Untitled - Onyx Classics

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CLAUDE DEBUSSY (1862–1918)3 mélodies de Verlaine1 I La mer est plus belle 2.262 II Le son du cor s’afflige vers les bois 3.183 III L’échelonnement des haies 1.304 Beau soir 2.34GABRIEL FAURÉ (1845–1924)Poème d’un jour op.215 I Rencontre 2.236 II Toujours 1.197 III Adieu 2.39L’Horizon chimérique op.1188 I La mer est infinie 1.359 II Je me suis embarqué 2.3410 III Diane, Séléné 2.0511 IV Vaisseaux, nous vous aurons aimés 1.5512 Les berceaux op.23 no.1 2.4513 En sourdine (5 mélodies ‘de Venise’) op. 58 3.1514 La chanson du pêcheur op. 4 no.1 3.1815 Larmes op. 51 no.1 2.30
FRANZ SCHUBERT (1797–1828)16 Der Schiffer 2.0017 Meeresstille 2.0018 Fahrt zum Hades 5.1419 Auf der Donau 3.2620 Erlafsee 4.4321 Gondelfahrer 2.1022 Rückweg 2.1623 Am Strome 2.3824 Gruppe aus dem Tartarus 3.18Total timing: 63.59Henk Neven baritoneHans Eijsackers pianoThis recording is a co-production with BBC Radio 3.Henk Neven is a former Radio 3 New Generation Artist.
Page 4 and 5: The SeaWhile recording my debut alb
Page 6 and 7: style, with a minimum of rubato, ex
Page 8 and 9: first published, with ‘Glücklich
Page 10 and 11: Paul Verlaine schrieb L’échelonn
Page 12 and 13: lieben wie sie!“). Larmes ist ein
Page 14 and 15: La MerDurant l’enregistrement de
Page 16 and 17: procession d’accords. Ces mélodi
Page 18 and 19: Mayrhofer comme une sérénade sens
Page 20 and 21: Three songsThe sea is lovelierthan
Page 22 and 23: for we will pass on, just like the
Page 24 and 25: The elusive horizon op.118The sea i
Page 26 and 27: I am of those who have land-lockedd
Page 28 and 29: I shall never love a womanas I love
Page 30 and 31: Journey to HadesThe boat creaks, cy
Page 32 and 33: The returnI approach with apprehens
Page 34 and 35: Biographies of the artists can be f
Page 36: Hans EijsackersONYX 4102www.onyxcla

Untitled - Onyx Classics

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