saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ...

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maia levaniZe kulakebis mavneblur saqmianobas Tedo SemTxveviT waawydeba, mas moklaven da masve abraleben Ralats. am momentSi mniSvnelovani xdeba erTi epizodi, romelic naTlad asaxavs sabWoTa realobis yoveldRiur yofas. sajaro krebaze ganixileba Tavmjdomaris mkvlelobis sakiTxi. gansjis dros is uaryofili da gankiTxulia ara mxolod sazogadoebis, sayvareli qalis mier, aramed mSobeli dedisgan, romelic sajarod ambobs uars moRalate Svilze. aq isev Cndeba motivi moRalate adamianebis sazogadoebidan sruli mokveTis Sesaxeb. Tu gadavxedavT qveyanaSi am periodSi arsebul socialurpolitikur situacias, realuri represiebis fonze, msgavsi ideologiis damkvidreba komunisturi reJimis qmedebebis gamarTlebas gulisxmobda. saxalxo krebaze epizodis finalur nawilSi reJisori gvTavazobs erTerTi partiuli muSakis paTetikur gamosvlas stalinis suraTis fonze. ekranidan ismis Semdegi sityvebi: `xalxis risxva gangmiravs yvelas, vinc gabedavs da Cvens gamarjvebas win gadaeRobeba, vinc unda iyos mteri, sul erTia, Semogvitevs Signidan Tu garedan. igi CvenTvis saSiSi ar aris, sanam Cveni wiTeli armia Cvens patiosan Sromas icavs. sanam win migviZRvis da gzas gvimSvenebs Cveni naTeli goneba didi stalini.~ nikoloz Sengelias `narinjis veli~ gansxvavdeboda misi adreuli namuSevrebisgan gamomsaxvelobiTi struqturis TaviseburebiT: naratiuli Txrobis stiliT, statikuri kadrebiT, tradiciuli rakursebiT da a. S. gmirTa erTmniSvnelovani daxasiaTebiT. kolmeurneobis TemasTan uSualo kavSirSi ganixileba qveynis industrializaciis Tema. teqnikis fetiSizmi damaxasiaTebeli iyo ara mxolod sabWoTa kinoxelovnebisTvis. faqtovrivad, saukunis dasawyisSi teqnikis swrafma ganviTarebam xeli Seuwyo ara mxolod teqnikur progressa da komunikaciis gaaqtiurebis process, 74
30-iani wlebis qarTuli kino totalitaruli reJimis pirobebSi aramed Secvala adamianis azrovnebisa da cxovrebis stili. swored am faqtorebis gamo,teqnikis,industrializaciis Tema aqtualuri xdeba msoflio kinoSi. Tumca, sabWoTa kinosgan gansxvavebiT, sadac erTmniSvnelovnad dadebiT procesad moiazrebdnen teqnikuri progresi, amerikul kinoSi iqmneba iseTi mniSvnelovani namuSevari rogoricaa àxali droeba~. Carli industrializacias, teqnikis ganviTarebas adamianis bunebrivi yofis damangrevel Zalad gaiazrebs. teqnokratiul samyaroSi mxolod moZraobis siswore da `grafikuloba~ arsebobs, sadac adamiani Cveulebriv patara tikinad gadaiqceva, tikinad, romelsac teqnika sakuTar kanonebsa da cxovrebis stils karnaxobs. Carlis poziciisgan gansxvavebiT, sabWoTa ideologia qveynis aRmSeneblobis process uSualod industriul aRmSeneblobas ukavSirebda. industrializaciis Temas mieZRvna daviT rondelis filmi àrSaula~. sabados mopoveba wmnida mTa àrSaulaze~ iwyeba. morwmune kulakebi aprotesteben mis dangrevas, provokatorebi cdiloben SuRli Camoagdon ojaxSi da amiT patiosan komunists Cirqi moscxon. saboloo jamSi aRmoCndeba, rom CaxlarTuli intrigebis miRma kulakebis simdidre, piradi interesebi imaleba. faqtobrivad, mayureblisTvis saintereso xdeba melodramatuli elementebi, siuJetSi arsebuli intriga. Tumca àrSaulac~ martiv qveteqsts Seicavs _ axali da Zveli droeba, mtrebi, romelic emuqrebian samSoblos keTildReobas. saerTo jamSi, SesaZlebelia iTqvas, rom sxvadasxva Tematuri tendenciebis ganviTarebis paralelurad, mudmivia klasobrivi brZolis Tema. is TiTqos erTgvar laitomtivad gayveba 30-ani wlebis qarTul xelovnebas. kolmeurneobisa da industrializaciis TemSi paralelurad, qarTul kinoSi, Cndeba sabWoTa heroikuli gmiris saxis Seqmnis tendencia. siko doliZis `dariko~ 75
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saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4:
Shota Rustaveli Theatre and Film Ge
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msoflio Teatris istoria da Teoria m
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THEORY AND HISTORY OF WORLD THEATRE
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10 mixeil kalandariSvili klasicistu
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mixeil kalandariSvili xelovnebaSi e
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mixeil kalandariSvili moicavs or sa
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mixeil kalandariSvili reabilitaciam
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mixeil kalandariSvili gacnobierebul
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20 Teimuraz keJeraZe respublikuri i
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Teimuraz keJeraZe karl mooris (,,ya
Page 24 and 25: Teimuraz keJeraZe siZlieriTa da mkv
Page 26 and 27: Teimuraz keJeraZe sazogadoebrivi cv
Page 28 and 29: maia kiknaZe Rame zurgiT~. 1 akakis
Page 30 and 31: maia kiknaZe sainformacio weriliT `
Page 32 and 33: maia kiknaZe axalgazrdobis aRzrdis
Page 34 and 35: maia kiknaZe Sexvedrisas, principul
Page 36 and 37: maia kiknaZe sakuTari piesiT’’p
Page 38 and 39: maia kiknaZe mimarT iCenda, radgan
Page 40 and 41: maia xaCiZe 40 gamogonili paTosi mx
Page 42 and 43: maia xaCiZe oric ar dadioda dedamiw
Page 44 and 45: maia xaCiZe gansakuTrebuli roli iTa
Page 46 and 47: maia xaCiZe SemoqmedebaSi. Tu i. Wa
Page 48 and 49: maia xaCiZe nawarmoebebSi, maWankli
Page 50 and 51: 50 lia kalandariSvili pirveli princ
Page 52 and 53: lia kalandariSvili Zalian didi manZ
Page 54 and 55: lia kalandariSvili ra inteleqtis kv
Page 56 and 57: lia kalandariSvili droSi) mexsiereb
Page 58 and 59: lia kalandariSvili `mniSvnelovan gr
Page 60 and 61: lia kalandariSvili kadrSi, marTlac,
Page 62 and 63: maia levaniZe titrebisgan,xedviTi p
Page 64 and 65: maia levaniZe sxvadasxva struqturiT
Page 66 and 67: maia levaniZe saswaulebs~ axdendnen
Page 68 and 69: maia levaniZe ucxo iyo munji period
Page 70 and 71: maia levaniZe TiTqmis yvela filmSi
Page 72 and 73: maia levaniZe presa gansakuTrebiT a
Page 76 and 77: maia levaniZe da mixeil Wiaurelis `
Page 78 and 79: maia levaniZe am periodis sxva film
Page 80 and 81: lela oCiauri gamoCnda misi pirveliv
Page 82 and 83: lela oCiauri ruseTis da a. S. magal
Page 84 and 85: lela oCiauri wesiT~ warudgines mosa
Page 86 and 87: lela oCiauri argumentebulad arc ki
Page 88 and 89: lela oCiauri da buxarinistebis wina
Page 90 and 91: lela oCiauri erT danaSauls sxva mos
Page 92 and 93: lela oCiauri sakuTari TvaliT vnaxe
Page 94 and 95: eldar iberi gasarTobi teleprogrameb
Page 96 and 97: eldar iberi gvaqvs gasarTobi telepr
Page 98 and 99: eldar iberi televiziaSi. Sesabamisa
Page 100 and 101: eldar iberi saqarTvelos prezidenti
Page 102 and 103: eldar iberi `diadia~. saqarTveloSi
Page 104 and 105: eldar iberi opozicioneri nodar anTa
Page 106 and 107: eldar iberi unda aRiniSnos, rom `da
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Page 110 and 111: saTeatro enis raoba maka vasaZe doq
Page 112 and 113: maka vasaZe (is, rom zogjer, orive
Page 114 and 115: maka vasaZe informaciis gadacemas m
Page 116 and 117: maka vasaZe romlebic moqmedeben da
Page 118 and 119: maka vasaZe sadac sivrce sam nawila
Page 120 and 121: maka vasaZe mayurebeli mTeli sanaxa
Page 122 and 123: maka vasaZe TeatrisaTvis Setyobineb
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maka vasaZe SeiZleba warmoiqmnas ro
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maka vasaZe mimdinare qmedebaSi, xo
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maka vasaZe scenisa da darbazis urT
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Tea kaxiani movlenad iqca. recenzie
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Tea kaxiani zogad suraTsac gadmosce
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Tea kaxiani indeferentuli masis kon
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Tea kaxiani Ziebebs gansakuTrebuli
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Tea kaxiani xasiaTis niuansebs, rom
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Tea kaxiani am Tqmulebis yvelasTvis
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Tea kaxiani meTodikaSi devs. p. mar
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marika mamacaSvili doqtoranturis II
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marika mamacaSvili romelsac surs yv
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marika mamacaSvili rogor iTamaSo?~
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marika mamacaSvili sxvagvarad aravi
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marika mamacaSvili SesrulebiT msaxi
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marika mamacaSvili pirispir, SevZrw
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marika mamacaSvili ganaviTarebdiT p
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marika mamacaSvili monacemebze: ,,r
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marika mamacaSvili Tavis, xelebis d
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162
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Tiko qoiava doqtoranturis II kursi
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Tiko qoiava am qaoss cvlis qalis in
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Tiko qoiava `jalaTis~ SemoqmedebiT
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Tiko qoiava saSualebiTa da ganaTebi
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Tiko qoiava jer kidev,2008 wels,rod
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Tiko qoiava kostiumebis mxatvari _
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Tiko qoiava israelis, germaniis, ko
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giorgi uRreliZe doqtoranturis II ku
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giorgi uRreliZe masebis Camoyalibeb
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giorgi uRreliZe vinaa `velosipedis
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giorgi uRreliZe uyurebs~ 1 , _ `moq
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giorgi uRreliZe interesebi iyo gata
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swavlobda iv. javaxiSvilis saxelobi
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THEATRE STUDIES Mikheil Kalandarish
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production, it was noteworthy the r
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Tbilisi State University. In 1996-9
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for the best annual research in the
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She is an author of the book German
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MEDIA STUDIES Eldar Iberi “ENTERT
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UNIVERSITY' Ph.D PROGRAM DRAMA END
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and mythology. Started thinking in
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DRAMA DIRECTION Head of the Program
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208
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