saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ...

problems which expressed elementary critical attitude towards
the existing reality.
Besides these ideological limits they began to sound a film
causing esthetic changes in connection with it. Because the
above-mentioned reasons the Georgian film somehow lost its
national feature.
In the 30-yrs the remarkable producers of the mute film
continued their working, they are: Nicoloz Shengelaia, Mikheil
Chiaureli, Leo Esakia and others.
Though beside them there appeared the producers of a new
generation: David Romdeli, Alexandre Takaishvili, Diomide
Antadze and Konstantine Pipinashvili.
In the cinematography they tried to create a new simulating
reality with its enthusiasm, themes and problems. In the
conditions of censorship, monotony, common production some
of them still try even a little bit, to express their own, different
attitude towards the existing reality, research new means and
forms of narration in cinematography with somehow getting rid
of stereotype blochs.
Hence, the main aim of the very theme is to review the
basic tendencies of reality under total regime conditions, the
machinery and the peculiarities of creating the Soviet myths.
ABOUT AUTHOR
In 1991 i finished Georgian university of drama and theatre
with specialization of film critics. i used to work at the centre
of scientific research at the same university in 1991-2010yrs.
Since 1992 i have been a lecturer of different universities.
In 2002 i maintained a thesis with the article “Georgian
operational art: traditions, searches”.I used to take part not only
in local but also international conferences. I am the author of
30 scientific and 200 newspaper articles. Basically my works
concern Georgian film history and modern tendencies also is
about pecularities of film-image.
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