gi de mopasani

ideuri zegavlena Cans, romelic nawilobriv floberis sawinaaRmdegodmoqmedebda. floberi socialur kriticizmTan, burJuaziis siZulvilTan erTadmopasans unergavda agreTve Tavis `zizRs masis ugunurebisadmi~ da ltolvas`spilos Zvlis koSkSi~ Caketvisaken, Tavis relativizmsa da pozitivizms anu imganwyobilebebsa da ideebs, romlebic mas ukve rogorc dasavleTis klasikurirealizmis daSlis mijnaze mdgarsa da erTroulad esTetizmisa danaturalizmisaken midrekil xelovans axasiaTebda, turgenevi ki, piriqiT,amdidrebda da aZlierebda mopasanis realizms, Sveloda ra mas gamklavebodacxovrebasa da adamianze im uaryofiT, unugeSo Tvalsazriss, romelsac sulufro nergavda maSindel frangul literaturaSi burJuaziuli reaqciis zeimi.turgenevi uziarebda Tavis axalgazrda frang kolegas im maRal rwmenasadamianis sikeTisa da Zlierebisa, im Rrma siyvarulsa da TanagrZnobasdabeCavebuli xalxisadmi, metadre glexobisadmi, da im utex imeds ukeTesimomavlisa, romliTac esoden gansxvavdeba rusuli klasikuri literaturametismeti kriticizmisa Tu skepticizmis seniT Sepyrobili dasavleT-evropulimwerlebisagan. da Tamamad iTqmis: Tu ki mopasani didad aRemata Tavis frangmaswavlebels didebiT, naTel saxeTa xatviT, rusma damrigebelma swored imiTdasdo mas udidesi Rvawli, rom am saxeTa frangul sinamdvileSi, frangxalxSi danaxvis unari ganumtkica da gaumaxvila.mopasanis SemoqmedebiTi ganviTarebis meore da umTavresi monakveTi modis1880—86 wlebze. esaa mopasaniseuli kritikuli realizmis aRmavlobis xana,rodesac mwerali Tavis umniSvnelovanes Txzulebebs qmnis, romlebSic sruladCndeba misi SemoqmedebiT pozitiuri tendenciebi da Taviseburebani.marTalia, mopasanis realizms klasikuri — stendal-balzakiseuli —kritikuli realizmis aSkara daqveiTebis niSani emCneva; es daqveiTeba, uwinaresyovlisa, imaSi gamoixateba, rom sinamdvilis wvdomisa da asaxvis masStabiviwrovdeba, kerZod, sazogadoebriv mankierebaTa mxileba warmoebs ukve arasocialur-politikur, aramed `Cveulebriv~, viwro piradul, yoveldRiuryofacxovrebiTurTierTobaTa aspeqtSi. magram mopasani, floberis msgavsad,jer kidev imdenad tipurad da mZafrad, — iseTi temperamentiTa da iseSeurbileblad, — asaxavs `mmarTvel klasTa~ simaxinjesa da mavneblobas, rommainc stendal-balzakiseuli tradiciis uSualo memkvidre rCeba. Tanac, erTismxriv, igi kidevac aviTarebs am tradicias, — kritikasa da mxilebasTan erTadkontrastulad imasac uCvenebs, rom `maRal~ sazogadoebaSi Seryvnil-Seginebuladamianobas SeZlebisdagvarad `ubralo~ xalxis Svilebi inarCuneben da icavenxolme. marTalia, muqi ferebi aq aSkarad Warboben naTel ferebs, magram esukanasknelni mainc imden Suqs hfenen mopasanis mTel Semoqmedebas, rom igiverafriT ver CaiTvleba `totaluri pesimistis~ anu dekadentis memkvidreobad.ase kontrastuladaa gaSuqebuli mopasanis novelistikis yvela mTavarimotivi.kerZod — patritizmis motivi, romelsac mwerali safrangeT-prusiis omismasalaze amuSavebs Tavisi mTeli Semoqmedebis manZilze. Tuki gaqniliburJuebisa da gayinuli aristokratebis garegani `wesiereba~ mxolod maTisulieri simdablisa da siglaxis niRabia, angarebianobisa da laCrobis safari,meZavis `uweso~ xelobas ver CauxSvia funTuSas sulieri keTilSobileba, verSeubRalavs misi zneobrivi siwminde; da sadac `didebulni~ mzad arianyovelgvari damamcirebeli, magram sasargeblo garigeba dasdondampyroblebTan, iq gankicxuli `mdabio~ qali, mtris mimarT wrfelisiZulviliTa da zizRiTaa aRsavse da mxolod imisaTvis nebdeba prusieloficers, raTa Zalmomreobisa da damcirebisagan ixsnas `patiosani aramzadebi~,romelTac gulubryvilod Tanamemamuleebad racxs da safrangeT-prusiis omismasalaze agebuli bevri sxva moTxrobac, — `Zalua sovaJi~, `tyveebi~,`madmuazel fifi~, `logini #29~, — cxadhyofs imas, rom mxolod xalxis beCav,magram simdidris gamxrwneli zegavleniT SeubRalvel SvilebsRa abadiaTsamSoblos siyvarulis grZnoba da mtris winaaRmdegobis unari.