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Dossier de Presse - Fondation Groupama Gan pour le Cinéma

Dossier de Presse - Fondation Groupama Gan pour le Cinéma

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EXE NOUVELLE VAGUE:EXE LES VACANCES 23/04/09 14:47 Page 38suite!En 1962 puis en 1978, Tati retravail<strong>le</strong>ra sans cesse son film. Et après avoir vu Les Dents <strong>de</strong> la Mer <strong>de</strong> Steven Spielberg, Jacques Tati déci<strong>de</strong>même <strong>de</strong> retourner <strong>de</strong>s images à Saint-Marc-sur-Mer <strong>pour</strong> changer la fin <strong>de</strong> la fameuse scène du canoë tournée en 1951-1952. Il <strong>pour</strong>suit ainsi<strong>le</strong> processus <strong>de</strong> création autour <strong>de</strong> son personnage pendant plus <strong>de</strong> 25 ans.In 1962 and then in 1978, Tati worked on a new version of his film. And after seeing Steven Spielberg’s Jaws, he <strong>de</strong>ci<strong>de</strong>d to shoot more imagesin Saint-Marc-sur-Mer to change the end of the famous canoe scene shot in 1951-1952. So he continued the creative process of portrayingHulot for over 25 years.1.38

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