d i s e r t a c i a
d i s e r t a c i a d i s e r t a c i a
126ekleqtikuri, realurisa da irealuris dapirispirebuli cnebebi erTmTlianobas qmnian, rac xdomilobis, moqmedebis erTianobas efuZneba.dapatimreba da saavadmyofoSi dawvenac nawarmoebSi orjermeordeba: megobrebTan sadili (vaxSami, sadili), wola (sakaceze,loginSi), varskvlavis mimarTulebiT svla, jariskacebis mier dakaveba(erTxel mTxrobelis, meored _ misi oreulis). zemoxsenebulimovlenebi, ganurCevlad imisa, realur Tu warmosaxviT samyaroSi xdeba,erTmaneTisgan damatebiTi detalebiTaa gansxvavebuli, magram teqstSiyvela erT daniSnulebas asrulebs: sakaceze wola cis qveS (,,étendu sur lelit du camp’’ (Nerval 1985 :12)) da klinikaSi sawolze dawvena (,,On me mitsur un lit (Nerval 1985 :15)) orive sxvadasxva moqmedebaa, magramnawarmoebisTvis, mwerlis CanafiqriT, saerTo mniSvneloba aqvs _uZlureba.nervalis moTxroba _ ,,orelia’’, fsiqobiografiis nimuSia (Jouve1997 : 90). fsiqoanalizisgan gansxvavebiT, Sarl moronis fsiqokritikamxatvrul-literaturuli teqstis literaturul Rirebulebebsprioritetulad miiCnevs. moronis Tanaxmad, literaturuli nawarmoebimecnieruli kvlevis sailustraciod ki ar gamoiyeneba, aramed masSiliteraturuli nawarmoebis konstruirebis meqanizmebi ikveTeba. moroniam procesis oTx ZiriTad etaps gamohyofs:1) saerTo niSnebis amocnoba, rac erTi avtoris ramdenimeteqstSi movlenebis erTmaneTze daleqviT, maTiciklurobiT gamoixateba (superposition);2) mniSvnelovani movlenebis gamoyofa da fsiqikissiRrmeebSi wvdomis mcdeloba (situation dramatique);3) pirovnuli miTis konstruireba (mythe personnel);4) mwerlis biografiiT sakvlevi masalis damowmeba(vérification par l’étude biographique) (Jouve 1997 :90).marTalia, morons nawarmoebisa da misi avtoris gaigiveba dasdesbralad, rac sauniversiteto tradiciebis gagrZelebad miiCnies, magramneralis SemTxvevSi, vfiqrobT, SeuZlebelia avtoris fenomenis uaryofa(Mitterand1988 :403). Tu manamde, Cven visaubreT nervalis nawarmoebisornamentulobis Sesaxeb, rac movlenaTa gameorebas, miTosur azrovnebas
127efuZneba, moronis mosazreba pirovnuli miTis konstruirebis da saerTosaxe-xatebis simravlis Sesaxeb, aseve emsaxureba nervalis teqstebiskvlevis procesis ukeT warmarTvas.Tu vivaraudebT, rom nervali mis cnobierebaSi erTmaneTzedaleqil sxvadasxva movlenebs erT, yvelaze mniSvnelovan movlenaSiaerTianebs (saavadmyofoSi moTavseba, dapatimreba), III Tavis siuJeturiqargis mixedviT, erT movlenaze erTxel aris saubari (Le mode singulatif),magram Tu CavTvliT, rom erTi movlena (Ria cis qveS wola)saavadmyofoSi logins mijaWvuli avadmyofis retrospeqtuliwarmosaxvaa, saqme erTi movlenis metaforul asaxvasTan gveqneba. amSemTxevavaSi, saqme erTi ambis ramdenjerme TxrobasTan gvaqvs (Le moderépétitif). e.i. moTxrobis avtobiografiuli safuZvlidan gamomdinare,sxvadasxva realur movlenazea saubari, romelsac realur samyaroSihqonda adgili. teqstis irealur samyaroSi ki, yvela msgavsi moqmedebaerT movlenamde daiyvaneba, riTac, nawarmoebis fiqcionalur samyaroSi,pirovnuli miTi konstruirdeba.moTxrobis _ ,,orelia’’ _ pirveli nawilis I da II TavSi,mTxrobeli Tavis gauziarebeli siyvarulis Sesaxeb mogviTxrobs, ramacigi Tavgadasavlebis maZieblad aqcia. sabediswero Secdomis daviwyebissurvilma, romlis patiebis imedi amoewura, protagonists sxva qalaqSida sxva qalis siyvarulSi apovnina Sveba, magram, sakmarisi iyowarCinebul qalbatons (,,une femme d’une grande renomée’’ (Nerval 1985 :5)) daiuRblo siyvaruliT tanjul mamakacs Soris mimowera wamowyebuliyo,rom sxva qalaqSi, mTxrobelis Zveli da axali satrfo erTmaneTsSexvedroda (,,Un hasard les fit connaître l’une à l’autre’’- (Nereval 1985 :7)). erTiSexedviT, ori qalis Sexvedra mTxrobels uxerxulobas uqmnis, igisaswrafo saqmes moimizezebs da orives miatovebs. es SexvedramkiTxvels sasiyvarulo samkuTxedis ambis Txrobas ar uqadis. igi ufrometad, warsulis da awmyos Tanxvedris gamoxatulebaa da alegoriuladgadmoscems nervalis survils Seqmnas ori drois, ori paralelurisamyaros Tanaarsebobis precendenti. mkiTxvelis sasiyvarulo intrigebsda avantiurebis molodini maleve gaqarwyldeba, radgan nervalismizans, arc don Juanis Tavgadasvlebis da arc tragikuli siyvarulis
- Page 75 and 76: 75novelis igive mTxrobelis mier war
- Page 77 and 78: 77II. V. ornamentuli prozis raoba d
- Page 79 and 80: 79II. meore Tviseba _ gauTvaliswine
- Page 81 and 82: 81sawyisebze, romlebic miTosur azro
- Page 83 and 84: 83laitmotivebiT, aluziebiTa da avto
- Page 85 and 86: 85da Tu masSi mcire raodenobiTaa mo
- Page 87 and 88: 87sivrcis, mkiTxvelis, TxrobiTi kom
- Page 89 and 90: 89nawarmoebis Seqmnaze xmamaRla sau
- Page 91 and 92: 91novelebis dasasruls, silvica da o
- Page 93 and 94: 93epizodis (werili) Txrobas ufro me
- Page 95 and 96: 95kompoziciis TvalsazrisiT ki, amba
- Page 97 and 98: 97Paris’’) (Nerval 1994 : 250))
- Page 99 and 100: 99drois ase mcire SualedSi (oTxi dR
- Page 101 and 102: 101Jerer de nervalis moTxrobaSi _ ,
- Page 103 and 104: 103samyaros spilos Zvlis karebi’
- Page 105 and 106: 105(,,Le numéro d’une maison éc
- Page 107 and 108: 107simbolur datvirTvas iZens: erTga
- Page 109 and 110: 109mzis miTologema moTxrobaSi _ ,,o
- Page 111 and 112: 111trialebda, Tavad mzis moZraobas
- Page 113 and 114: 113aRiarebs, magram imasac dasZens,
- Page 115 and 116: 115sarke iyo fufunebis sagani da Se
- Page 117 and 118: 117portretis xilva: TiTqos, naxatis
- Page 119 and 120: 119ramdenjerme aris dasaxelebuli dR
- Page 121 and 122: 121adgili hqonda ernanis premieris
- Page 123 and 124: 123vivaraudoT, rom moTxrobis _ ,,or
- Page 125: 125sqema # 5I reloba _ megobrebTan
- Page 129 and 130: 129dasawyisSi, mTxrobelic daaxloebi
- Page 131 and 132: 131qronotopis arseboba, zogadad, mT
- Page 133 and 134: 133gamdidrdeba da mkiTxvelze teqsti
- Page 135 and 136: 135martosulobas bevri mimbaZvelic g
- Page 137 and 138: 137teqstebis ilustraciebs wamoadgen
- Page 139 and 140: 139mxatvrul teqstSi transteqstualob
- Page 141 and 142: 141gamovxatoT ise, rom IV da V Tave
- Page 143 and 144: 143klasikuri magaliTia. niSandobliv
- Page 145 and 146: 145ganaTleba’’ (,,mon éducatio
- Page 147 and 148: 147sienels, romelic aseve wmindanad
- Page 149 and 150: 149darCeba. qvesknelis RmerTi da pe
- Page 151 and 152: 151moTxrobis _ ,,orelia’’, homo
- Page 153 and 154: 153gadmocemebis Tavisebur interpret
- Page 155 and 156: 155iTvleboda. cnobilia romantikoseb
- Page 157 and 158: 157da adgilebis naxvis wyurvili, eg
- Page 159 and 160: 159amosacnobad, miniSnebad, gasaReb
- Page 161 and 162: 161iyo. igi da misi coli Teofiste d
- Page 163 and 164: 163da sad ra gaakeTa: mamlis quCa,
- Page 165 and 166: 165transformirebuli Tavad mwerlis m
- Page 167 and 168: 167saavadmyofos ezo baRi samoTxemom
- Page 169 and 170: 169nebismieri Teoriebisa da filosof
- Page 171 and 172: 171sainteresoa, rom wminda egides m
- Page 173 and 174: 173apokrifuli teqsti bevri literatu
- Page 175 and 176: 175m. kuviem dedamiwis evoluciis Te
126ekleqtikuri, realurisa da irealuris dapirispirebuli cnebebi erTmTlianobas qmnian, rac xdomilobis, moqmedebis erTianobas efuZneba.dapatimreba da saavadmyofoSi dawvenac nawarmoebSi orjermeordeba: megobrebTan sadili (vaxSami, sadili), wola (sakaceze,loginSi), varskvlavis mimarTulebiT svla, jariskacebis mier dakaveba(erTxel mTxrobelis, meored _ misi oreulis). zemoxsenebulimovlenebi, ganurCevlad imisa, realur Tu warmosaxviT samyaroSi xdeba,erTmaneTisgan damatebiTi detalebiTaa gansxvavebuli, magram teqstSiyvela erT daniSnulebas asrulebs: sakaceze wola cis qveS (,,étendu sur lelit du camp’’ (Nerval 1985 :12)) da klinikaSi sawolze dawvena (,,On me mitsur un lit (Nerval 1985 :15)) orive sxvadasxva moqmedebaa, magramnawarmoebisTvis, mwerlis CanafiqriT, saerTo mniSvneloba aqvs _uZlureba.nervalis moTxroba _ ,,orelia’’, fsiqobiografiis nimuSia (Jouve1997 : 90). fsiqoanalizisgan gansxvavebiT, Sarl moronis fsiqokritikamxatvrul-literaturuli teqstis literaturul Rirebulebebsprioritetulad miiCnevs. moronis Tanaxmad, literaturuli nawarmoebimecnieruli kvlevis sailustraciod ki ar gamoiyeneba, aramed masSiliteraturuli nawarmoebis konstruirebis meqanizmebi ikveTeba. moroniam procesis oTx ZiriTad etaps gamohyofs:1) saerTo niSnebis amocnoba, rac erTi avtoris ramdenimeteqstSi movlenebis erTmaneTze daleqviT, maTiciklurobiT gamoixateba (superposition);2) mniSvnelovani movlenebis gamoyofa da fsiqikissiRrmeebSi wvdomis mcdeloba (situation dramatique);3) pirovnuli miTis konstruireba (mythe personnel);4) mwerlis biografiiT sakvlevi masalis damowmeba(vérification par l’étude biographique) (Jouve 1997 :90).marTalia, morons nawarmoebisa da misi avtoris gaigiveba dasdesbralad, rac sauniversiteto tradiciebis gagrZelebad miiCnies, magramneralis SemTxvevSi, vfiqrobT, SeuZlebelia avtoris fenomenis uaryofa(Mitterand1988 :403). Tu manamde, Cven visaubreT nervalis nawarmoebisornamentulobis Sesaxeb, rac movlenaTa gameorebas, miTosur azrovnebas