Arteles Catalogue 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
Arteles Creative Center's residency artists and their projects 2023-2020
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Silence Awareness Existence program / MARCH 2022<br />
R.A. Fedde<br />
USA<br />
www.supersplice.com/art<br />
About<br />
R.A. Fedde is a filmmaker, visual artist, and yoga teacher who<br />
is endlessly fascinated by the magic of the mundane. In any<br />
medium, she’s seeking to tell a story along with, rather than<br />
to, the viewer. She has spent the past six months painting a<br />
series of Quarantine Cats, but more typically creates abstract<br />
mixed media works that invite viewers into pattern recognition.<br />
Some see maps, alien terrain, cells under a microscope,<br />
distant galaxies — and all of these interpretations are spot<br />
on. Her documentary work has shown at SxSW, Slamdance,<br />
Telluride, and many other film festivals, as well as broadcast<br />
on HBO, PBS, and others. Her 2018 feature, Five Faces of<br />
Shiva, has played to audiences around the world. The film<br />
combines her interests in mythology, fine art, mass media,<br />
and travel. Her drawings and paintings have shown at various<br />
New York City galleries and elsewhere but she’s still looking<br />
for that solo show of her fluorescent cat paintings. She is<br />
a graduate of the Rhode Island School of Design and also<br />
enjoys travel, competitive fencing, and poetry.<br />
Spells for Connection<br />
At <strong>Arteles</strong>, I found myself asking, how do we make meaning?<br />
Is it tradition, unspoken cultural consensus, or can it become<br />
a thoughtful, conscious choice? Can we intuit meaning from<br />
a language without being able to read it? A “spell” implies<br />
ritual with a purpose, as “prayer” or “hope” might not. In this<br />
series, Spells for Connection, each work began with drawing<br />
a protective circle, defining the boundary of the work with no<br />
beginning and no end. Each circle grew through the rendering<br />
of previously—but generally no longer—meaningful symbols<br />
associated with arcane power: runes, alchemy, and the like.<br />
As the series progressed, I also layered in contemporary<br />
symbolic languages that are understood only by a select<br />
few, the wizards of modern science: meteorology symbols,<br />
binary code, chemical diagrams. The primary subject matter<br />
invites contemplation of the connectedness of our universe,<br />
including mycelial networks which allow entire forests to<br />
communicate (top image), connective tissue (lower left:<br />
bone), and planetary orbits (lower right: earliest identified<br />
asteroids). Other works invoke quantum mechanics, cycles<br />
of continental drift, tide pools, bioluminescence, river deltas.<br />
My hope is that the deliberate symbology draws close<br />
contemplation and curiosity to connect the viewer with the<br />
work, the natural world, and, perhaps, themselves. I remain<br />
deeply, abidingly grateful to <strong>Arteles</strong> for the opportunity to<br />
truly immerse myself in this exploration.