saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ...
saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ... saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ...
giorgi uRreliZe doqtoranturis II kursi kinoreJisura ideologiur-politikur konteqstSi (eqspresionizmis, neorealizmisa da televiziis magaliTze) politikur-sazogadoebrivi kataklizmebiT aRsavse XX saukuneSi ekranuli xelovnebis ganviTarebam maRal safexurs miaRwia. XIX saukunis miwuruls Seqmnilma, samecniero-teqnikuri azrovnebis `produqtma~ _ kinematografma _ sazogadoebis cxovrebaSi adgili maleve daimkvidra da teqnikuri miRweva, cota xanSi, xelovnebis dargad iqca. kinematografi yvelasTvis erTnairad sainereso gaxda _ rigiTi moqalaqidan aristokratiis warmomadgenlamde. adamianebma misi meSveobiT daiwyes azrebis, fiqrebis, gancdebis,grZnobebis gamoxatva. amave dros,kino TandaTan ideologiuri xazis matarebel masStabur saerTosaxalxo sanaxaobad iqca. I msoflio omis Semdeg germaniaSi aRmocenebuli eqspresionizmi da II msoflio omis miwuruls italiaSi Camoyalibebuli neorealizmi epoqebis amsaxveli mimdinareobebia, romlebSic aSkrad ikveTeba reJisoris ideologiur-politikuri subieqturi xedva. maT arsebobas SeiZleba analogiuri safuZveli vupovoT _ Zaladobisa da omis mimarT protesti, politikurideologiuri faqtori, omis Sedegad sazogadoebisTvis, saxelmwifoebisTvis miyenebuli moralur-ekonomikuri ziani, saerTo sazogadoebrivi depresia, krizisi. maTTvis aseve damaxasiaTebelia aSkarad gamokveTili mxatvruli formebi,stilistika,plastikuri amocanebi, specifikuri sareJisoro xelwera, Tumca, amave dros, swored am yvelafriT es ori mniSvnelovani kinematografiuli 178
mimdinareoba erTmaneTisgan radikalurad gansxvavdeba. magaliTad, eqspresionistul filmebSi _ `eqim kaligaris kabineti” (reJisori. rober vine 1920 weli), `dilidan SuaRamemde” (karl hainc martini, 1920), `nosferatu _ saSinelebis simfonia” fridrih murnau, 1920) _ romlebSic `Txrobis centrSi antigmirebis dayeneba, mizanscenis sagangebod damaxinjeba an gadameteba, kinematografistis piradi emociuri reaqciis win wamoweva, naturalizmis uaryofa” iyo mTavari, neorealistur filmebSi `ekranze gamoCnda adamianTa fizikuri da ideuri ganadgureba, materialuri da sulieri gasaWiri, pirvel planze wamoiwia militaristuli absurdis msxverplmakonkretulma pirovnebam”. `eqim kaligaris kabineti” da fric langis `eqimi mabuze, moTamaSe _ droebis suraTi” (1922 weli) eqspresionistTa erT-erTi mTavari namuSevarebia. mabuzesa da kaligars Soris paralelebis gavlebis SemTxvevaSi, msgavsebebTan erTad gansxvavebebsac vipoviT. `uxmo~ ekranuli xelovnebis ganviTarebis procesi 20-iani wlebis bolos axal safexurze avida, roca gamosaxulebas xma daemata. `kinoxelovnebam araCveulebrivad bevri moigo, xmovani rom gaxda da am teqnikurma wvlilma mniSvnelovnad gaafarTova kinos gamomsaxvelobiTi sazRvrebi. ra Tqma unda, es ar niSnavs imas, rom xmovani kino mxatvruli RirsebebiT avtomaturad da uciloblad yvela SemTxvevaSi munjurze maRla dgas”. xmam meti saSualeba misca kinematografs. politikur-ideologiuri propagandis erT-erT mTavar instrument radios audio-vizualuri xelovnebis saxiT Zlieri konkurenti gamouCnda. italiuri neorealizmis erTgvari stimulatori meore msoflio omi da am periodSi ganviTarebuli movlenebi gaxda. `Tanamedrove adamianebis proletarizaciisa da 179
- Page 128 and 129: maka vasaZe scenisa da darbazis urT
- Page 130 and 131: Tea kaxiani movlenad iqca. recenzie
- Page 132 and 133: Tea kaxiani zogad suraTsac gadmosce
- Page 134 and 135: Tea kaxiani indeferentuli masis kon
- Page 136 and 137: Tea kaxiani Ziebebs gansakuTrebuli
- Page 138 and 139: Tea kaxiani xasiaTis niuansebs, rom
- Page 140 and 141: Tea kaxiani am Tqmulebis yvelasTvis
- Page 142 and 143: Tea kaxiani meTodikaSi devs. p. mar
- Page 144 and 145: marika mamacaSvili doqtoranturis II
- Page 146 and 147: marika mamacaSvili romelsac surs yv
- Page 148 and 149: marika mamacaSvili rogor iTamaSo?~
- Page 150 and 151: marika mamacaSvili sxvagvarad aravi
- Page 152 and 153: marika mamacaSvili SesrulebiT msaxi
- Page 154 and 155: marika mamacaSvili pirispir, SevZrw
- Page 156 and 157: marika mamacaSvili ganaviTarebdiT p
- Page 158 and 159: marika mamacaSvili monacemebze: ,,r
- Page 160 and 161: marika mamacaSvili Tavis, xelebis d
- Page 162 and 163: 162
- Page 164 and 165: Tiko qoiava doqtoranturis II kursi
- Page 166 and 167: Tiko qoiava am qaoss cvlis qalis in
- Page 168 and 169: Tiko qoiava `jalaTis~ SemoqmedebiT
- Page 170 and 171: Tiko qoiava saSualebiTa da ganaTebi
- Page 172 and 173: Tiko qoiava jer kidev,2008 wels,rod
- Page 174 and 175: Tiko qoiava kostiumebis mxatvari _
- Page 176 and 177: Tiko qoiava israelis, germaniis, ko
- Page 180 and 181: giorgi uRreliZe masebis Camoyalibeb
- Page 182 and 183: giorgi uRreliZe vinaa `velosipedis
- Page 184 and 185: giorgi uRreliZe uyurebs~ 1 , _ `moq
- Page 186 and 187: giorgi uRreliZe interesebi iyo gata
- Page 188 and 189: swavlobda iv. javaxiSvilis saxelobi
- Page 190 and 191: THEATRE STUDIES Mikheil Kalandarish
- Page 192 and 193: production, it was noteworthy the r
- Page 194 and 195: Tbilisi State University. In 1996-9
- Page 196 and 197: for the best annual research in the
- Page 198 and 199: She is an author of the book German
- Page 200 and 201: MEDIA STUDIES Eldar Iberi “ENTERT
- Page 202 and 203: UNIVERSITY' Ph.D PROGRAM DRAMA END
- Page 204 and 205: and mythology. Started thinking in
- Page 206 and 207: DRAMA DIRECTION Head of the Program
- Page 208: 208
giorgi uRreliZe<br />
doqtoranturis II kursi<br />
kinoreJisura ideologiur-politikur<br />
konteqstSi<br />
(eqspresionizmis, neorealizmisa da televiziis magaliTze)<br />
politikur-sazogadoebrivi kataklizmebiT aRsavse<br />
XX saukuneSi ekranuli xelovnebis ganviTarebam maRal<br />
safexurs miaRwia. XIX saukunis miwuruls Seqmnilma,<br />
samecniero-teqnikuri azrovnebis `produqtma~ _<br />
kinematografma _ sazogadoebis cxovrebaSi adgili<br />
maleve daimkvidra da teqnikuri miRweva, cota xanSi,<br />
xelovnebis dargad iqca.<br />
kinematografi yvelasTvis erTnairad sainereso gaxda<br />
_ rigiTi moqalaqidan aristokratiis warmomadgenlamde.<br />
adamianebma misi meSveobiT daiwyes azrebis, fiqrebis,<br />
gancdebis,grZnobebis gamoxatva. amave dros,kino TandaTan<br />
ideologiuri xazis matarebel masStabur saerTosaxalxo<br />
sanaxaobad iqca.<br />
I msoflio omis Semdeg germaniaSi aRmocenebuli<br />
eqspresionizmi da II msoflio omis miwuruls italiaSi<br />
Camoyalibebuli neorealizmi epoqebis amsaxveli<br />
mimdinareobebia, romlebSic aSkrad ikveTeba reJisoris<br />
ideologiur-politikuri subieqturi xedva.<br />
maT arsebobas SeiZleba analogiuri safuZveli vupovoT<br />
_ Zaladobisa da omis mimarT protesti, politikurideologiuri<br />
faqtori, omis Sedegad sazogadoebisTvis,<br />
saxelmwifoebisTvis miyenebuli moralur-ekonomikuri<br />
ziani, saerTo sazogadoebrivi depresia, krizisi. maTTvis<br />
aseve damaxasiaTebelia aSkarad gamokveTili mxatvruli<br />
formebi,stilistika,plastikuri amocanebi, specifikuri<br />
sareJisoro xelwera, Tumca, amave dros, swored am<br />
yvelafriT es ori mniSvnelovani kinematografiuli<br />
178
Change language