saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ...

FILM DIRECTING
Head of the Program: Prof. Davit Janelidze, Lela Ochiauri
Giorgi Ugrelidze
Second year PhD Student
DIRECTING IN THE IDEOLOGICALLY POLITICAL
CONTEXT AT THE EXAMPLE OF EXPRESSIONISM,
NEOREALISM AND TELEVISION
Summary
Film expressionism, having appeared in Germany before
World War I and neo realism, which appeared in Italy at the end
of World War II reflected the orientation (line) of the epoch, in
which the vision of a director was ideologically political. When
comparing both lines of film expressionism and neorealism,
we can emphasize the general Stimulus on violence and on the
mood of the protest, on the politically – ideological moment and
also on clear handwriting of a director. On the other hand the
difference between the contents and the formal side is radial.
The end of neo-realism coincided with the appearance of
the epoch of television.
The main factor of development of the television became
main determinations instantaneous and intimateness.
And the development of television was going on with such
fast speed that in 1936 it became possible to broadcast Olympic
Games in Berlin. This fact became stage full in the history of
television.
Such scale and instantaneous of television cause confidence
from each spectator. From the 50-ies the television raises on
new height.
Until political processes are in the interest of mankind, the
artistic works won’t lose their realism.
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