Arteles Catalogue 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
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Silence Awareness Existence program / FEBRUARY <strong>2020</strong><br />
Ana Tiquia<br />
Australia<br />
workplaceproject.net<br />
About<br />
I am a transdisciplinary artist who was born and lives in<br />
Melbourne, Australia on the unceded lands of the Wurundjeri<br />
People of the Kulin Nation. My work encompasses a range<br />
of practices: curation, producing, futures research and<br />
strategy, visual and participatory arts practices. I am also a<br />
trained yoga practitioner and teacher. My current research<br />
explores energy futures, futures of labour, the role of arts<br />
practice in socio-ecological transition, and the power<br />
dynamics encoded in algorithmic systems. I am also one half<br />
of artist duo EXOGAMY.<br />
I began with a moving image practice, but over the past decade<br />
my mediums and artistic strategies, and the conversations I<br />
seek to have with audiences have transformed. Collaborative<br />
and participatory practice has become an important part of<br />
my work, whether I’m curating, producing or in the artist role.<br />
I recently completed my Master in Strategic Foresight – a<br />
degree that merges futures studies with strategy. This has<br />
led me to explore the interplay between arts and futures;<br />
exploring the role of arts and culture practice in relation to<br />
future inquiry, imagining, and social change. My most recent<br />
projects are public interventions; participatory, performancebased<br />
installations that invite audiences into dialogue with<br />
‘The Future’.<br />
Acts of attention<br />
Asking “what is one’s ‘practice’?” has parallels to the<br />
question “what does one do with one’s life?”. What to do with<br />
the time we have at this residency? What to do with the time<br />
we have with each other? What to do with the time we share<br />
on our planet? The easy answer in our neoliberal capitalist<br />
times would be: “to be productive”. For me, following the<br />
‘productivity line’ to dictate my own practice has become too<br />
easy and too problematic, equally.<br />
I began my residency at <strong>Arteles</strong> by asking “how do I<br />
‘de-capitalize’ my practice, and the way I approach and<br />
appreciate my work? How do I embrace other forms of<br />
value, and reframe ‘productivity’ in my work and action?”.<br />
I was curious about the other rhythms of work and rest that<br />
might emerge in a month of cultivating silence, awareness<br />
and contemplating existence. I was keen to know where<br />
my attention would go, once a focus on ‘productivity’ was<br />
put aside. I turned my attention towards intuitive impulses<br />
to make, play, research, contemplate, and rest; both in<br />
my practice with Christian Bishop as Exogamy and in my<br />
individual explorations. We embraced spontaneity and<br />
worked with whatever materials we had at hand.<br />
A playful project that began with daily painting of icicles using<br />
blackcurrant ink became an act of attention to phenomena<br />
in the landscape we worked in. As temperatures rose the<br />
reddened icicles would pale, eventually disappearing all<br />
together as we entered above-zero temperatures. In an alltoo-hot<br />
winter for Southern Finland, this playful gesture<br />
rendered each icicle as a barometer: an amplifier of attention<br />
that revealed in the microcosm of <strong>Arteles</strong> the macrocosmic<br />
realities of global warming and our changing planet.