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la légende des siecles

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LE CRAPAUD.<br />

To Hugo ugliness was as much a subject for pity as degradation or misery. Compare the<br />

following passage from Les Contemp<strong>la</strong>tions: Ce que dit <strong>la</strong> Bouche d'Ombre:—<br />

Pleurez sur les <strong>la</strong>ideurs et les ignominies.<br />

Pleurez sur l'araignée immonde, sur le ver,<br />

Sur <strong>la</strong> limace au dos mouillé comme l'hiver,<br />

Sur le vil puceron qu'on voit aux feuilles pendre,<br />

Sur le crabe hideux, sur l'affreux scolopendre,<br />

Sur l'effrayant crapaud, pauvre monstre aux doux yeux,<br />

Qui regarde toujours le ciel mystérieux.<br />

For Hugo's feeling for the brute creation, see Dieu: L'Ange.<br />

Augustules. The <strong>la</strong>st Emperor of Rome, Romulus, was given by the people the derisive<br />

nickname of Augustulus, or 'the little Augustus'. The capture of Ravenna in his reign by<br />

Odoacer marks the end of the Western Empire.<br />

vermeils. See note on AYMERILLOT.<br />

miroitait, glittered with light.<br />

farouche, hard, cruel.<br />

fauve, wild, shy. See note on ÉVIRADNUS, 1. 529.<br />

L. 103. A difficult expression. Apparently it refers to the harsh grating of the wheel<br />

against the side of the rut.<br />

connivence: the complicity of the burden upon his back with his master in keeping the<br />

ass in a straight course.<br />

I. 134. i.e. the sad and me<strong>la</strong>ncholy, such as the ass, are equal to the angels, if they feel<br />

pity.<br />

LES PAUVRES GENS.<br />

musoir, the head of a pier or jetty.<br />

vertes couleuvres. The serpent appealed to Hugo's poetic instinct, and he saw its shape<br />

and its glitter in many natural objects. Compare the following passages, for most of

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