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usudan ColoyaSvili<br />

saqarTvelo, Tbilisi<br />

komikuri motivebis genezisisaTvis<br />

miTosur samyaroSi.............................................................................456<br />

RUSUDAN CHOLOKASHVILI<br />

For the Genesis of Comic Motives in Mythic World.............................456<br />

eka CxeiZe<br />

saqarTvelo, Tbilisi<br />

zoomorfuli warmodgenebi xaris simbolika...........................465<br />

EKA CHKHEIDZE<br />

Zoomorphic Images Symbol of Ox.........................................................465<br />

rusudan canava<br />

saqarTvelo, Tbilisi<br />

Woris funqcia antikur eposSi.......................................................471<br />

RUSUDAN TSANAVA<br />

The Function of Gossip in Antique Epos................................................471<br />

Tamar ciciSvili<br />

saqarTvelo, Tbilisi<br />

ioseb griSaSvilis `erotikuli lirikis~<br />

kritikuli recefcia, rogorc imdroindeli<br />

socio-kulturuli procesebis maCvenebeli<br />

(10-iani da 20-iani wlebi)...................................................................480<br />

TAMAR TSITSISHVILI<br />

Critical Reception of Love Lyrics of Ioseb Grishashvili,<br />

as Reflection of <strong>Contemporary</strong> Socio-Cultural Processes....................480<br />

maia jaliaSvili<br />

saqarTvelo, Tbilisi<br />

realobis reprezentacia <strong>Tanamedrove</strong> qarTul romanSi<br />

(zaza TvaraZis romani `sityvebi~).................................................492<br />

MAIA JALIASHVILI<br />

Representation of reality in the modern Georgian novel<br />

(According Zaza Tvaradzi’s novel “Words”).......................................492<br />

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