saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ...

for the best annual research in the field of cinema studies and
criticism. Worked for a number of years in the scientific center
for cinema theory and history. Lia Kalandarishvili is currently
an assistant professor in Shota Rustaveli University of Theatre
and Cinema.
Tel: +995 (32) 298 57 06
Maia Levanidze
GEORGIAN FILM OF 30-YRS UNDER THE TOTAL
REGIME CONDITIONS
Summary
The development of Georgian film of 30-yrs in the Soviet
Union coincided with the complicated period of the total regime
formation. The existing slogan: “Catch up and outrun” in the
social-political sphere of the country becomes actual for the
Georgian film of the very period either.
In the Soviet country a soviet dream slowly begins to form:
communism – with types of heroes, an image of an enemy and
“an open society” for ordinal people, where everyone is able
to achieve his aim,that means he can really realize his dreams.
Aspiration for an ideal society, soviet dream in the real life
was forming double standards. The country carried on with
the regulated norms of the total regime, besides that with new
moral-ethical laws and criteria, that make possibilities for the
Government to manipulate, at the same time in real life there
took place severe repressions in result of which thousands of
innocent people were doomed to death.
In the very period there appeared taboos, stereotype blocks
in the Art and privately in the film.
Any themes and problems were prohibited, just the
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