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The studies and criticisms on Hugo form a <strong>la</strong>rge and ever-increasing library. The most<br />

remarkable among them are the following:<br />

SAINTE-BEUVE. Critiques et Portraits littéraires. Articles on Victor Hugo. 1832.<br />

GUSTAVE PLANCHE. Nouveaux portraits littéraires. Studies and criticisms on some<br />

of Hugo's p<strong>la</strong>ys. 1832-8.<br />

Revue <strong>des</strong> Deux Mon<strong>des</strong>, passim. Articles by Gustave P<strong>la</strong>nche, A. Fontaney, and<br />

Charles Magnin.<br />

CHARLES ASSELINEAU. Mé<strong>la</strong>nges d'une bibliothèque romantique. 1867.<br />

LEONARD DE LOMÉNIE. Galerie <strong>des</strong> contemporains illustres. Vol. I. 1879.<br />

GUSTAVE DESSOFFY (le comte). Discours sur <strong>la</strong> vie littéraire de Victor Hugo. 1845.<br />

ELISA CHEVALIER. La Vérité sur Victor Hugo. 1850.<br />

EUGÈNE DE MIRECOURT. Victor Hugo. 1854.<br />

HIPPOLYTE CASTILLE. Victor Hugo.<br />

A. MAZURE. Les Poètes contemporains.<br />

ERNEST HAMEL. Victor Hugo. 1860.<br />

ALFRED NETTEMENT. Victor Hugo. 1862.<br />

MADAME VICTOR HUGO. Victor Hugo, raconté par un témoin de sa vie. 2 vols.<br />

1863.<br />

PAUL DE SAINT-VICTOR. Victor Hugo. 1885.<br />

E. DUPUIS. Victor Hugo, l'homme et le poète. 1897.<br />

PETIT DE JULLEVILLE. Histoire de <strong>la</strong> littérature française. 1894-1900.<br />

CH. RENOUVIER. Victor Hugo, le Poète et le philosophe. 2 vols. 1900.<br />

A. SLEUMER. Die Dramen von Hugo. Berlin, 1901.<br />

GASTON DESCHAMPS. Conférences sur Victor Hugo. 1898.<br />

ÉMILE FAGUET. Histoire de <strong>la</strong> littérature française. 1900.<br />

And a host of articles by such critics as Émile Montégut, Émile Augier, Edmond<br />

Scherer, without speaking of the innumerable notes and criticisms which have appeared<br />

on Hugo and his work in daily papers and periodicals both in France and in foreign<br />

countries.<br />

V.<br />

PORTRAITS.<br />

These are extremely numerous, but previously to 1851, that is, before Hugo left France,<br />

they all represent him as a clean-shaven man. After his exile Hugo grew a beard, hence<br />

the alteration so noticeable in the portraits subsequent to 1851.<br />

The portrait chosen (top of the document) represents Hugo in his youth, at the time of<br />

the first appearance of Notre-Dame de Paris.<br />

End of the Project Gutenberg EBook of La Légende <strong>des</strong> Siècles, by<br />

Victor Hugo<br />

*** END OF THIS PROJECT GUTENBERG EBOOK LA LÉGENDE DES SIÈCLES ***

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