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la légende des siecles

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incrusté d'érable, i. e. in<strong>la</strong>id with maple.<br />

bailli, i. e. governor.<br />

reître, an old word, derived from the German Reiter, used of the German knights.<br />

buccin, properly a whelk, is a name given to a musical instrument very simi<strong>la</strong>r to a<br />

trombone.<br />

brassière, a little jacket or vest worn close round the body. The word is usually used in<br />

the plural. Likely enough Hugo intends simply the corset.<br />

au penchant <strong>des</strong> mers, i. e. where the <strong>la</strong>nd slopes to the sea. A peculiar expression; au<br />

penchant de <strong>la</strong> terre would be more usual.<br />

les chouettes félines. The epithet refers to their nocturnal habits.<br />

L. 353. The antecedent of que is vautours. The reference is to g<strong>la</strong>diatorial combats in<br />

the Roman Circus, and the louve d'airain is the famous bronze wolf of the Capitol, a<br />

statue representing a wolf suckling two children.<br />

fauve, here `savage'. See note on ÉVIRADNUS.<br />

cru, i. e. unashamed.<br />

faîte vermeil. See note on AYMERILLOT. where the same phrase occurs.<br />

figurant, 'suggesting the form of". A highly characteritic touch. Hugo possessed a<br />

faculty of poetic vision which changed the shapes of things so as to bring them into<br />

harmony with the dominant ideas of the moment. Cf. LA ROSE DE L'INFANTE, and<br />

LA CONFIANCE.<br />

Héliogabales. Heliogabalus was a Roman Emperor (r. 217-222) noted for his sensuality<br />

and his caprices.<br />

cistre, cittern or cithern, a musical instrument resembling the guitar.<br />

un Louvre: the Louvre is the well-known pa<strong>la</strong>ce in Paris where many kings of France<br />

resided. Note the antithesis in the same line, antre de rois, Louvre de voleurs.<br />

les ors, various kinds of gold. Sixte Ma<strong>la</strong>spina, introduced as one of the counsellors of<br />

Ratbert in a poem entitled 'Ratbert' not given here.<br />

chape is the Picard form of 'cape' (see note on LES PAUVRES GENS). It is the name<br />

for a long cloak, fastened in front, and worn by clergy and choristers when performing<br />

Divine Service. Formerly any long loose cloak was called a charpe. As is still the<br />

custom in the Greek Church, images of the Virgin or saints are <strong>la</strong>rgely used, and they<br />

are found as ornaments on pieces of furniture and sacerdotal vestments.

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