | Campuran atas kanvas | <strong>2017</strong><br />
61
62<br />
Maziky Mohammad | Expressions and Impressions | 122cm x 152cm | Campuran atas kanvas | <strong>2017</strong>
Mohd Zoolfika Saudin | Kediaman Haji Su. | 122cm x 122cm | Campuran atas kanvas | <strong>2017</strong><br />
63
64<br />
Nurnatasya Zamri | Spices Of Life | 59.2cm x 41.6cm | Sutera saring | <strong>2017</strong>
Ahmad Ashabulyamin Abd Aziz | Kukuh | 152cm x 122cm | Campuran atas kanvas | <strong>2017</strong><br />
65
66<br />
Nurul Najihah Mat Daud | Perahu Payang Barat Terengganu | 152cm x 122cm |<br />
Campuran atas kanvas | <strong>2017</strong>
Muhammad Badzlan Ghazali | Three Grouper On Ice | 122cm x 152cm | Cat minyak | <strong>2017</strong><br />
67
68<br />
Raja Mohd Faiz Syazarim Raja Abdul Karim | Giant Squid | 122cm x 91.5cm x122cm |<br />
Besi Jumpaan | <strong>2017</strong>
Nurshazlyn Samsuri | Home | 91.5cm x 122cm (2 Panel) | Cat minyak atas kanvas | <strong>2017</strong><br />
69
70<br />
Farid Suhaimi | Raja Udang | 152cm x 122cm | Akrilik atas kanvas | <strong>2017</strong>
Muhammad Huzaifi Ramly | Memerah Keringat | 122cm x 152cm | Cat minyak atas kanvas | <strong>2017</strong><br />
71
72<br />
Aqilah Razak | Shoaling Fish On The Seabed | 122cm x 152cm | Akrilik atas kanvas | <strong>2017</strong>
Nasha Fahamy | Deep in the Ocean I | 122cm x 152cm | Akrilik atas kanvas | <strong>2017</strong><br />
73
74<br />
Nur Saffawati Li | Sejarah Budu di Kelantan Tidak Pernah Ketinggalan Zaman Hingga Hari Ini |<br />
152cm x 122cm | Campuran atas kanvas | <strong>2017</strong>
Change language