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duVoyage - Fondation Groupama Gan pour le Cinéma

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Georges Meliès<br />

1861<br />

Georges Méliès is born in<br />

Paris, 3 rd arrondissement, on<br />

December 8 th . His father is a<br />

wealthy shoe manufacturer.<br />

1880<br />

As a student at Louis <strong>le</strong> Grand<br />

high school in Paris, he displays<br />

a gift for drawing and<br />

painting. He obtains his high<br />

school diploma in 1880, comp<strong>le</strong>tes<br />

his military service,<br />

and joins the family business.<br />

1884<br />

Sent to London by his father<br />

to <strong>le</strong>arn about sa<strong>le</strong>s techniques<br />

and practice English, he takes<br />

the opportunity to attend a<br />

well-known theater of magic,<br />

and becomes a magician. He<br />

forges relationships with a<br />

number of performers and other<br />

show business professionals.<br />

1878<br />

Eadweard Muybridge has the<br />

idea of aligning twenty-four cameras<br />

to break down the movement<br />

of a galloping horse.<br />

The photographs are then placed<br />

in a device he invented, the<br />

Zoopraxiscope, which is used<br />

to animate the horse’s running<br />

motion.<br />

1882<br />

Étienne-Ju<strong>le</strong>s Marey is also<br />

working on the movement of<br />

animals, and creates a photographic<br />

gun which he then<br />

equips with a glass plate: this<br />

process is ‘chronophotography’.<br />

1884<br />

Eastman invents film, a f<strong>le</strong>xib<strong>le</strong><br />

medium for animated<br />

images, placed on the market<br />

in 1889 (the Kodak trademark<br />

is registered in 1888).<br />

1885<br />

He marries Eugénie Génin, a<br />

wealthy heiress, who will bear<br />

him two children.<br />

1886<br />

He performs at the Musée Grévin<br />

and the Ga<strong>le</strong>rie Vivienne.<br />

1888<br />

Birth of his daughter Georgette,<br />

who will later assist<br />

him as a cinema operator<br />

and theater director. Thanks<br />

to funds received from his father,<br />

in July he buys the Robert-Houdin<br />

theater of magic<br />

and becomes its director.<br />

1888<br />

Emi<strong>le</strong> Reynaud creates optical<br />

theater. He is better versed in<br />

drawing than photography.<br />

He makes up stories, draws<br />

them directly on gelatin,<br />

strings them together in sequence,<br />

and shows them to an<br />

audience. Showings at the<br />

Musée Grévin from 1892 to 1900.<br />

Louis Aimée Augustin Le Prince<br />

(1841-1890) builds a movie camera<br />

and submits a patent<br />

application for it on January<br />

11 th 1888. He shoots on the Leeds<br />

Bridge and at Roundhay, his<br />

home in England, in October<br />

1888. These litt<strong>le</strong>-known experiments<br />

could be the oldest<br />

existing films.<br />

1889-90<br />

Whi<strong>le</strong> creating or modernizing<br />

magic shows in his theater, he<br />

also draws political caricatures<br />

for a newspaper founded<br />

by his cousin, Adolphe Méliès.<br />

This weekly paper, La Griffe, opposes<br />

General Boulanger, who<br />

is trying to mount a coup<br />

d’état in France. After his failure,<br />

the paper disappears.<br />

1891<br />

He founds the Académie de<br />

Prestidigitation (Academy of<br />

Conjuring), conferring a status<br />

on illusionists, previously<br />

viewed by the authorities as<br />

mere nomads or pedd<strong>le</strong>rs.<br />

Birth of motion picture<br />

1891-92<br />

USA / First motion picture camera,<br />

the Kinetograph, designed<br />

by W.K.L. Dickson for<br />

Thomas Edison, marketed in<br />

1894.<br />

1892<br />

Eastman Co. becomes Eastman<br />

Kodak, world <strong>le</strong>ader in film<br />

for photography and cinematography.<br />

1894<br />

USA / First movie studio, the<br />

Black Maria, built by Edison.<br />

USA / First (individual) projections<br />

of films using the Kinetoscope<br />

(peep show device).<br />

96<br />

1895<br />

The Lumière brothers, inventors<br />

of the Cinematograph,<br />

give their first public performance<br />

on December 28 th at the<br />

Grand Café, near the Robert-<br />

Houdin theater. Georges Méliès<br />

is invited to the premiere by<br />

their father, Antoine Lumière,<br />

a photographer he knows well.<br />

Feb 1 st 1895<br />

The Lumière brothers patent<br />

the cinematograph, but do<br />

not present it until March,<br />

followed by an official public<br />

presentation in December.<br />

August 1895<br />

France / L.Gaumont & Co.<br />

founded by Louis Gaumont.<br />

Nov 1 st 1895<br />

Germany / Max von Skladanovsky<br />

gives a public demonstration<br />

of his invention,<br />

the Bioscope, before demonstrating<br />

it at the Salon Indien,<br />

but the machine is heavy and<br />

impractical, and does not survive<br />

the competition with the<br />

Lumière machine.<br />

1895<br />

France / December 28 th , first<br />

on-screen projection by the<br />

Lumière brothers, who present<br />

a recording and projection<br />

system.<br />

1895-1896<br />

USA/Creation of the first major<br />

American movie companies:<br />

Vitagraph, Cineograph (Lubin),<br />

Polyoscope Company (Selig)<br />

and American Mutoscope Company,<br />

founded by W.K.L. Dickson<br />

among others (this later became<br />

American Mutoscope and<br />

Biograph (AM&B), and then<br />

Biograph Co).<br />

1896<br />

Creation of the Pathé Frères<br />

company by brothers Char<strong>le</strong>s<br />

and Emi<strong>le</strong> Pathé, marketing<br />

phonographs, cinematographs,<br />

and precision instruments.<br />

1896<br />

He uses this scientific invention<br />

for the purpose of enhancing<br />

the illusions in his<br />

shows at the Robert-Houdin<br />

theater. He manufactures his<br />

own filming device, the Kinetograph,<br />

and records his<br />

first films in April. His first<br />

film using ‘trick’ cinematography<br />

(by stopping the camera),<br />

Escamotage d’une dame<br />

(‘Vanishing Lady at Robert<br />

Houdin’s Place'), is produced<br />

the same year. Over the years,<br />

he invents the set of cinema<br />

tricks known today as ‘special<br />

effects’.<br />

Early 1896<br />

Launch of the Biograph, a<br />

projection device, by the American<br />

Mutoscope Company,<br />

which spreads all across the<br />

USA, as well as Europe from<br />

1897 onward.<br />

March2 nd 1896<br />

In the United Kingdom, Robert<br />

William Paul markets the<br />

Theatograph, a projector that<br />

will be acquired by Méliès.<br />

April20 rd 1896<br />

France / Louis Henri Char<strong>le</strong>s<br />

fi<strong>le</strong>s a patent application for<br />

a moving picture projection<br />

device.<br />

1897<br />

He orders the construction, to<br />

his own blueprints, of Studio<br />

A in the vegetab<strong>le</strong> garden of<br />

his property in Montreuilsous-Bois.<br />

This is the world’s<br />

first purpose-built, fully<br />

equipped movie studio.<br />

1898<br />

Edison starts ‘patent wars’<br />

with all of his competitors in<br />

the USA (projection and recording).<br />

97

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