saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ...

and mythology.
Started thinking in 90s by producers about the conception
of national theatre takes roots from the creation of Sandro
Akhmeteli. The staged performance “Lamara” by G. Robakidze
became one of the brilliant expressivenss of national art in
1930.
In 1989 the producer David Andguladze organized “
Defenders of Graali” by G Robakidze at the theatre of named the
Mardjanishvili. This performance was a broadcast of tendence
that issue of national substance and form has become actual
again. In the article there is examined this tendence.
It should be noted that in our modern times in the
performances defined by national theatre concept the most
important focus primarily was refered the issues with not so
Artistic reflection as with that essential role of the society, the
theatre used to perform in the process of forming in the process
of forming in the above-mentioned issues.
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