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Programme du soir (PDF) - Philharmonie Luxembourg

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joué pour la Mercedes-Benz Fashion Week à New York en 2009<br />

pour le défilé de Ports 1961. Red Baraat a fait l’objet d’articles <strong>du</strong><br />

National Geographic, Wall Street Journal, The New Yorker, Relix,<br />

Songlines, etc.<br />

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />

Red Baraat<br />

It’s a sound so powerful it has left the band in its own utterly<br />

unique and enviable class. These days you are as likely to find<br />

Red Baraat throwing down at an overheated and unannounced<br />

warehouse party in their Brooklyn neighborhood as you are at<br />

the Barbican or the Montreal Jazz Festival, or Lincoln Center. It’s<br />

a band unquestionably on the ascent playing some of the most<br />

prestigious festivals and theatres worldwide, and keeping their<br />

chops razor sharp in basements and sweaty sold out clubs across<br />

New York City. Leading an audience as diverse and joyful as the<br />

band itself, Red Baraat has subsumed a plateful of global influ-<br />

ence, fused it, and is now exporting it Brooklyn-style to the world.<br />

In just four short years, the pioneering Brooklyn dhol’n’brass<br />

party juggernaut Red Baraat have made a name for themselves<br />

as one of the best live bands playing anywhere in the world. Led<br />

by dhol player Sunny Jain, the nine piece comprised of dhol<br />

(double-sided barrel shaped North Indian drum slung over one<br />

shoulder) drumset, percussion, sousaphone and five horns, melds<br />

the infectious North Indian rhythm Bhangra with a host of sounds,<br />

namely funk, go-go, latin, and jazz. Simply put, Sunny Jain and<br />

Red Baraat have created and defined a sound entirely their own.<br />

The group’s most recent release, «Bootleg Bhangra», is the<br />

band’s incredibly powerful live show captured at Brooklyn’s South-<br />

paw on the band’s second anniversary. With songs pulled primar-<br />

ily from their debut album, «Chaal Baby» the group was mind-<br />

ful of the challenge to capture a rapturous live sound on record.<br />

Well, it happened on this night, and the resulting document places<br />

you squarely in that small Brooklyn club jammed from front to<br />

back with hip shaking beauties – hands raised to a ceiling drip-<br />

ping with condensation. The band is currently at work on their<br />

second studio date, «Shruggy Ji», which was released in early<br />

2012. Most recently, the title track, Chaal Baby, is being used<br />

23

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