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Philippe le Chancelier et son oeuvre : étude sur l'élaboration d'une ...

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IDEM, « Philip the Chancellor and the Heresy Inquisition in Northern France, 1235-1236 », Viator, XXXVII (2006), p. 241-254.TREITLER, Leo, « Regarding M<strong>et</strong>er and Rhythm in the Ars Antiqua », The MusicalQuarterly, LXV/4 (1979), p. 524-558.IDEM, « Once More, Music and Language in Medieval Song », Essays on MedievalMusic: in Honor of David G. Hugues, Cambridge, 1995, p. 441-469.IDEM, With Voice and Pen, Cambridge, 2003.WALTHER, Hans, Das Streitgedicht in der lateinischen Literatur des Mittelalters,Munich, 1920.WERF, Hendrik van der, Integrated Directory of Organa, Clausulae, and Mot<strong>et</strong>s of theThirteenth Century, Rochester-New York, 1989.WHITCOMB, Pamela K., The Manuscript London, British Library, Egerton 274 : A Studyof its Origin, Purpose and Musical Repertory in Thirteenth-Century France,Ph.D. Diss., University of Texas, Austin, 2000.WILMART, André, « Poèmes de Gautier de Châtillon dans un manuscrit de Char<strong>le</strong>vil<strong>le</strong> »,Revue Bénédictine, XLIX (1937), p.121-169 <strong>et</strong> 322-365.IDEM, « Florilège mixte de Thomas Bekynton », Mediaeval Renaissance Studies, I(1941-1943), p. 41-84.WRIGHT, Craig, « Leoninus, Po<strong>et</strong> and Musician », JAMS, XXXIX/1 (1986), p. 1-35.IDEM, Music and Ceremony at Notre Dame of Paris, 500-1500, Cambridge, 1989.ZUMTHOR, Paul, La <strong>le</strong>ttre <strong>et</strong> la voix. De la « littérature » médiéva<strong>le</strong>, Paris, 1987.446

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