saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ...

FILM STUDIES
Lia Kalandarishvili
FIRST PRINCIPLE: CINEMATOGRAPHICAL
MECHANISM OF THINKING AND “MECHANICAL
ILLUSION”
Summary
Specifications of each field of art are determined not only
by creation of art and skills, peculiarities of developement of
culture or historical achievement of humanity, but also physical
reality and adaptational abilities of a person in the Universe.
Imitative arts or music don’t exist without sight or hearing,
choreography needs also plastic of body and feeling of balance,
though art of the film was born later at the edge of the XIX-XX
centuries, it is so unique with it’s ability of it’s expressiveness
as any field of art origined at the stage of art the early human
civilization filmart makes illusion of reality, main principles
of which can be considered persistence and Pi- effect mainly
caused by a human’s peculiarities of vision – delay impression
and replace imperceptional part by supposition. Both of them
represent illusion “error” to reality, therefore it gives possibility
of creation of new reality.
ABOUT AUTHOR
Cinema historian, Ph. D. in Art History. Graduated from Shota
Rustaveli University of Theatre and Cinema in the field of
cinema studies in 1977. Her publications appear in professional
and scientific magazines from the year 1974. In the years from
1979 to 1980 is an intern in Moscow State Scientific Institute
of Cinema Studies and Theory in the field of esthetics and
theory. In 1999 received an award of Cinematographers’ Union
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