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damowmebani:<br />

beli 1999: Белый А. «Символизм, как мировоззрение». М.: 1999.<br />

bloki 1971: Блок А. Собр. соч. М.:1971.<br />

iaSvili 1975: iaSvili p. „poezia, proza, werilebi, Targmanebi“.<br />

Tb.: 1975.<br />

istoria 1968: История Французской Литературы. М.: 1968.<br />

losevi 1978: Лосев А. «Проблемы символизма реалистическое<br />

искусство». М.: 1978.<br />

mziuri... 1995: mziuri paolo — krebuli (Semdgeneli l. avaliani),<br />

Tb.: 1995.<br />

modernizmi...1978: Modernism: A Guide to European Literature 1890-1930 by<br />

Malcolm Bradbury and James Mcfarlane. 1978.<br />

rusuli... 1967: rusuli literaturis istoria. Tb.: 1967.<br />

Tamar Paichadze<br />

Georgia, Tbilisi<br />

Paolo Iashvili’s urban text and its modified arguments<br />

Summary<br />

From begin write poetry, during many year, Paolo Iashvili dont treason<br />

once thematic and genre done election. As much as, town with his social<br />

and artistic environment stayed till the end his verses theme. Though<br />

various stageof his creative work, it perceived different poetry parameters.<br />

In symbolist epoch, for testify urban daily, poet performanced country’s<br />

romantic, picturesque landscape and contrast among this two world.<br />

Altogether the town of this period in Paolo Iashvili’s verses are the straight<br />

analogue of classical sumbolocal appearance: Typical for the urban<br />

existence loneliness, cold, unreliability, heavy daily round, deliver from<br />

aesthetism, dirty and amoral environment, degeneracy of human senses.<br />

Lately, this thematic appeared in a different way, but this process realized<br />

in other geographical environment. In Paolo Iashvili’s creation appeared<br />

Tbilisi, which never were countryman’s perception metropolia for poet.<br />

Aftar 1925 year written ”urban verses” more exposeed description,<br />

panoramation and viewation, appear poet’s public sentiments, emotion<br />

inspection, ideology and creation changeability.<br />

Urban verses ofter 1930 year in spite of artistic forms, all that, not transmuted<br />

reflection of Paolo Iashvili’s poetical renome, distinguished “revolutionary<br />

romance” soon repressed and Paolo Iashvili almost fell silent…<br />

Though urban themes in Paolo Iashvili’s poetry wos’t only designation<br />

moods and poetical exteriors changes- in this fond expressed important<br />

problem of his poetical biography: national plural subjects.<br />

326

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