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XXXVIII INTRODUCTION.<br />

1220 to 1300, it would appear that <strong>the</strong> two gods were <strong>the</strong>n known as Hoysale-<br />

Svara and PanchikeSvara. Bl. 98 <strong>in</strong>forms us that a shr<strong>in</strong>e of <strong>the</strong> goddess<br />

Nimbaja was set up <strong>in</strong> <strong>the</strong> temple <strong>in</strong> 1261. The sculptors who executed <strong>the</strong><br />

marvellous statues and figures on <strong>the</strong> outer walls of this temple, especially on<br />

<strong>the</strong> western side, have not given <strong>the</strong>ir names, except here and <strong>the</strong>re. The<br />

follow<strong>in</strong>g are <strong>the</strong> only ones, <strong>in</strong> alphabetical order:<br />

Ballanaa<br />

Bochana<br />

Chauga<br />

Devoja<br />

Harisha of Odeyagiri<br />

Harisha of Tanagundur<br />

Kalidasi<br />

Kedaroja<br />

Ketana<br />

Mabalaki<br />

Machanna<br />

Manibalaki<br />

Masa, son of Kanimoja<br />

Revoja<br />

None of <strong>the</strong>se names corresponds with those at Belur, except Devoja, but<br />

Odeyagiri Harisha seems to say that Belur did not agree with him (Belur<br />

agadelu). The temple is conserved by Government.<br />

The Kedaresvara temple was built by Ballala II and his junior wife<br />

Abh<strong>in</strong>ava-Ketala-Devi at <strong>the</strong> close of his reign, about 1219. There can be<br />

little doubt that <strong>the</strong> idea was suggested by <strong>the</strong> celebrated Dakshma Kedaresvara<br />

temple at Belgium, and an <strong>in</strong>scription at Bandalike, close by, implies that this<br />

queen belonged to that part of <strong>the</strong> country. The temple was endowed <strong>in</strong> 1220<br />

by Na.rasimha II and his mo<strong>the</strong>r Padmala-Devi, immediately after <strong>the</strong> death<br />

of his fa<strong>the</strong>r (Bl. 115). A banyan tree which had rooted itself <strong>in</strong> <strong>the</strong> vimdna<br />

about 50 years ago was culpably allowed to grow unchecked till too late. The<br />

sculptured images on <strong>the</strong> outer wall were thrust out by <strong>the</strong> tree and portions<br />

of <strong>the</strong> build<strong>in</strong>g were dismantled, with some <strong>in</strong>tention, not fulfilled, of erect<strong>in</strong>g<br />

it elsewhere. Many of <strong>the</strong> images were placed <strong>in</strong> <strong>the</strong> Bangalore Museum, and<br />

recently many more <strong>in</strong> <strong>the</strong> HoysalSsvara grounds. Plans have been prepared<br />

for conserv<strong>in</strong>g what rema<strong>in</strong>s of <strong>the</strong> structure, at present a heap of ru<strong>in</strong>s. The<br />

only name of a sculptor found <strong>in</strong> connection with it is Revdja.<br />

No notice of <strong>the</strong>se temples can be complete without quotation of <strong>the</strong> views<br />

of Mr. Fergusson, <strong>the</strong> great authority on architecture. "There are many<br />

build<strong>in</strong>gs <strong>in</strong> India" he says 1) , "which are unsurpassed for delicacy of detail<br />

by any <strong>in</strong> <strong>the</strong> world, but <strong>the</strong> temples of Belur and Halebid surpass even <strong>the</strong>se<br />

for freedom of handl<strong>in</strong>g and richness of fancy.<br />

The illustrations given <strong>in</strong> <strong>the</strong> present volume will serve to show <strong>the</strong> extent<br />

and arrangement of <strong>the</strong> temples, though a separate volume of views could alone<br />

do justice to <strong>the</strong>m. Of that at Belur, Mr. Fergusson says, "It is not, however,<br />

ei<strong>the</strong>r to its dimensions or <strong>the</strong> disposition of its plan that this temple owes its<br />

pre-em<strong>in</strong>ence among o<strong>the</strong>rs of its class, but to <strong>the</strong> marvellous elaboration and<br />

beauty of its details... The richness and variety of pattern displayed <strong>in</strong> <strong>the</strong><br />

1) This and <strong>the</strong> o<strong>the</strong>r quotations are from Architecture of DhaiWar and Mysore, and History of<br />

Indian and Eastern Architectre.

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