saxelovnebo mecnierebaTa Ziebani #4 (49), 2011 ART SCIENCE ...

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10 mixeil kalandariSvili klasicisturi Teatris poetika xelovnebis ganviTarebis mravalsaukunovan istoriaSi mxolod erTxel, magram sakmaod didi xniT, gonebis konceptma izeima gamarjveba grZnobaze da amiT, daafiqsira logikisa da racionalizmis prioriteti adamianis moRvaweobis iseT individualur da specifikur sferoSi, rogoricaa mxatvruli Semoqmedeba. ramdenad arabunebrivadac unda gveCvenebodes,grZnobis `gaweva-gadanacvleba~ meore planze, namdvilad moxda XVII saukunis 30-ani wlebis safrangeTSi da sul male mTeli evropis masStabiT gavrcelda. Tu SevecdebiT davasaxeloT aseTi radikaluri cvlilebebis mizezebi, pirvel rigSi unda vaRiaroT, rom procesis momzadeba, nawilobriv, xorcieldeboda ufro adre – renesansis epoqaSi, xolo mTavari mamoZravebeli Zala, romelmac moaxerxa xelovnebis daaxloveba gonivrul sawyisTan,iyo rene dekartes racionalisturi filosofiis ayvavebis xana. misma naSromma `msjeloba meTodze~ udidesi gavlena moaxdina nikolo bualos traqtatze `poeturi xelovneba~. es ukanaskneli ki, aRiarebulia klasicizmis manifestad. dekartes erT-erTi ZiriTadi debuleba, romelic sulac ar exeba xelovnebas da ufro zust mecnierebas ukavSirdeboda, bualos pirdapir gadaaqvs sxva sferos interesebSi da ukve axal JReradobas iZens, – mxatvarma, Semoqmedma sworad unda iazrovnos. mxolod gonebas ZaluZs daexmaros mas mxatvruli problemebis gadawyvetaSi. dekartes Rrmad sjeroda adamianis gonebis Zalisa da amitomac, irCevda `eWvis Setanas~ yvelaferSi, _ rogorc msjelobis xerxs, Tavisebur meTods, romlis meSveobiTac SesaZlebeli xdeba gabatonebuli warmodgenebis Tavidan
acileba da WeSmariti codnis miReba.Ddekarte acxadebda, rom eWvis TvaliT uyurebs Cven warmodgenas samyaros Sesaxeb da es garemoeba aZlevda mas uflebas gamoeTqva Tavisi cnobili aforizmi: `me vazrovneb, maSasadame, _ varsebob~. bualo Tavis `poetur xelovnebaSi~ renesansis dros dadgenil `sami erTianobis~ principebs normad aqcevs, mas unda daemorCilos dramaturgiuli Semoqmedebis yvela warmomadgeneli. adgilis, droisa da moqmedebis erTianobis moTxovnas aq emateba agreTve xasiaTis erTianoba, romelic, faqtobrivad, klasicistur tipizacias niSnavs,radganac dramaturgi gmiris xasiaTis erT, romelime Tvisebas warmoadgenda iseT gazviadebul masStabSi, rom igi xdeboda xasiaTis ganmsazRvreli faqtori, rac ukargavda gmirs yvela danarCen adamianur Tvisebas. magaliTad, molieris Zunwi – mxolod Zunwia, – ar gaaCnia xasiaTis mravalmxrivoba. es klasicisturi principi ukve mogvianebiT, – XIX saukunis II naxevarSi, gamoiyenes realistebmac da Seqmnes realisturi tipizaciis meTodi. am oTx erTianobas Soris yvelaze gonivruli aRmoCnda `moqmedebis erTianoba~, radgan igi xels uwyobda mxatvruli mTlianobis miRwevas. yvela danarCeni zRudavda dramaturgiul Semoqmedebas, uwesebda mas normatiuli xasiaTis moTxovnebs, romelTa gaTvaliswineba, xSir SemTxvevaSi, nawarmoebis xarisxze uaryofiTad aisaxeboda. xasiaTis erTianobis Sedegi iyo calmxrivoba, romlis gamonaklisad SeiZleba mxolod ori SemTxveva davasaxeloT: rasinis fedra da molieris tartiufi. es ori mxatvruli saxe savsea sirTuliTa da mravalferovnebiT. rolan bartma Zalian didi dro dauTmo rasinis Semoqmedebas, kerZod ki, mis saukeTeso tragedias - `fedras~. man gamoavlina am udidesi dramaturgis 11
Page 1 and 2: saqarTvelos SoTa rusTavelis Teatris
Page 3 and 4: Shota Rustaveli Theatre and Film Ge
Page 5 and 6: msoflio Teatris istoria da Teoria m
Page 7: THEORY AND HISTORY OF WORLD THEATRE
Page 12 and 13: mixeil kalandariSvili xelovnebaSi e
Page 14 and 15: mixeil kalandariSvili moicavs or sa
Page 16 and 17: mixeil kalandariSvili reabilitaciam
Page 18 and 19: mixeil kalandariSvili gacnobierebul
Page 20 and 21: 20 Teimuraz keJeraZe respublikuri i
Page 22 and 23: Teimuraz keJeraZe karl mooris (,,ya
Page 24 and 25: Teimuraz keJeraZe siZlieriTa da mkv
Page 26 and 27: Teimuraz keJeraZe sazogadoebrivi cv
Page 28 and 29: maia kiknaZe Rame zurgiT~. 1 akakis
Page 30 and 31: maia kiknaZe sainformacio weriliT `
Page 32 and 33: maia kiknaZe axalgazrdobis aRzrdis
Page 34 and 35: maia kiknaZe Sexvedrisas, principul
Page 36 and 37: maia kiknaZe sakuTari piesiT’’p
Page 38 and 39: maia kiknaZe mimarT iCenda, radgan
Page 40 and 41: maia xaCiZe 40 gamogonili paTosi mx
Page 42 and 43: maia xaCiZe oric ar dadioda dedamiw
Page 44 and 45: maia xaCiZe gansakuTrebuli roli iTa
Page 46 and 47: maia xaCiZe SemoqmedebaSi. Tu i. Wa
Page 48 and 49: maia xaCiZe nawarmoebebSi, maWankli
Page 50 and 51: 50 lia kalandariSvili pirveli princ
Page 52 and 53: lia kalandariSvili Zalian didi manZ
Page 54 and 55: lia kalandariSvili ra inteleqtis kv
Page 56 and 57: lia kalandariSvili droSi) mexsiereb
Page 58 and 59: lia kalandariSvili `mniSvnelovan gr
Page 60 and 61:
lia kalandariSvili kadrSi, marTlac,
Page 62 and 63:
maia levaniZe titrebisgan,xedviTi p
Page 64 and 65:
maia levaniZe sxvadasxva struqturiT
Page 66 and 67:
maia levaniZe saswaulebs~ axdendnen
Page 68 and 69:
maia levaniZe ucxo iyo munji period
Page 70 and 71:
maia levaniZe TiTqmis yvela filmSi
Page 72 and 73:
maia levaniZe presa gansakuTrebiT a
Page 74 and 75:
maia levaniZe kulakebis mavneblur s
Page 76 and 77:
maia levaniZe da mixeil Wiaurelis `
Page 78 and 79:
maia levaniZe am periodis sxva film
Page 80 and 81:
lela oCiauri gamoCnda misi pirveliv
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lela oCiauri ruseTis da a. S. magal
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lela oCiauri wesiT~ warudgines mosa
Page 86 and 87:
lela oCiauri argumentebulad arc ki
Page 88 and 89:
lela oCiauri da buxarinistebis wina
Page 90 and 91:
lela oCiauri erT danaSauls sxva mos
Page 92 and 93:
lela oCiauri sakuTari TvaliT vnaxe
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eldar iberi gasarTobi teleprogrameb
Page 96 and 97:
eldar iberi gvaqvs gasarTobi telepr
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eldar iberi televiziaSi. Sesabamisa
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eldar iberi saqarTvelos prezidenti
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eldar iberi `diadia~. saqarTveloSi
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eldar iberi opozicioneri nodar anTa
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eldar iberi unda aRiniSnos, rom `da
Page 108 and 109:
108
Page 110 and 111:
saTeatro enis raoba maka vasaZe doq
Page 112 and 113:
maka vasaZe (is, rom zogjer, orive
Page 114 and 115:
maka vasaZe informaciis gadacemas m
Page 116 and 117:
maka vasaZe romlebic moqmedeben da
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maka vasaZe sadac sivrce sam nawila
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maka vasaZe mayurebeli mTeli sanaxa
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maka vasaZe TeatrisaTvis Setyobineb
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maka vasaZe SeiZleba warmoiqmnas ro
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maka vasaZe mimdinare qmedebaSi, xo
Page 128 and 129:
maka vasaZe scenisa da darbazis urT
Page 130 and 131:
Tea kaxiani movlenad iqca. recenzie
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Tea kaxiani zogad suraTsac gadmosce
Page 134 and 135:
Tea kaxiani indeferentuli masis kon
Page 136 and 137:
Tea kaxiani Ziebebs gansakuTrebuli
Page 138 and 139:
Tea kaxiani xasiaTis niuansebs, rom
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Tea kaxiani am Tqmulebis yvelasTvis
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Tea kaxiani meTodikaSi devs. p. mar
Page 144 and 145:
marika mamacaSvili doqtoranturis II
Page 146 and 147:
marika mamacaSvili romelsac surs yv
Page 148 and 149:
marika mamacaSvili rogor iTamaSo?~
Page 150 and 151:
marika mamacaSvili sxvagvarad aravi
Page 152 and 153:
marika mamacaSvili SesrulebiT msaxi
Page 154 and 155:
marika mamacaSvili pirispir, SevZrw
Page 156 and 157:
marika mamacaSvili ganaviTarebdiT p
Page 158 and 159:
marika mamacaSvili monacemebze: ,,r
Page 160 and 161:
marika mamacaSvili Tavis, xelebis d
Page 162 and 163:
162
Page 164 and 165:
Tiko qoiava doqtoranturis II kursi
Page 166 and 167:
Tiko qoiava am qaoss cvlis qalis in
Page 168 and 169:
Tiko qoiava `jalaTis~ SemoqmedebiT
Page 170 and 171:
Tiko qoiava saSualebiTa da ganaTebi
Page 172 and 173:
Tiko qoiava jer kidev,2008 wels,rod
Page 174 and 175:
Tiko qoiava kostiumebis mxatvari _
Page 176 and 177:
Tiko qoiava israelis, germaniis, ko
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giorgi uRreliZe doqtoranturis II ku
Page 180 and 181:
giorgi uRreliZe masebis Camoyalibeb
Page 182 and 183:
giorgi uRreliZe vinaa `velosipedis
Page 184 and 185:
giorgi uRreliZe uyurebs~ 1 , _ `moq
Page 186 and 187:
giorgi uRreliZe interesebi iyo gata
Page 188 and 189:
swavlobda iv. javaxiSvilis saxelobi
Page 190 and 191:
THEATRE STUDIES Mikheil Kalandarish
Page 192 and 193:
production, it was noteworthy the r
Page 194 and 195:
Tbilisi State University. In 1996-9
Page 196 and 197:
for the best annual research in the
Page 198 and 199:
She is an author of the book German
Page 200 and 201:
MEDIA STUDIES Eldar Iberi “ENTERT
Page 202 and 203:
UNIVERSITY' Ph.D PROGRAM DRAMA END
Page 204 and 205:
and mythology. Started thinking in
Page 206 and 207:
DRAMA DIRECTION Head of the Program
Page 208:
208
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